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It's Not Over Yet
Not classified 49

Piano & keyboards
Piano solo 44
Piano, Vocal and Guitar 18
Piano, Voice 5
Easy Piano 4
Piano Trio: piano, violin, cello 2

Organ 1
C Instruments 1
1 Piano, 4 hands 1

+ 3 instrumentations

- Retract

Guitars
Guitar 7
Guitar notes and tablatures 3
Lyrics and Chords 2
2 Guitars (duet) 2
Bass guitar 2

Banjo 1
Melody line, (Lyrics) and Chords 1

+ 2 instrumentations

- Retract

Voice
Choral SATB 17
Alto voice, Piano 9
Choral 3-part 3
Choral SSAA 2
Choral TTBB 2

Tenor voice 2
Medium voice, Piano 1
Soprano voice, Piano 1
Baritone voice, Piano 1

+ 4 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 10
Flute and Piano 9
Clarinet and Piano 9
Saxophone Quartet: 4 saxophones 8
2 Saxophones (duet) 7

Saxophone Quintet: 5 Saxophones 7
Descant (Soprano) Recorder 4
Flute, Oboe, Clarinet, Bassoon 3
Clarinet 3

Alto Saxophone and Piano 3
2 Flutes (duet) 3
Baritone Saxophone, Piano 3
Oboe (band part) 2
Clarinet, Bassoon (duet) 2
Oboe, Piano (duet) 2
2 Clarinets (duet) 2
2 Oboes (duet) 2
Clarinet Ensemble 2
Bass Clarinet, Piano 2
Soprano Saxophone and Piano 1
Clarinet Quartet: 4 clarinets 1
Clarinet, Cello (duet) 1
English horn, Piano 1
Tenor Saxophone and Piano 1
Flute 1
Clarinet Quintet: 5 clarinets 1
Flute and Guitar 1
Saxophone ensemble 1
2 Saxophones, Piano 1

+ 24 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 10
Brass Quartet: 2 trumpets, horn, trombone 7
Trumpet 3
2 Trombones (duet) 2
French horn 2

2 Trumpets (duet) 2
2 French horns (duet) 2
Euphonium, Piano (duet) 2
Tuba and Piano 1
Trombone and Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1
English horn, Piano 1
2 Tubas (duet) 1
Trumpet, Piano 1

+ 9 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 15
String Quintet: 2 violins, viola, cello, bass 7
Violin 4
2 Violins (duet) 2
Violin and Piano 2

Harp 2
2 Cellos (duet) 2
2 Violas (duet) 2
Double Bass 1
String Trio: 2 violins, cello 1
Viola (band part) 1
Cello 1
2 Double basses (duet) 1

+ 8 instrumentations

- Retract

Percussion & orchestra
Orchestra 9
Concert band 6
String Orchestra 5
Brass ensemble 2
Marimba 1

Chamber Orchestra 1
Jazz Ensemble 1

+ 2 instrumentations

- Retract

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It's Not Over Yet

Clarinet

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Mendelssohn: Wedding March for Alto Clarinet & Piano

Mendelssohn: Wedding March for Alto Clarinet & Piano #Clarinet #INTERMEDIATE #Classical #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Wedding March for #jmsgu3 #SheetMusicPlus

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...(+)

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohnâ€™s Wedding March is so popular that itâ€™s difficult to imagine a wedding without it. It seems like itâ€™s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâ€™s music for the Shakespeare play A Midsummer Nightâ€™s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.

$24.95 ≈ 22.29€

Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb

Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb #Clarinet #INTERMEDIATE/ADVANCED #Benjamin Harry Sajo #Kommos #Benjamin Sajo #SheetMusicPlus

Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin...(+)

Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethovenâ€™s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove thatâ€™s just began to overflow its bubbles.â€ƒThe first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen Kingâ€™s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.â€ƒTaken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:â€ƒBenjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 ≈ 3.13€

Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano

Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano #Clarinet #INTERMEDIATE #Classical #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Song Without Word #jmsgu3 #SheetMusicPlus

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructi...(+)

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

$32.95 ≈ 29.44€