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Come Follow The Band Flute
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You've selected:
Come Follow The Band Flute
Sheetmusic to print
91 sheet music found
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Jazz Flute Practice Session 1in All 12 Keys
Jazz Flute Practice Session 1in All 12 Keys
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Flute
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INTERMEDIATE
#
Andrew D
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Andrew D
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Jazz Flute Practice Session 1i
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A.D.G. Productions
#
SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.1037809 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,...
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Flute Solo - Level 3 - Digital Download SKU: A0.1037809 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Standards. Individual part. 5 pages. A.D.G. Productions #642713. Published by A.D.G. Productions (A0.1037809). Page 1 and Page 2 of this Jazz Flute Practice Session 1 takes a 4 measure progression through all 12 keys around the cycle of 4th.s. This is a I-VI-II-V-III-VI-II-V progression very common in Jazz. Page 3 creates an 8 measure progression in the key of C using this 4 measure riff. The audio file that accompanies the sheet music is split into 4 sections, Part 1 consists of the piano playing along with the rhythm backing tracks in all 12 keys. Part 2 consists of the rhythm backing tracks in all 12 keys for practicing purposes. Part 3 consists of the piano playing along with the rhythm backing tracks in the 12 bar blues progression format in the key of C. Part 4 consists of the rhythm backing tracks in the 12 bar blues progression format in the key of C to practice with. Optional MIDI files are available separately for a fee, contact sales@adgproductions.com With using software such as the free programs Musescore or Garage Band you will be able to do the following with the MIDI files: 1. Slow the tempo down to your skill level. 2. Change the key, allowing you the option of transposing the patterns into keys other than the written key. 3. Use the loop function to practice difficult measures repeatedly. 4. Use these patterns for ear training exercises by slowing the tempo down and looping a certain section repeatedly, try to play the correct notes using your ear rather than reading the music. Check out the various Flute books that I have authored at the publishers website A.D.G. Productions http://www.adgproductions.com and http://www.sheetmusicplus.com I have authored over 120 music instructional books for different instruments and numerous contemporary styles. Online Music Lessons and Consultations for Beginner to Advanced Students As the author of over 120 music instructional books for piano/keyboards, guitar, sax and flute I am available to teach music students from around the world in their home via the Internet using skype or facetime in many areas of music, Some of the areas of music that I have expertise in teaching for most instruments: Music styles: blues, jazz, rock, country, gospel, pop, funk, r&b. Learning how to improvise in all the above styles Piano/keyboard playing, music production, songwriting and composing, music career development, learning computer music software, how to play in a band, Music,theory and ear training, History of Rock and Roll All levels of students are welcome, from beginner to advanced. Most of the students have been people who have purchased my books and are interested in taking their music education to another level. I can be contacted at musiclessons@adgproductions.com.
$2.95 ≈
2.76€
Heading Home for Junior Big Band
Heading Home for Junior Big Band
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Jazz Ensemble
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BEGINNER
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Phil Thrift
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Heading Home for Junior Big Ba
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Phil Thrift
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.955736 Composed by Phil Thrift. Instructional,Jazz. Score and parts. 62 pages. Phil Thri...
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Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.955736 Composed by Phil Thrift. Instructional,Jazz. Score and parts. 62 pages. Phil Thrift #6037863. Published by Phil Thrift (A0.955736). Heading Home is a new, easy swing number for junior big band. This was originally a song and so essentially has a verse-refrain form. All the sections have something to do and there are short solos for the lead players. A tempo range is suggested so that bands with different abilities will be able to attempt this piece.Following the intro, which uses the refrain, the main theme is stated by unison saxes. The brass enter in the continuation of the main theme, with the saxes now in harmony. Unison trumpets then play the refrain and that is followed by the first solo section, which is cued in the lead alto sax, tenor sax, trumpet, and trombone parts as well as the optional flute. A solo is suggested but the chords are included so that players can try out their own ideas. This section is followed by a brief bridge passage played by the trombones and lower saxes. After that we hear the second part of the main theme again, which is followed by unison trumpets playing the refrain and another short solo section. At the change of key, the trombones and lower saxes take over the main theme at first. Following the final refrain, the outro with its walking bass, cross-stick now added to the rhythm, and syncopated accompaniment beneath a sax or flute solo ensures that this piece really is heading home, although it concludes on a quiet note.The actual notes of these charts are easy, but this piece still demands full concentration and that tight playing so crucial to the big band sound. Unison passages will test intonation. For players new to swing, I hope it will help them to become familiar with this style of music.
$19.99 ≈
18.71€
Flûte en suite
Flûte en suite
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Flute and Piano
#
ADVANCED
#
Joerg Widmann
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Flûte en suite
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Schott Music - Digital
#
SheetMusicPlus
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano ...
