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In folk style
Not classified 860

Piano & keyboards
Easy Piano 270
Piano solo 236
Piano, Vocal and Guitar 33
Piano, Voice 29
C Instruments 17

Organ 12
Accordion 9
Piano Trio: piano, violin, cello 6
Piano Accompaniment 6
1 Piano, 4 hands 4
2 Pianos, 4 hands 2

1 Piano, 6 hands 1
2 Accordions 1

+ 8 instrumentations

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Guitars
Guitar notes and tablatures 100
Guitar 78
Ukulele 18
Mandolin 9
2 Guitars (duet) 7

Dulcimer 6
Banjo 5
Melody line, (Lyrics) and Chords 4
Lyrics and Chords 4
Guitar Ensemble 4
Bass guitar 3
Mandolin, Guitar (duet) 1
3 Guitars (trio) 1

+ 8 instrumentations

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Voice
Choral SATB 79
Choral 3-part 44
Choral TTBB 34
Choral SSAA 26
Choral 2-part 18

Choral Unison 17
Alto voice, Piano 5
Voice, Guitar 1
Low voice 1
Medium voice, Piano 1
Choral SSAATTBB 1
Choral 1
Tenor voice, Piano 1
Vocal duet, Piano 1

+ 9 instrumentations

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Woodwind
Flute and Piano 109
2 Saxophones (duet) 54
Saxophone ensemble 41
Saxophone Quintet: 5 Saxophones 34
2 Clarinets (duet) 33

2 Flutes (duet) 30
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 28
Saxophone, Clarinet (duet) 24
Alto Saxophone and Piano 21
Oboe, Piano (duet) 19
Clarinet, Violin (duet) 17
Saxophone Quartet: 4 saxophones 17
Clarinet, Trumpet (duet) 17
Clarinet and Piano 17
Clarinet Quartet: 4 clarinets 16
Flute, Oboe, Clarinet, Bassoon 16
Tenor Saxophone and Piano 15
Flute 15
Clarinet Ensemble 12
Oboe, Bassoon (duet) 12
Soprano Saxophone and Piano 11
Oboe, Clarinet (duet) 11
Flute, Clarinet (duet) 11
Flute, Violin 11
Clarinet and Viola 10
2 Oboes (duet) 10
Flute and Guitar 10
Flute, Viola (duet) 9
Alto Saxophone 9
Clarinet 9
Flute, Saxophone (duet) 8
Oboe, Flute 7
Flute, Trumpet (duet) 7
Flute ensemble 7
Flute Quartet: 4 flutes 5
Flute Quintet : 5 flutes 5
Saxophone (band part) 5
Clarinet Quintet: 5 clarinets 4
3 Saxophones (trio) 3
Flute, Oboe (duet) 3
Saxophone and Organ 3
Clarinet (band part) 2
Oboe, Violin (duet) 2
Clarinet Quintet: Clarinet, String Quartet 2
Recorder Quartet 2
Oboe 2
Clarinet, Guitar (duet) 2
Baritone Saxophone, Piano 2
Flute, Clarinet, Piano (trio) 2
2 Recorders (duet) 2
Saxophone and Guitar 2
Oboe (band part) 2
English horn, Piano 2
Harmonica 2
Flute Trio: 3 flutes 1
Clarinet, Trombone (duet) 1
Clarinet, Cello (duet) 1
Recorder 1
Oboe, Cello 1
Oboe, Harp 1
Flute, Trombone (duet) 1
Descant (Soprano) Recorder 1
Clarinet, Harp (duet) 1
Flute, harp and violin 1
Oboe, Guitar (duet) 1
Flute, Oboe, Bassoon 1
3 Clarinets (trio) 1
Flute, Violoncello 1

+ 63 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 43
Brass Quintet: 2 trumpets, horn, trombone, tuba 38
Brass Quartet: 2 trumpets, horn, trombone 25
Trumpet, Saxophone (duet) 17
Trombone ensemble 13

