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Old English Air
Not classified 68

Piano & keyboards
Piano solo 15
Piano, Voice 9
Easy Piano 7
Piano, Vocal and Guitar 3
Accordion 1

Organ 1
Piano Trio: piano, violin, cello 1

+ 2 instrumentations

- Retract

Guitars
Guitar 4

Melody line, (Lyrics) and Chords 2
Ukulele 1
Guitar notes and tablatures 1

Voice
Choral SATB 23
Choral 3-part 14
Choral 2-part 4
Choral TTBB 3
Choral SSAA 3

Choral 1
Medium voice, Piano 1
Soprano voice, Piano 1
Tenor voice, Piano 1

+ 4 instrumentations

- Retract

Woodwind
English horn, Piano 3
Treble (Alto) Recorder, Piano 3
Flute, Oboe, Clarinet, Bassoon 3
Oboe, Piano (duet) 3
English Horn, Guitar (duet) 2

Clarinet and Piano 2
2 Saxophones (duet) 2
Flute and Piano 2
English Horn 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Flute Quartet: 4 flutes 1
Clarinet, Bassoon (duet) 1
Flute 1
Soprano Saxophone and Piano 1
Alto Saxophone 1
3 Clarinets (trio) 1
Clarinet Quartet: 4 clarinets 1
Alto Saxophone and Piano 1
2 Clarinets (duet) 1
English horn, Harp (duet) 1
3 Saxophones (trio) 1
2 Recorders (duet) 1
2 Oboes (duet) 1
Recorder Quartet 1
Saxophone Quartet: 4 saxophones 1
Tenor Saxophone and Piano 1
Tenor Saxophone 1
Oboe (band part) 1
Clarinet 1

+ 24 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
English horn, Piano 3
English Horn, Guitar (duet) 2
English Horn 2
Trumpet, Piano 2

2 Trumpets (duet) 1
Trombone and Piano 1
English horn, Harp (duet) 1
2 French horns (duet) 1
Trumpet 1
2 Trombones (duet) 1
Trombone 1
French horn 1
Brass Quartet 1

+ 9 instrumentations

- Retract

Strings
Cello, Piano 6
Violin and Piano 5
String Quartet: 2 violins, viola, cello 5
Viola (band part) 3
Violin 2

Harp 2
Cello 2
String Trio: violin, viola, cello 2
Viola, Piano 2
2 Cellos (duet) 1
2 Violins (duet) 1
String Trio: 2 violins, cello 1
Harp, Flute (duet) 1

+ 8 instrumentations

- Retract

Percussion & orchestra
Orchestra 11
Concert band 7
Chamber Orchestra 3
Brass ensemble 2
Percussion Ensemble 2

Handbells 1

+ 1 instrumentations

- Retract

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Old English Air

Guitar

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4 sheet music found

Galliards and Airs

Galliards and Airs #Guitar #Galliards and Airs #Schott Music - Digital #SheetMusicPlus

Guitar - Digital Download SKU: S9.Q15744 5 old English Lute Pieces. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digita...(+)

Guitar - Digital Download SKU: S9.Q15744 5 old English Lute Pieces. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q15744. Published by Schott Music - Digital (S9.Q15744).

$11.99 ≈ 10.74€

Élégie

Élégie #Guitar #INTERMEDIATE #Contemporary #Francis Bebey #Ingrid Riollot #Élégie #Les Editions Doberman-Yppan #SheetMusicPlus

Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...(+)

Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est nÃ© Ã Douala en juillet 1929, dans une grande famille oÃ¹ son pÃ¨re, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunitÃ© d'aller Ã l'Ã©cole. Admirant son frÃ¨re aÃ®nÃ©, Marcel Eyidi Bebey, il s'est Ã©duquÃ©, s'est distinguÃ©, et a finalement reÃ§u une bourse pour passer son baccalaurÃ©at en France.Nous approchions de la fin des annÃ©es 1950 lorsqu'il est arrivÃ© Ã La Rochelle. Plus que jamais, dans cette France oÃ¹ les Africains Ã©taient regardÃ©s avec curiositÃ©, condescendance ou dÃ©dain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalaurÃ©at, puis s'est installÃ© Ã Paris oÃ¹ il a commencÃ© des Ã©tudes d'anglais Ã la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son mÃ©tier en France et aux Ã?tats-Unis.AprÃ¨s avoir travaillÃ© quelques annÃ©es comme reporter, il a Ã©tÃ© embauchÃ© en 1961 en tant que fonctionnaire international au DÃ©partement de l'information de l'UNESCO.ParallÃ¨lement, Francis a toujours Ã©tÃ© attirÃ© par la crÃ©ation musicale. Son activitÃ© diurne trÃ¨s sÃ©rieuse ne l'empÃªchait pas de frÃ©quenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique Ã la mode Ã cette Ã©poque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait Ã de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scÃ¨ne et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en Ã©coutant les cantates et les oratorios de Bach ou Handel que son pÃ¨re chantait au temple. Il s'est passionnÃ© pour la guitare, impressionnÃ© par les maÃ®tres espagnols et sud-amÃ©ricains, et a dÃ©cidÃ© d'apprendre Ã jouer de l'instrument lui-mÃªme.Il a commencÃ© Ã composer des piÃ¨ces pour guitare, mÃªlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivÃ© le directeur du Centre culturel amÃ©ricain (alors situÃ© dans le quartier de Saint-Germain Ã Paris), qui lui a offert l'opportunitÃ© de se produire devant un public. Francis y a donnÃ© son premier rÃ©cital de guitare (1963) devant un public hypnotisÃ©. Son premier album solo est sorti peu de temps aprÃ¨s.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le dÃ©crivait la presse, sont sortis. Il a Ã©galement Ã©crit des livres, au point que sa carriÃ¨re artistique est devenue difficile Ã concilier avec sa carriÃ¨re de fonctionnaire. En 1974, mÃªme s'il Ã©tait devenu le directeur gÃ©nÃ©ral chargÃ© de la musique Ã l'UNESCO, il a fait le saut audacieux et a dÃ©missionnÃ© de cette prestigieuse institution pour se consacrer aux trois activitÃ©s qui l'intÃ©ressaient : la musique, la littÃ©rature et le journalisme.Il a explorÃ© le patrimoine musical traditionnel du continent africain, notamment Ã travers le piano Ã pouce sanza et la musique polyphonique des pygmÃ©es d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en franÃ§ais !Le succÃ¨s a suivi. Francis Bebey a parcouru le monde : de la France au BrÃ©sil, du Cameroun Ã la SuÃ¨de, de l'Allemagne aux CaraÃ¯bes, ou du Maroc au Japon... la liste des pays oÃ¹ il a Ã©tÃ© invitÃ© Ã se produire, Ã donner des confÃ©rences ou Ã rencontrer des lecteurs est trÃ¨s longue. En plus de la reconnaissance publique, il bÃ©nÃ©ficiait de la reconnaissance de ses collÃ¨gues musiciens, tels que le guitariste John Williams ou le VÃ©nÃ©zuÃ©lien Antonio Lauro, qui l'ont invitÃ© Ã faire partie du jury d'un concours de guitare classique Ã Caracas.Sa vie Ã©tait le voyage d'un pionnier africain, un homme enracinÃ© dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalitÃ© continue de rÃ©sonner dans le monde entier depuis son dÃ©cÃ¨s Ã la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

$3.95 ≈ 3.54€

Every Breath You Take

Every Breath You Take #Guitar #EASY #Rock #The Police #Pablo AlcÃ¡zar #every move you make #Every Breath You Take #Pablo AlcÃ¡zar #SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo AlcÃ¡zar. Pop,Rock,Singer/Songwriter. Individual pa...(+)

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo AlcÃ¡zar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo AlcÃ¡zar #856983. Published by Pablo AlcÃ¡zar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No.â€‰1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married â€“ to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..

$4.99 ≈ 4.47€

Trois Beaux Oiseaux du Paradis

Trois Beaux Oiseaux du Paradis #Guitar #INTERMEDIATE #Contemporary #Maurice Ravel #Rod Whittle #2 pp #Trois Beaux Oiseaux du Paradis #Maggie Creek Music #SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggi...(+)

Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3868243. Published by Maggie Creek Music (A0.899132). For solo classical guitar; 2 pp; intermediate difficulty.Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music, including the Concerto, shows his love of the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music â€“ strong dissonance, atonality etc. Ravel wrote both music and lyrics for a number of songs including Trois Beaux Oiseaux du Paradis (Three Lovely Birds from Paradise - see below), composed in 1916 while he was posted in the French army during WW1, this at significant physical and mental cost (ref. Wikipedia). Thus the tragic lyrics arise from experience, and the music (Ravel was 40) is typically expressive and uncomplicated with the usual harmonic surprises.Three Lovely Birds from Paradise (English translation)Three lovely birds from Paradise(My beloved has to the fighting gone)Three lovely birds from ParadiseHave flown along this way.The first was bluer than Heaven's blue,(My beloved has to the fighting gone)The second white as the fallen snow,The third was wrapped in bright red glow.'Ye lovely birds from Paradise(My beloved has to the fighting gone)Ye lovely birds from ParadiseWhat bring ye then this way?''I bring to thee a glance of azure(Thy beloved has to the fighting gone)And I on fairest snow white browA fond kiss must leave, yet purer still.''Thou bright red bird from Paradise(My beloved has to the fighting gone)Thou bright red bird from Paradise,What brings thou to me?''A faithful heart all crimson red,(Thy beloved has to the fighting gone)''Ah! I feel my heart glowing coldâ€¦Take it also with thee.' Maurice Ravel (1914)

$4.00 ≈ 3.58€