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99 ≈
52.40€
Come Follow The Band - Flute
Come Follow The Band - Flute
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Flute (band part)
#
Broadway
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Cy Coleman and Michael Stewart
#
Mark A
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Concert
#
Come Follow The Band - Flute
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Cy Coleman and Michael Stewart. Arranged by Mark A. Brymer. For Flute. Combo. Broadway; Concert; Light Concert; Musical/Show. Individual instrument part. 3 p...
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By Cy Coleman and Michael Stewart. Arranged by Mark A. Brymer. For Flute. Combo. Broadway; Concert; Light Concert; Musical/Show. Individual instrument part. 3 pages. Duration 2:40. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.55€
Welcome To The Jungle
Welcome To The Jungle
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Flute Quartet: 4 flutes
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INTERMEDIATE
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Guns N' Roses
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Diego Marani
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Welcome To The Jungle
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528233 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adl...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528233 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Rock,Standards. 15 pages. Diego Marani #5317403. Published by Diego Marani (A0.528233). Welcome to the Jungle is a song by American rock band Guns N' Roses, featured on their debut album, Appetite for Destruction (1987). Axl Rose and Slash are the main authors of the piece. In 2009 it was named the greatest hard rock song of all time by VH1, and the readers of Rolling Stone Magazine rated it the greatest sports anthem.This funky arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.It is suitable for classroom, repertoire and for a powerful encore.
$14.99 ≈
14.03€
A New Day Has Come
A New Day Has Come
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Celine Dion
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Ted Samuels
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manager, Rene Angelil &
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A New Day Has Come
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Theodore A. Samuels
#
SheetMusicPlus
Bass Clarinet,Bassoon,Double Bass,Electronic Keyboard,Flute,Horn,Medium-High Voice,Oboe,Piano,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1419720
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Bass Clarinet,Bassoon,Double Bass,Electronic Keyboard,Flute,Horn,Medium-High Voice,Oboe,Piano,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1419720 By Celine Dion. By Aldo Nova Caporuscio and Stephan Moccio. Arranged by Ted Samuels. 21st Century,Chamber,Contemporary,Pop,Spiritual. 45 pages. Theodore A. Samuels #1001142. Published by Theodore A. Samuels (A0.1419720). This is a wind combo arrangement of a song originally recorded by Celine Dion for her 2002 comeback album, A New Day Has Come, following her sabbatical to start her family with husband & manager, Rene Angelil & the birth of their 1st son, Rene-Charles.The performance time is approximately 5 minutes.
$49.99 ≈
46.78€
Everything Is Awesome (Awesome Remixxx!!!) (from The Lego® Movie): Flute
Everything Is Awesome (Awesome Remixxx!!!) (from The Lego® Movie): Flute
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Concert band
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Film/TV
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Akiva Schaffer, Andy Samberg,
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Everything Is Awesome
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016743_F1 Flute. Composed by Akiva Schaffer, Andy Samberg, Jorma Taccone, Joshua Bartholomew, and S...
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Concert Band - Digital Download SKU: AX.00-PC-0016743_F1 Flute. Composed by Akiva Schaffer, Andy Samberg, Jorma Taccone, Joshua Bartholomew, and Shawn Patterson. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016743_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016743_F1). UPC: 038081500454.From the hit animated film, The LEGO Movie, Everything Is Awesome is the infectious dance theme that is intertwined throughout the story of Emmet, an ordinary, follow the rules LEGO character who becomes the key to saving the world from the evil President Business. Featuring a driving bass line, this familiar gleeful theme is a sure winner! (2:15).
$3.00 ≈
2.81€
A Royal Welcome Home
A Royal Welcome Home
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Concert band
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BEGINNER
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Tom Tucker
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A Royal Welcome Home
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PDF Band Music
#
SheetMusicPlus
Concert Band - Grade 1 - Digital Download SKU: B0.PDF-BAND-18 Composed by Tom Tucker. A Royal Welcome Home is a compelling choice for Grade 1 level band ...
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Concert Band - Grade 1 - Digital Download SKU: B0.PDF-BAND-18 Composed by Tom Tucker. A Royal Welcome Home is a compelling choice for Grade 1 level band students. Multicultural. Score and Parts. 64 pages. PDF Band Music #PDF-BAND-18. Published by PDF Band Music (B0.PDF-BAND-18). 8.5 x 11 inches.A powerful opening statement introducing the royalty is followed by a noble melody which encapsulates the essence of this lovely two section musical selection. The second section features the clarinets and flutes, and feels more like being in a small royal chamber with courtesans. A Royal Welcome Home is written in Eb has a key change to Bb before returning to original key at the end. Ranges are modest, but focus should be placed on ensuring the counter-melodic lines are heard. Written for Grade 1 bands, A Royal Welcome Home can be used by more mature young bands.
