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FLUTE century
Not classified 3,659

Piano & keyboards
Piano solo 95
Piano Accompaniment 69
C Instruments 48
Easy Piano 33
Organ 27

Piano, Voice 26
Piano, Vocal and Guitar 8
1 Piano, 4 hands 7
Piano Trio: piano, violin, cello 6
Piano Quartet: piano, violin, viola, cello 3
2 Pianos, 4 hands 1
2 Organs (duet) 1
Harpsichord 1
Organ, Piano (duet) 1

+ 9 instrumentations

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Guitars
Melody line, (Lyrics) and Chords 14
Guitar 6
Guitar, Flute, Clarinet 4
Guitar notes and tablatures 3
Mandolin 1

2 Guitars (duet) 1

+ 1 instrumentations

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Voice
Choral SATB 70
Choral 3-part 24
Choral 2-part 19
Vocal duet 14
Choral Unison 13

Vocal duet, Piano 9
Choral TTBB 6
Choral SSAA 6
Voice solo 2
High voice 1
Alto voice, Piano 1
Soprano voice, Piano 1

+ 7 instrumentations

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Woodwind
Flute and Piano 2,400
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1,562
Flute 1,043
Flute, Oboe, Clarinet, Bassoon 809
2 Flutes (duet) 595

Flute and Guitar 485
Flute Quartet: 4 flutes 449
Flute, Clarinet (duet) 253
Flute Trio: 3 flutes 250
Flute ensemble 214
Oboe, Piano (duet) 101
Flute Quintet : 5 flutes 89
Flute, Violin 83
Flute, Clarinet and Bassoon. 80
Flute, Violoncello 78
Flute, Viola (duet) 64
Flute, Oboe, Clarinet (trio) 54
Flute, Cello, Piano (trio) 51
Flute, Saxophone (duet) 50
Flute, Oboe, Bassoon 46
Oboe, Flute 44
2 Flutes, Piano 41
Flute, Oboe (duet) 40
Flute (band part) 37
Clarinet, Guitar (duet) 34
Flute, Violin, Piano 33
Clarinet and Piano 33
Alto Saxophone and Piano 32
Flute, Trumpet (duet) 32
Flute, Viola and harp 29
Flute, Clarinet, Piano (trio) 27
Flute, Clarinet, Horn and Bassoon (Quartet) 22
Tenor Saxophone and Piano 21
Clarinet 19
Flute, Violin and Violoncello 17
Flute, Bassoon, and Piano 16
Flute, Organ (duet) 16
Oboe, Clarinet, Bassoon (trio) 16
Flute and Strings Trio 15
3 Saxophones (trio) 15
Oboe (band part) 11
2 Recorders (duet) 10
English Horn, Guitar (duet) 10
Flute, Viola and Piano 10
2 Clarinets (duet) 10
Flute, Trombone (duet) 9
3 Clarinets (trio) 9
Saxophone Quartet: 4 saxophones 9
Flute, harp and violin 9
Piccolo, Piano 8
Bass Clarinet, Piano 8
Flute, Oboe, Piano (trio) 8
Baritone Saxophone, Piano 8
Clarinet Quartet: 4 clarinets 7
2 Flutes and Guitar 6
Flute, Violin, Violoncello and Piano 5
2 Saxophones (duet) 5
Flute, Orchestra 5
Flute, Cello, Guitar 4
Clarinet Ensemble 4
Soprano Saxophone and Piano 4
Saxophone and Guitar 4
Flute, Violin, Guitar 4
Wind ensemble 4
Piccolo 3
Flute, Tuba (duet) 3
Flute and String Quartet 3
Clarinet Quintet: Clarinet, String Quartet 3
Recorder Quartet 3
Treble (Alto) Recorder 3
Flute, Harp and Cello 3
Flute, Clarinet, Violin (trio) 3
Recorder Ensemble 2
Descent (Soprano) Recorder, Piano 2
English horn, Piano 2
Clarinet, Bassoon (duet) 2
Flute, Viola and Cello 2
Clarinet Quintet: 5 clarinets 2
Saxophone ensemble 1
2 Saxophones, Piano 1
Flute, Oboe, Violin 1
Tenor Recorder 1
2 Flutes, 2 Clarinets (Quartet) 1
3 Recorders (trio) 1
Saxophone (band part) 1
Recorder 1
Oboe 1
2 Oboes (duet) 1
Clarinet, Violin (duet) 1
Descant (Soprano) Recorder 1
Oboe, Bassoon (duet) 1
Flute, trombone and piano 1

