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Sunday Melody
Not classified 231

Piano & keyboards
Piano, Voice 116
Piano solo 42
Organ 14
Easy Piano 7
Piano, Vocal and Guitar 7

Piano Accompaniment 6
Big Note Piano 4
1 Piano, 4 hands 1

+ 3 instrumentations

- Retract

Guitars
Melody line, (Lyrics) and Chords 56
Guitar 2
Guitar notes and tablatures 2
Ukulele 2
Piano, Guitar (duet) 1

Voice
Choral SATB 75
Choral Unison 29
Choral 2-part 22
Choral 3-part 22
Choral TTBB 14

Vocal duet, Piano 7
Vocal duet 4
Voice solo 2
High voice 1
Choral SATTBB A Cappella 1

+ 5 instrumentations

- Retract

Woodwind
Flute and Piano 10
Clarinet and Piano 9
3 Saxophones (trio) 7
Alto Saxophone and Piano 6
2 Saxophones (duet) 6

Saxophone Quartet: 4 saxophones 5
Saxophone Quintet: 5 Saxophones 5
Tenor Saxophone and Piano 5
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4
Oboe, Piano (duet) 4
Baritone Saxophone, Piano 4
Soprano Saxophone and Piano 4
Flute 4
Bass Clarinet, Piano 3
2 Clarinets (duet) 3
English horn, Piano 3
Clarinet Quartet: 4 clarinets 2
Flute, Clarinet (duet) 2
2 Recorders (duet) 2
Flute Quintet : 5 flutes 2
Clarinet 2

Flute, Oboe, Clarinet (trio) 2
Eb Instruments 2
Flute Trio: 3 flutes 1
Oboe, Harp 1
Recorder Quartet 1
Flute ensemble 1
Clarinet, Harp (duet) 1
Oboe ensemble 1
Descent (Soprano) Recorder, Piano 1
Flute, Oboe, Clarinet, Bassoon 1
Piccolo, Piano 1
Clarinet, Bassoon (duet) 1
Saxophone (band part) 1
3 Clarinets (trio) 1
2 Flutes (duet) 1
Tenor Recorder 1
Clarinet Quintet: 5 clarinets 1

+ 33 instrumentations

- Retract

Woodbrass
Trombone and Piano 7
French Horn and Piano 5
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Trumpet, Piano 4
2 Trumpets (duet) 4

Euphonium, Piano (duet) 4
Trumpet 4
Trumpet, Horn (duert) 3
English horn, Piano 3
2 French horns (duet) 2
Bass Clef Instruments 2
Bb Instruments 2
Tuba and Organ 2
Trumpet, Trombone (duet) 1
3 Tubas (trio) 1
Brass quartet : 2 trumpets, trombone, tuba 1
3 French horns (trio) 1
3 Trombones (trio) 1
Brass Quartet: 2 trumpets, 2 trombones 1
Brass Quartet: 4 trombones 1
Brass Quartet: 4 horns 1
Horn Ensemble 1
Brass Quartet: 2 trumpets, horn, trombone 1
2 Trombones (duet) 1
2 Tubas (duet) 1

+ 20 instrumentations

- Retract

Strings
Violin and Piano 10
Violin 9
Viola 7
Cello (band part) 7
String Quartet: 2 violins, viola, cello 7

Viola, Piano 6
Violin, Cello (duet) 4
Cello, Piano 4
Violin, Guitar (duet) 2
String Trio: violin, viola, cello 2
Double bass, Piano (duet) 2
2 Cellos (duet) 2
Harp, Violin (duet) 1
Piano Trio: Violin, Viola, Piano 1
String Trio: 3 violins 1
Harp, Flute (duet) 1
2 Violas (duet) 1
4 Cellos 1
Harp 1
String Trio: 3 violas 1
String Quartet : 4 violas 1
2 Violins (duet) 1
String Trio: 3 cellos 1
String quartet: 4 violins 1

+ 19 instrumentations

- Retract

Percussion & orchestra
Handbells 21
String Orchestra 6
Chamber Orchestra 2
Orchestra 2
Jazz combo 1

Xylophone, Piano 1
Jazz Ensemble 1

+ 2 instrumentations

- Retract

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Sunday Melody

Clarinet

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2 sheet music found

Bach: Wachet auf for Alto Clarinet & Piano

Bach: Wachet auf for Alto Clarinet & Piano #Clarinet #EASY #Classical #Johann Sebastian Bach #James M # #Bach: Wachet auf for Alto Clar #jmsgu3 #SheetMusicPlus

E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert...(+)

E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.

$24.95 ≈ ¥181.02

ARIOSO, by J. S. Bach (sinfonia) - for Eâ™ Clarinet and accompaniment

ARIOSO, by J. S. Bach (sinfonia) - for Eâ™ Clarinet and accompaniment #Clarinet #BEGINNER #Classical #Johann Sebastian Bach #Leyandder Trustworthy #ARIOSO, by J. S. Bach #Leyandder Trustworthy #SheetMusicPlus

Clarinet,Piano - Level 1 - Digital Download SKU: A0.964373 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sa...(+)

Clarinet,Piano - Level 1 - Digital Download SKU: A0.964373 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6320839. Published by Leyandder Trustworthy (A0.964373). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner GÃ¼t (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Eâ™ Clarinet along with a piano accompaniment that comes with the product.

$1.99 ≈ ¥14.44