$38.70 ≈
36.22€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.45€
Come Una Sentenza
Come Una Sentenza
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Concert band
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INTERMEDIATE
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Film/TV
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Ennio Morricone
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Lorenzo Bocci
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Come Una Sentenza
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1411697 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 61 pages. Lorenzo...
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Concert Band - Level 3 - Digital Download SKU: A0.1411697 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 61 pages. Lorenzo Bocci #993943. Published by Lorenzo Bocci (A0.1411697). COME UNA SENTENZA From The Paramount Picture Once Upon A Time In The Westfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 3'03''. Published by Lorenzo Bocci.Create Once Upon a Time in the West Suite (C'era una volta il West Suite) with:- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Come una sentenza - Farewell To Cheyenne - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Man with a Harmonica - YouTube ScorePlay - Sheet Music Direct - Sheet Music PlusInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Bass Drum, Electric Guitar.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Once Upon a Time in the West (C'era una volta il West) is a 1968 epic spaghetti Western film directed by Sergio Leone. It stars Henry Fonda, Charles Bronson, Jason Robards and Claudia Cardinale. The film is the first installment in Leone's Once Upon a Time trilogy, followed by Duck, You Sucker! and Once Upon a Time in America, though the films do not share any characters in common. In 2009, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. The film is regarded as one of the greatest Westerns of all time and one of the greatest films of all time.The music was written by composer Ennio Morricone, Leone's regular collaborator, who wrote the score under Leone's direction before filming began. As in The Good, the Bad and the Ugly, the haunting music contributes to the film's grandeur and is considered one of Morricone's greatest compositions.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
83.29€
Let's Stay Together
Let's Stay Together
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Al Green
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MAJOR SCORE PUBLISHING TM
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Let's Stay Together
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Major Score Publishing
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SheetMusicPlus
Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1370833
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Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1370833 By Al Green. By Al Green, Al Jackson, Jr., and Willie Mitchell. Arranged by MAJOR SCORE PUBLISHING TM. Pop,R & B,Singer/Songwriter,Soul,Wedding. 38 pages. Major Score Publishing #955174. Published by Major Score Publishing (A0.1370833). Let's Stay Together (Al Green) Singers! Perform this soulful classic arranged for Vocalist and 7 or 9 piece band today! Our premium sheet music arrangement of Let's Stay Together by Al Green is designed to deliver and exceed your expectations! Our sheet music is highly detailed to always deliver an authentic and consistent performance with fast rehearsals. Our drum part comes fully notated along with bass, keys (B3 organ & strings) and electric guitar. Our arrangement contains parts for 5 horns with the tenor sax doubling on flute. We have also included an extra alto sax/flute part to be used along with Trumpet 1 and trombone in case you have a 3 horn set up. This arrangement contains a 1 bar vocal break on the 3rd verse and 1 or 2 very tasteful modern chords launching the vocalist and building the energy into the final chorus vamp we know you and your listening audience will just love! This arrangement is in the original key of F Major. Check out the full YouTube demo to preview the entire chart!Whats included in your premium sheet music download?Voice | Alto sax | Tenor Sax/Flute | Trumpet 1 | Trumpet 2 | Trombone | Keys | Electric guitar | Electric bass | Drums | Full Score | Alternate Alto saxflute part for 3 hornsA fantastic resource for:•Featured Vocalists•Guest Entertainers•Headliners•Working band•Tribute Artists•Performing Arts OrganizationsCheck out all of arrangements available here and on our webiste!https://www.majorscorepublishing.com/Follow us today!Instagram@majorscorepublishingYouTube@majorscorepublishingTikTok@majorscorepublishingPinterest@majorscorepublishing
$74.99 ≈
70.18€
Holst: First Suite in Eb | Flute Choir
Holst: First Suite in Eb | Flute Choir
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Contemporary
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Gustav Holst
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Michael Barrera
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Holst: First Suite in Eb | Flu
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Michael Barrera
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Piccolo - Digital Download SKU: A0.998575 Composed by Gustav Holst. Arranged by Michael Barrera. 20th Century. 67 pages. Mic...
