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Violin Romantic
Not classified 434

Piano & keyboards
Piano Trio: piano, violin, cello 43
Piano Quartet: piano, violin, viola, cello 20
Piano solo 14
Piano Quintet: piano, 2 violins, viola, cello 8
Piano Quartet: piano, 2 violins, cello 3

Piano Accompaniment 2
Organ, Piano (duet) 2
C Instruments 1
Organ 1
2 Pianos, 4 hands 1
Piano, Voice 1

+ 6 instrumentations

- Retract

Guitars
Guitar, Violin, Cello (trio) 5
Guitar 3

2 Guitars (duet) 3

Voice
Choral SATB 2
Soprano voice, Piano 2

Woodwind
Flute and Piano 20
Flute and Guitar 19
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 7
Clarinet and Piano 7
Clarinet, Violin (duet) 5

Flute, Violin 4
Alto Saxophone and Piano 4
Flute, Clarinet and Bassoon. 3
2 Flutes (duet) 3
Saxophone Quartet: 4 saxophones 3
Flute, Violin, Piano 2
Flute 2
Oboe, Piano (duet) 2
Clarinet Quintet: 5 clarinets 2
Clarinet Ensemble 2
Flute, Violin and Violoncello 2
3 Clarinets (trio) 2
Clarinet 1
Clarinet (band part) 1
Flute Quartet: 4 flutes 1
Tenor Saxophone and Piano 1
2 Clarinets (duet) 1
Flute, Cello, Piano (trio) 1
Flute, Violin, Violoncello and Piano 1
Flute Trio: 3 flutes 1
Clarinet Quartet: 4 clarinets 1
Clarinet Quintet: Clarinet, String Quartet 1
Flute, harp and violin 1
2 Flutes, Piano 1
Flute, Oboe, Clarinet, Bassoon 1

+ 25 instrumentations

- Retract

Woodbrass
Trombone and Piano 11
Brass Quintet: 2 trumpets, horn, trombone, tuba 5
Trumpet, Piano 3
Brass quartet : 2 trumpets, trombone, tuba 3
Tuba and Piano 1

Trumpet 1
Trumpet, violin (duet) 1
Euphonium, Piano (duet) 1

+ 3 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 508
Violin and Piano 291
Violin 112
Violin, Cello (duet) 83
String Trio: violin, viola, cello 70

2 Violins (duet) 54
Violin, Guitar (duet) 39
Violin, Viola (duet) 31
String Trio: 2 violins, cello 20
Harp, Violin (duet) 17
Cello, Piano 14
String Quintet: 2 violins, viola, cello, bass 13
String quartet: 4 violins 13
Viola, Piano 7
Violin (band part) 6
String Trio: 2 violins, viola 5
String Trio: 3 violins 5
Viola 4
Viola, Guitar (duet) 4
Cello (band part) 4
Violin ensemble 3
Piano Trio: Violin, Viola, Piano 3
Harp, Flute (duet) 2
Cello, Guitar (duet) 2
4 Cellos 2
2 Violins, Piano 2
Harp 2
String Quintet: 2 violins, 2 violas, cello 2
Violin, Organ 1
Cello 1
Viola (band part) 1
String trio 1
String Quintet: 2 violins, viola, 2 cellos 1
Harp, String quartet 1

+ 29 instrumentations

- Retract

Percussion & orchestra
String Orchestra 108
Orchestra 34
Chamber Orchestra 32
Orchestra, Violin 5
Concert band 3

Percussion Ensemble 1
Jazz Ensemble 1
Brass ensemble 1

+ 3 instrumentations

- Retract

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Violin Romantic

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3 sheet music found

Deuxiéme Sonata by Benjamin Godard (1849-1895)

Deuxiéme Sonata by Benjamin Godard (1849-1895) #Guitar #INTERMEDIATE/ADVANCED #Classical #Benjamin Godard #Eric J Roth #Deuxiéme Sonata by Benjamin G #Eric J Roth #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eri...(+)

Solo Guitar - Level 4 - SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The DeuxiÃ©me (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrumentâ€™s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic BourrÃ©e serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.

$9.99 ≈ 9.20€

The Vampire: A Dramatic Theme

The Vampire: A Dramatic Theme #Guitar #INTERMEDIATE/ADVANCED #Sol Paul Levy #Eric J Roth #The Vampire: A Dramatic Theme #Eric J Roth #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...(+)

Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records â€“ which was the first music company to produce the disc record â€“ and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordonâ€™s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levyâ€™s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.

$3.99 ≈ 3.67€

Preludio in A (estudio nº15)

Preludio in A (estudio nº15) #Guitar #INTERMEDIATE/ADVANCED #Classical #Antonio JimÃ©nez ManjÃ³n #Rui Namora #Preludio in A #Rui Namora #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.1261509 Composed by Antonio JimÃ©nez ManjÃ³n. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Indivi...(+)

Solo Guitar - Level 4 - SKU: A0.1261509 Composed by Antonio JimÃ©nez ManjÃ³n. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 11 pages. Rui Namora #854571. Published by Rui Namora (A0.1261509). This beautiful Ã©tude, originally written for the 11-string guitar (7+4) that Antonio ManjÃ³n used, is practically unknown today. Although it was composed as an Ã©tude for this instrument, this arrangement for the 6-string guitar doesn't fail to capture its beauty. The 7-string version is faithful to the original, regarding the bass notes. This set includes a new engraving of the original in double staff and both 6 and 7 string guitar standard notation. Antonio JimenÃ©z ManjÃ³n (1866-1919)Antonio JimÃ©nez ManjÃ³n was a Spanish guitarist born in 1866 in the Andalusian city of Villacarillo. Blind from an early age, he began his musical career at the age of twelve, performing in Spain and Portugal, where he played for the Portuguese King Fernando II.Soon after, the young Antonio traveled to Paris alone, where he studied violin at the Conservatory while pursuing his guitar career. He was surrounded by musicians such as Gounod, Saint-SaÃ«ns, and Sarasate.In 1887, ManjÃ³n returned to his home country and was invited by the Spanish monarchs to perform in the Royal Palace. During those years, he toured Europe with his Torres eleven-string guitar. In 1893, he crossed the Atlantic to the Americas, settling in Buenos Aires in 1902 after performing and teaching in several Latin American countries.In Argentina, he founded a conservatory and published his work Escuela de Guitarra.Antonio JimÃ©nez ManjÃ³n passed away in 1919 in Buenos Aires.ISMN 979-0-9007524-5-1 Â

$6.00 ≈ 5.52€