2 Trombones (duet) 11
Trombone and Piano 11
Trumpet, Trombone (duet) 11
2 Trumpets (duet) 9
Trumpet 9
Trumpet ensemble 8
Trumpet, Piano 7
French Horn and Piano 6
Tuba and Piano 4
Trombone 4
French horn 3
Brass Quartet 3
Trumpet, Harp 2
Euphonium, Piano (duet) 2
Brass Quartet: 4 horns 2
Trumpet (band part) 2
2 Euphoniums and 2 Tubas 2
French Horn and Harp 2
Brass Quartet: 4 trombones 2
English horn, Piano 2
4 Tubas 2
2 Trumpets, Keyboard (piano or organ) 1
3 Trombones (trio) 1
Trombone (band part) 1
Tuba ensemble 1

+ 25 instrumentations

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Strings
Violin and Piano 91
String Quartet: 2 violins, viola, cello 73
Harp 36
Violin 34
Violin, Cello (duet) 22

Cello, Piano 19
2 Violins (duet) 17
Viola, Piano 16
Violin, Viola (duet) 11
2 Violas (duet) 10
2 Cellos (duet) 10
Cello 8
Violin, Guitar (duet) 8
Violin (band part) 7
Viola ensemble 5
Cello (band part) 5
String Trio: violin, viola, cello 5
Viola 5
Violin ensemble 5
String Trio: 2 violins, cello 4
Cello, Guitar (duet) 4
Harp, Flute (duet) 4
Viola, Guitar (duet) 4
Harp, Violin (duet) 3
Double bass, Piano (duet) 3
Autoharp 2
2 Harps (duet) 2
Viola and Harp 2
Violoncello, Basso continuo 1
Harp and mandolin 1
Harp, Cello (duet) 1
String Trio: 2 violins, viola 1
String Quintet: 2 violins, viola, cello, bass 1
String Quintet: 2 violins, 2 violas, cello 1
Cello, Orchestra 1
Viola (band part) 1
Doublebass (band part) 1
Violin, Bassoon (duet) 1
Viola and Bassoon 1
4 Harps 1
String Trio: 3 cellos 1
Viola, Cello (duet) 1
Double Bass 1
Piano Trio: Violin, Viola, Piano 1

+ 39 instrumentations

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Percussion & orchestra
Concert band 262
String Orchestra 62
Orchestra 21
Brass ensemble 10
Chamber Orchestra 9

Jazz Ensemble 8
Handbells 8
Jazz combo 8
Percussion Ensemble 5
Marching band 3
Drums 1

+ 6 instrumentations

- Retract

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In folk style

2 Pianos, 4 hands

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Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland

Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland #2 Pianos, 4 hands #ADVANCED #James Nathaniel Holland #Jazz Piano Concerto No 2 in Ab #James Nathaniel Holland #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Sc...(+)

2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland

$9.95 ≈ 9.14€

Sonata Hymnica No. 6

Sonata Hymnica No. 6 #2 Pianos, 4 hands #INTERMEDIATE/ADVANCED #James Siddons #Sonata Hymnica No. 6 #James Siddons Music and Writings #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. OneÂ performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the trebleÂ staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianosÂ doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern thatÂ begins in measure 37. A standing conductor (not playing piano) may be desired. Â Although repetitive, the music in this sonata rarely repeats itselfÂ exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oralÂ tradition. ProgramÂ Note (for use in concert programs) by James Siddons Â The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns andÂ vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar wordsÂ sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for pianoÂ ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixthÂ sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shapedÂ by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours andÂ cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from theÂ Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speakÂ ofÂ standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strainsÂ of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-centuryÂ African Americans. He refers to their singing as the Frenzy or â€˜Shouting,â€™ when the Spirit of the Lord passed by, and seizing theÂ devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms,Â the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as wellÂ as percussive polyrhythms.

$10.00 ≈ 9.19€