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Night Rhythms
Not classified 61

Piano & keyboards
Piano solo 34
Easy Piano 10
Piano, Vocal and Guitar 1
C Instruments 1
Piano Trio: piano, violin, cello 1

Piano, Voice 1
1 Piano, 4 hands 1

+ 2 instrumentations

- Retract

Guitars
Guitar notes and tablatures 12
Ukulele 2
Melody line, (Lyrics) and Chords 2
Guitar 2
2 Dulcimers (duet) 1

Voice
Choral SATB 13
Choral Unison 2
Choral 3-part 2
Choral 2-part 1
Soprano voice, Piano 1

Woodwind
2 Saxophones (duet) 12
Saxophone, Clarinet (duet) 9
Flute and Piano 5
Clarinet, Violin (duet) 5
2 Flutes (duet) 5

Saxophone (band part) 4
Saxophone Quintet: 5 Saxophones 4
Clarinet, Trumpet (duet) 4
Clarinet Quintet: 5 clarinets 4
Oboe, Piano (duet) 4
Alto Saxophone 3
Clarinet 3
Flute Quartet: 4 flutes 3
2 Clarinets (duet) 3
Flute 3
Flute, Clarinet (duet) 3
Clarinet Quartet: 4 clarinets 3
Clarinet and Viola 3
Flute, Trumpet (duet) 2
Oboe, Flute 2
Flute, Viola (duet) 2
Oboe (band part) 2
Flute, Saxophone (duet) 2
Clarinet Ensemble 2
Flute, Violin 2
Tenor Saxophone and Piano 2
Clarinet and Piano 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Oboe, Bassoon (duet) 2
Recorder Quartet 2
2 Oboes (duet) 2
Bass Clarinet, Piano 2
Baritone Saxophone, Piano 2
Oboe, Clarinet (duet) 2
Soprano Saxophone and Piano 2
Alto Saxophone and Piano 2
Flute ensemble 1
Saxophone ensemble 1
English horn, Piano 1
5 Recorders 1
Flute and Guitar 1
Flute, Oboe, Clarinet, Bassoon 1

+ 37 instrumentations

- Retract

Woodbrass
French horn 4
Trumpet, Saxophone (duet) 4
French Horn and Piano 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 3
Trombone 2

2 Trombones (duet) 2
Trombone and Piano 2
Euphonium, Piano (duet) 2
Trumpet, Trombone (duet) 2
Trumpet 2
Horn Ensemble 1
English horn, Piano 1
Trumpet ensemble 1
Brass Quartet: 4 trombones 1
Brass quartet : 2 trumpets, trombone, tuba 1
Trumpet, Piano 1
2 Tubas (duet) 1

+ 12 instrumentations

- Retract

Strings
Violin and Piano 16
String Quartet: 2 violins, viola, cello 9
Violin 6
Cello (band part) 3
Harp 3

2 Violins (duet) 2
Violin, Viola (duet) 2
Double Bass 2
Cello, Piano 2
Violin, Cello (duet) 2
2 Violas (duet) 2
2 Cellos (duet) 2
Double bass, Piano (duet) 2
Viola, Piano 2
Viola 1
String Trio: 2 violins, cello 1
4 Cellos 1

+ 12 instrumentations

- Retract

Percussion & orchestra
Concert band 58
String Orchestra 12
Chamber Orchestra 5
Handbells 4
Jazz Ensemble 4

Percussion Ensemble 3
Brass ensemble 3
Marching band 2
Orchestra 2

Percussion (band part) 1

+ 5 instrumentations

- Retract

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Night Rhythms

Orchestra

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2 sheet music found

Divinum Mysterium

Divinum Mysterium #Orchestra #INTERMEDIATE/ADVANCED #12th Century Plainchant #Robert Myers #Oboe 1,2 #Divinum Mysterium #WheatMyer Music #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) â€“ Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. Iâ€™ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves donâ€™t arrive in steady rhythms, these musical waves are variable â€“ sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully â€“ a child is born, and (3) contemplative â€“ God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Donâ€™t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiahâ€™s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn â€“ one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the shipâ€™s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB

$75.00 ≈ 69.11€

Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only

Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only #Orchestra #ADVANCED #Classical #doing so, you will be able to #Various #Takahiro Kim #Orchestral Excerpts for Tuba w #Gordon Cherry #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 11...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Nightâ€™s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.

$30.00 ≈ 27.64€