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Woodwind Ensemble Alto Flute,Piccolo - Digital Download SKU: A0.998575 Composed by Gustav Holst. Arranged by Michael Barrera. 20th Century. 67 pages. Michael Barrera #6114133. Published by Michael Barrera (A0.998575). Https://www.michaelbarreraflute.com/shop/p/first-suite-eb-flute Program Notes First Suite in E-flat by Gustav Holst is widely considered one of the masterworks of band literature and it is one of the earliest pieces written for wind ensemble. Completed in 1909, the suite did not premiere until 11 years later in 1920. Each of the three movements Chaconne, Intermezzo, and March is based on the same motif, seen at the beginning of each movement. The Chaconne begins with a ground bass stating the theme and follows with a set of 15 variations over it. The Intermezzo is brisk, making use of the agility of the winds. Last, the March is more lighthearted but then becomes more regal like a typical British march. Instrumentation 1 Piccolo 4 Flutes 1 Alto Flute 1 Bass Flute Parts may be doubled with more players as desired.
$39.99 ≈
37.42€
Man With The Harmonica
Man With The Harmonica
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Concert band
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INTERMEDIATE
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Film/TV
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Ennio Morricone
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Lorenzo Bocci
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Man With The Harmonica
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1413716 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 70 pages. Lorenzo...
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Concert Band - Level 3 - Digital Download SKU: A0.1413716 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 70 pages. Lorenzo Bocci #995501. Published by Lorenzo Bocci (A0.1413716). MAN WITH A HARMONICA From The Paramount Picture Once Upon A Time In The Westfor Concert Band (with Fanfare Band parts) - with Choir (SATB) optional (not present in the score) - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With Choir (SATB) optional (not present in the score). Score and parts. With Fanfare Band parts. Duration 3'29''. Published by Lorenzo Bocci.Create Once Upon a Time in the West Suite (C'era una volta il West Suite) with:- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Come una sentenza - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Farewell To Cheyenne - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Man with a HarmonicaInstrumentation:Full Score, Harmonica, Piccolo, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Tubolar Bells, Percussion 1 (Snare Drum), Percussion 2 (Bass Drum, Cymbals), Electric Guitar, Keyboard, Choir (SATB) (not present in the score).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Once Upon a Time in the West (C'era una volta il West) is a 1968 epic spaghetti Western film directed by Sergio Leone. It stars Henry Fonda, Charles Bronson, Jason Robards and Claudia Cardinale. The film is the first installment in Leone's Once Upon a Time trilogy, followed by Duck, You Sucker! and Once Upon a Time in America, though the films do not share any characters in common. In 2009, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. The film is regarded as one of the greatest Westerns of all time and one of the greatest films of all time.The music was written by composer Ennio Morricone, Leone's regular collaborator, who wrote the score under Leone's direction before filming began. As in The Good, the Bad and the Ugly, the haunting music contributes to the film's grandeur and is considered one of Morricone's greatest compositions.Subscribe to my YouTube Channel to stay updated on new releases.
$99.00 ≈
92.64€
A Royal Welcome Home
A Royal Welcome Home
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Concert band
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EASY
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Contemporary
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Tom Tucker
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A Royal Welcome Home
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Thomas E Tucker
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1007869 Composed by Tom Tucker. Contemporary. Score and parts. 63 pages. Thomas E Tucker #4309207. Publ...
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Concert Band - Level 2 - Digital Download SKU: A0.1007869 Composed by Tom Tucker. Contemporary. Score and parts. 63 pages. Thomas E Tucker #4309207. Published by Thomas E Tucker (A0.1007869). A powerful opening statement introducing the royalty is followed by a noble melody which encapsulates the essence of this lovely two section musical selection. The second section features the clarinets and flutes, and feels more like being in a small royal chamber with courtesans. A Royal Welcome Home is written in Eb has a key change to Bb before returning to original key at the end. Ranges are modest, but focus should be placed on ensuring the counter-melodic lines are heard. Written for Grade 1 bands, A Royal Welcome Home can be used by more mature young bands.
$38.00 ≈
35.56€
Schnoodles 32 Easy Flex Duets for Band (C Flute, Oboe, Var. Keyboards)
Schnoodles 32 Easy Flex Duets for Band (C Flute, Oboe, Var. Keyboards)
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Brad Carman
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Schnoodles 32 Easy Flex Duets
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Brad Carman
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SheetMusicPlus
Small Ensemble Flute,Marimba,Oboe,Vibraphone,Xylophone - Digital Download SKU: A0.799954 Composed by Brad Carman. Contemporary,Folk,Standards. Score and ...