+ 87 instrumentations

- Retract

Woodbrass
Trombone and Piano 20
Trumpet, Piano 17
French Horn and Piano 13
Trumpet 10
English Horn, Guitar (duet) 10

Tuba and Piano 8
Brass Quintet: 2 trumpets, horn, trombone, tuba 8
Brass quartet : 2 trumpets, trombone, tuba 4
2 Trumpets (duet) 3
French horn 3
Trombone 2

Brass Quartet 2
English horn, Piano 2
Trumpet ensemble 1
Brass Quartet: 2 trumpets, 2 trombones 1
Trumpet, Trombone (duet) 1
Trombone and Orchestra 1
2 French horns (duet) 1
Euphonium, Piano (duet) 1
Trumpet, Horn (duert) 1
Brass Quartet: 2 trumpets, horn, trombone 1
Brass Quartet: 4 trombones 1

+ 17 instrumentations

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Strings
Harp, Flute (duet) 64
Violin and Piano 63
String Quartet: 2 violins, viola, cello 32
Cello, Piano 23
Violin, Guitar (duet) 22

Violin 21
Viola, Piano 20
String Trio: violin, viola, cello 12
Harp 11
Double bass, Piano (duet) 10
Flute, Doublebass (duet) 9
Cello, Guitar (duet) 7
2 Violins (duet) 5
Cello (band part) 5
2 Cellos (duet) 4
Viola 4
Piano Trio: Violin, Viola, Piano 3
Violin (band part) 3
String Trio: 2 violins, cello 2
Cello 2
String Quintet: 2 violins, viola, cello, bass 2
Viola, Guitar (duet) 2
4 Cellos 2
Violin, Cello (duet) 2
String trio 1
Double Bass 1
2 Harps (duet) 1
Violin, Viola (duet) 1
2 Violas (duet) 1

+ 24 instrumentations

- Retract

Percussion & orchestra
Concert band 356
Orchestra 232
Chamber Orchestra 166
Marching band 53
String Orchestra 48

Jazz Ensemble 26
Percussion Ensemble 10
Jazz combo 8
Brass ensemble 8
Xylophone, Piano 7
Piano and Orchestra 6
Handbells 4
Woodwind Quintet 3
Percussion (band part) 2
Vibraphone 2
Marimba 2
Marimba, Saxophone (duet) 1
Snare drums, Piano 1
Woodwind Trio: any 3 woodwinds 1
Drums 1

+ 15 instrumentations

- Retract

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FLUTE century

Trombone

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2 sheet music found

9.28.85

9.28.85 #Trombone #ADVANCED #Drake Mabry #9.28.85 #Drake Mabry #SheetMusicPlus

Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #201...(+)

Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchinâ€™s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as heâ€™s a wonderful musician, anything is possible, heâ€™s open to trying out new ideas and heâ€™s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited â€˜windowâ€™ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. Heâ€™s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between â€˜tsâ€™ and â€˜tshâ€™ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really â€˜speakâ€™ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.

$7.99 ≈ 7.46€

Syrinx for Unaccompanied Tenor Trombone

Syrinx for Unaccompanied Tenor Trombone #Trombone #ADVANCED #Classical #Claude Debussy #Sauer, Ralph #Syrinx for Unaccompanied Tenor #Gordon Cherry #SheetMusicPlus

Trombone Solo - Level 5 - Digital Download SKU: A0.792272 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Indiv...(+)

Trombone Solo - Level 5 - Digital Download SKU: A0.792272 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Individual part. 3 pages. Gordon Cherry #4803745. Published by Gordon Cherry (A0.792272). Debussy composed this breathtaking unaccompanied work in 1913, and it became the first solo work for the BoÌˆhm flute and the first solo work by a major composer since C.P.E. Bach almost 150 years earlier! The music allows wide latitude for interpretation and can really show off the musical imagination of the performer. The great French flautist Marcel Moyse is credited with adding phrasing and barlines to his friend Debussy's new work. In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a riverâ€™s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the godâ€™s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as syrinx. This work of 2 1/2 minutes for advanced performers can add a new dimension to your recital, as it is often performed offstage.

$10.00 ≈ 9.34€