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Daniel Hall
Not classified 84

Piano & keyboards
Piano solo 34
Easy Piano 23
Piano, Voice 6
1 Piano, 4 hands 5
Piano, Vocal and Guitar 3

C Instruments 2
Piano Accompaniment 1

+ 2 instrumentations

- Retract

Guitars
Bass guitar 6
Guitar notes and tablatures 5
Guitar 3

Ukulele 1
Banjo 1

2 Guitars (duet) 1
Melody line, (Lyrics) and Chords 1

+ 2 instrumentations

- Retract

Voice
Choral SATB 21
Choral 3-part 5
Choral TTBB 4
Choral SSAA 2
Choral Unison 1

Medium voice, Piano 1

+ 1 instrumentations

- Retract

Woodwind
Clarinet 6
Alto Saxophone and Piano 5
Flute and Piano 5
Clarinet Quartet: 4 clarinets 5
Clarinet and Piano 4

Saxophone Quartet: 4 saxophones 4
Flute 3
Tenor Saxophone and Piano 3
Oboe (band part) 2
Flute, Oboe, Clarinet, Bassoon 2
Clarinet Quintet: 5 clarinets 2
Oboe, Piano (duet) 2
3 Saxophones (trio) 1
Flute Quartet: 4 flutes 1
2 Clarinets (duet) 1
Soprano Saxophone and Piano 1
Clarinet Ensemble 1
Flute, Clarinet (duet) 1
Saxophone Quintet: 5 Saxophones 1
2 Flutes (duet) 1
Baritone Saxophone, Piano 1
Clarinet, Violin (duet) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
3 Clarinets (trio) 1
Clarinet, Bassoon (duet) 1
Saxophone ensemble 1

+ 21 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 8
Trumpet, Piano 5
Trombone and Piano 3
Brass quartet : 2 trumpets, trombone, tuba 3
Brass Quartet 2

2 Trombones (duet) 2
Tuba and Piano 2
French Horn and Piano 2

+ 3 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 21
Violin 6
String Trio: violin, viola, cello 4
Violin and Piano 4
Viola, Piano 4

Cello, Piano 3
Double bass, Piano (duet) 2
String Trio: 2 violins, cello 1
String Quintet: 2 violins, viola, cello, bass 1
Cello 1
String Trio: 2 violins, viola 1
Violin, Cello (duet) 1
Cello (band part) 1
Viola 1
Harp 1

+ 10 instrumentations

- Retract

Percussion & orchestra
Concert band 12
Orchestra 9
Brass ensemble 6
String Orchestra 4
Marimba 2

Drums 1
Marching band 1
Chamber Orchestra 1

+ 3 instrumentations

- Retract

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Daniel Hall

Guitar

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3 sheet music found

Halloween Theme

Halloween Theme #Guitar #Halloween #Cody Carpenter, Daniel Austin #Kee Kai #Halloween Theme #KeeKai #SheetMusicPlus

Solo Guitar - Digital Download SKU: A0.502011 Composed by Cody Carpenter, Daniel Austin Davies, and John Carpenter. Arranged by Kee Kai. 20th Century,Chi...(+)

Solo Guitar - Digital Download SKU: A0.502011 Composed by Cody Carpenter, Daniel Austin Davies, and John Carpenter. Arranged by Kee Kai. 20th Century,Children,Contemporary,Contest,Festival,Film/TV. Individual part. 1 pages. Published by KeeKai (A0.502011). Halloween Theme in Easy Guitar Solo.

$4.99 ≈ 4.59€

TIENTO PARA UN PENSADOR for guitar

TIENTO PARA UN PENSADOR for guitar #Guitar #INTERMEDIATE/ADVANCED #Daniel Cueto #TIENTO PARA UN PENSADOR for gu #Daniel Cueto #SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel...(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.

$9.99 ≈ 9.19€

Asturias - Leyenda.

Asturias - Leyenda. #Guitar #ADVANCED #Classical #Isaac Albeniz #Daniel Clark #Asturias - Leyenda. #Daniel Clark #SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. ...(+)

Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌaâ€™s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌaâ€™s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.

$2.99 ≈ 2.75€