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Small Ensemble Flute,Marimba,Oboe,Vibraphone,Xylophone - Digital Download SKU: A0.799954 Composed by Brad Carman. Contemporary,Folk,Standards. Score and parts. 55 pages. Brad Carman #5988523. Published by Brad Carman (A0.799954). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99 ≈
8.41€
Danny Boy for Concert Band -- Score
Danny Boy for Concert Band -- Score
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Concert band
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INTERMEDIATE/ADVANCED
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Benny G
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Benny G
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Danny Boy for Concert Band --
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Benny G.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1029321 Composed by Benny G. Arranged by Benny G. Celtic,Folk,Holiday. Score and parts. 17 pages. Benny...
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Concert Band - Level 4 - Digital Download SKU: A0.1029321 Composed by Benny G. Arranged by Benny G. Celtic,Folk,Holiday. Score and parts. 17 pages. Benny G. #4820863. Published by Benny G. (A0.1029321). The timeless Irish tune Londonderry Air comes alive in this bombasticarrangement for moderately-experienced wind band. Paying homage to brass bands ofthe British Isles, this piece features an expanded instrumentation with flugelhorn,separate baritone horn and euphonium parts, and optional Irish flute solos. A robustopening and fanfare (complete with simulated bagpipe drones in the low reeds andbrass) is followed by a brass choir and woodwind choir each reciting a verse. DannyBoy closes with a final exuberant refrain, full of the allure of the Emerald Isle.
$30.00 ≈
28.07€
Danny Boy for Concert Band -- Parts
Danny Boy for Concert Band -- Parts
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Concert band
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INTERMEDIATE/ADVANCED
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Benny G
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Benny G
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Danny Boy for Concert Band --
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Benny G.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1029322 Composed by Benny G. Arranged by Benny G. Celtic,Folk,Holiday. Score and parts. 42 pages. Benny...
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Concert Band - Level 4 - Digital Download SKU: A0.1029322 Composed by Benny G. Arranged by Benny G. Celtic,Folk,Holiday. Score and parts. 42 pages. Benny G. #4820875. Published by Benny G. (A0.1029322). The timeless Irish tune Londonderry Air comes alive in this bombasticarrangement for moderately-experienced wind band. Paying homage to brass bands ofthe British Isles, this piece features an expanded instrumentation with flugelhorn,separate baritone horn and euphonium parts, and optional Irish flute solos. A robustopening and fanfare (complete with simulated bagpipe drones in the low reeds andbrass) is followed by a brass choir and woodwind choir each reciting a verse. DannyBoy closes with a final exuberant refrain, full of the allure of the Emerald Isle.
$40.00 ≈
37.43€
DeSalvo: Flute
DeSalvo: Flute
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Concert band
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Instructional
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Carl Strommen
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Festival.
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DeSalvo: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0015855_F1 Flute. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sh...
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Concert Band - Digital Download SKU: AX.00-PC-0015855_F1 Flute. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015855_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015855_F1). UPC: 038081458496.Literally translated, the title The Salute was commissioned and dedicated to a band director of the same name. This original work opens with an expressive regal musical statement and develops into a driving, energetic frenzy initiated by the percussion section and followed by the entire ensemble. Utilizing subtle multi-meter and shifting pulse to enhance the excitement throughout, the work finishes with a suitably dramatic conclusion. It is a welcomed addition to the serious concert band literature. (5:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.81€
DeSalvo: 2nd Flute
DeSalvo: 2nd Flute
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Concert band
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Instructional
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Carl Strommen
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Festival.
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DeSalvo: 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0015855_F2 2nd Flute. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digita...
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Concert Band - Digital Download SKU: AX.00-PC-0015855_F2 2nd Flute. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015855_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015855_F2). UPC: 038081458496.Literally translated, the title The Salute was commissioned and dedicated to a band director of the same name. This original work opens with an expressive regal musical statement and develops into a driving, energetic frenzy initiated by the percussion section and followed by the entire ensemble. Utilizing subtle multi-meter and shifting pulse to enhance the excitement throughout, the work finishes with a suitably dramatic conclusion. It is a welcomed addition to the serious concert band literature. (5:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.81€
Super Hero: Flute
Super Hero: Flute
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Concert band
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Instructional
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Scott Watson
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Super Hero: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017019_F1 Flute. Composed by Scott Watson. Instructional. Part. 1 pages. Alfred Music - Digital She...
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Concert Band - Digital Download SKU: AX.00-PC-0017019_F1 Flute. Composed by Scott Watson. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017019_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017019_F1). UPC: 038081505824.The golden age of comic books comes to life in this action-packed tune, taking its inspiration from those iconic, super-powered champions of justice, the super heroes! Mirroring the shape of a classic super hero story, the piece begins with a powerful main theme and is followed by a brief contrasting section expressing resolve. A determined return to the hero theme includes some harmonic surprises! (1:40).
$3.00 ≈
2.81€
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Come Follow The Band Flute
