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The Composer's Own Press
Not classified 400

Piano & keyboards
Piano solo 289
Easy Piano 73
Piano, Voice 25
Piano, Vocal and Guitar 25
Organ 16

C Instruments 14
1 Piano, 4 hands 5
Piano Trio: piano, violin, cello 5
2 Pianos, 4 hands 4
Piano Quintet: piano, 2 violins, viola, cello 2
Piano Quartet: piano, violin, viola, cello 2
Harpsichord 1

+ 7 instrumentations

- Retract

Guitars
Guitar 16
Guitar notes and tablatures 6
Melody line, (Lyrics) and Chords 5
Ukulele 1

Voice
Choral SATB 170
Choral 3-part 25
Choral Unison 20
Choral SSAA 15
Choral 2-part 12

Alto voice, Piano 6
Choral TTBB 5
Choral SSAATTBB 3
Soprano voice 3
Soprano voice, Piano 2
Vocal duet 2
Low voice, Piano 2
High voice 1
Choral SATBB 1
Tenor voice, Piano 1
Baritone voice, Piano 1
Medium voice, Piano 1
Voice solo 1

+ 13 instrumentations

- Retract

Woodwind
Saxophone Quartet: 4 saxophones 41
Flute and Piano 34
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 34
Clarinet and Piano 28
2 Flutes (duet) 25

2 Saxophones (duet) 23
Clarinet 20
Oboe, Piano (duet) 19
Oboe (band part) 14
2 Clarinets (duet) 13
Flute, Oboe, Clarinet, Bassoon 12
Alto Saxophone and Piano 12
Clarinet Quartet: 4 clarinets 10
Saxophone Quintet: 5 Saxophones 10
Flute 10
Soprano Saxophone and Piano 10
Clarinet Ensemble 9
Tenor Saxophone and Piano 9
Baritone Saxophone, Piano 8
Flute Quartet: 4 flutes 7
Bass Clarinet, Piano 5
Saxophone (band part) 5
Clarinet Quintet: 5 clarinets 4
Flute Trio: 3 flutes 4
Flute ensemble 4
3 Clarinets (trio) 4
Flute, Violoncello 3
Oboe, Bassoon (duet) 3
3 Saxophones (trio) 3
Clarinet, Cello (duet) 2
Clarinet, Violin (duet) 2
Clarinet and Viola 2
Saxophone ensemble 2
English horn, Piano 2
2 Oboes (duet) 2
Clarinet, Trumpet (duet) 2
Flute, Clarinet (duet) 2
Flute, Violin 2
Alto Saxophone 2
Flute, Violin, Violoncello and Piano 1
Saxophone, Clarinet (duet) 1
Flute Quintet : 5 flutes 1
Oboe, Flute 1
Flute, Trumpet (duet) 1
Oboe, Clarinet (duet) 1
Flute and Guitar 1
Clarinet, Guitar (duet) 1
Flute, Saxophone (duet) 1
Clarinet, Bassoon (duet) 1
2 English horns and Pianoforte 1
Oboe 1
English horn, Harp (duet) 1
Oboe, Cello 1
Flute, Viola (duet) 1
Saxophone and Piano 1
Flute, Clarinet, Piano (trio) 1

+ 51 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 62
Trumpet ensemble 25
Trombone and Piano 17
French Horn and Piano 14
Trumpet 12

Trumpet, Piano 7
Brass Quartet 6
Euphonium, Piano (duet) 6
2 French horns (duet) 6
Tuba and Piano 5
Brass quartet : 2 trumpets, trombone, tuba 4
2 Trombones (duet) 4
2 Trumpets (duet) 4
Brass Quartet: 4 trombones 3
Trombone ensemble 3
French horn 2
Brass Quartet: 2 trumpets, horn, trombone 2
Trumpet, Saxophone (duet) 2
Horn Ensemble 2
2 Tubas (duet) 2
English horn, Piano 2
Trombone 2
2 Euphoniums (duet) 2
Trumpet, Bassoon (duet) 1
Tuba 1
Clarinet, Horn (duet) 1
Brass Quartet: 4 horns 1
Trumpet (band part) 1
2 Euphoniums and 2 Tubas 1
2 English horns and Pianoforte 1
English horn, Harp (duet) 1
3 Trombones (trio) 1
Trombone and Orchestra 1
Trumpet, Trombone (duet) 1

+ 29 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 149
Violin and Piano 46
Cello, Piano 24
String Trio: violin, viola, cello 23
Viola, Piano 17

Cello (band part) 13
Violin 11
2 Violins (duet) 10
4 Cellos 6
String Quintet: 2 violins, viola, cello, bass 5
2 Cellos (duet) 5
Harp 5
Violin, Cello (duet) 4
Harp, Flute (duet) 3
String Trio: 2 violins, cello 3
String quartet: 4 violins 2
Violin, Viola (duet) 2
2 Double basses (duet) 2
Piano Trio: Violin, Viola, Piano 2
Viola, Guitar (duet) 1
Viola (band part) 1
Violin, Clarinet, Piano (trio) 1
Cello, Guitar (duet) 1
Double bass, Piano (duet) 1
Viola 1
String Trio: 3 cellos 1
Viola, Cello (duet) 1
Harp, Cello (duet) 1
Violin (band part) 1
Cello 1
String Quartet : 4 violas 1

+ 26 instrumentations

- Retract

Percussion & orchestra
String Orchestra 57
Orchestra 37
Brass ensemble 37
Concert band 25
Chamber Orchestra 22

Jazz Ensemble 5
Vibraphone 4
Percussion Ensemble 4

Handbells 4
Marimba 3
Jazz combo 3
Drums 2
Drum (band part) 1
Piano and Orchestra 1
Xylophone 1
2 Marimbas 1

+ 11 instrumentations

- Retract

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The Composer's Own Press

Percussion Ensemble

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4 sheet music found

Alexandriana for Percussion Ensemble

Alexandriana for Percussion Ensemble #Percussion Ensemble #ADVANCED #Dan Heslink # #Alexandriana for Percussion En #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Greatâ€™s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The musicâ€™s sectional nature parallels the libraryâ€™s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the scoreâ€™s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.

$9.99 ≈ £7.88

Asian Symmetries

Asian Symmetries #Percussion Ensemble #INTERMEDIATE #Dan Heslink # #Asian Symmetries #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publicati...(+)

Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each playerâ€™s performance station must remain stationary, with all instruments in reach without moving the performerâ€™s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.

$4.99 ≈ £3.93

Dinamo

Dinamo #Percussion Ensemble #Contemporary #Sergio Roberto de Oliveira #Dinamo #Sergio Roberto de Oliveira #SheetMusicPlus

Percussion Ensemble - Digital Download SKU: A0.962290 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 6...(+)

Percussion Ensemble - Digital Download SKU: A0.962290 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 64 pages. Sergio Roberto de Oliveira #2613315. Published by Sergio Roberto de Oliveira (A0.962290). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in MÃ©xico, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers PrelÃºdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto RadamÃ©s Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.

$14.99 ≈ £11.82

One Hour to Madness

One Hour to Madness #Percussion Ensemble #ADVANCED #Contemporary #Dan Heslink # #One Hour to Madness #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitmanâ€™s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second themeâ€™s clear Bb major tonality. The workâ€™s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 Â½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.

$4.99 ≈ £3.93