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I Have A Voice
Not classified 969

Piano & keyboards
Piano, Vocal and Guitar 1,013
Piano, Voice 1,005
Piano solo 147
Easy Piano 73
Organ 14

C Instruments 9
Big Note Piano 6
2 Pianos, 4 hands 4
Piano Trio: piano, violin, cello 4
1 Piano, 4 hands 3
Piano Quintet: piano, 2 violins, viola, cello 2
Piano (band part) 2
Piano Accompaniment 2

+ 8 instrumentations

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Guitars
Guitar notes and tablatures 18
Melody line, (Lyrics) and Chords 18
Guitar 12
Ukulele 11
3 Guitars (trio) 2

4 Guitars (Quartet) 2
Lyrics and Chords 2
Guitar (band part) 2
Mandolin 1
Guitar, Orchestra 1
Piano, Guitar (duet) 1
Bass guitar 1
2 Guitars (duet) 1

+ 8 instrumentations

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Voice
Choral SATB 178
Choral 3-part 68
Vocal duet, Piano 56
Vocal duet 52
Choral 2-part 45

Soprano voice, Piano 33
Choral SSAA 32
Choral TTBB 30
Baritone voice, Piano 16
Voice solo 13
Choral Unison 12
High voice 10
Tenor voice, Piano 10
Alto voice, Piano 9
Choral 5
Low voice, Piano 3
Mezzo-Soprano voice, Piano 2
Tenor voice 2
Medium voice, Piano 2
Choral SSATB 1
Choral SSAB, Piano 1
Soprano voice 1

+ 17 instrumentations

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Woodwind
Flute, Oboe, Clarinet, Bassoon 28
Saxophone Quartet: 4 saxophones 16
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 14
Saxophone ensemble 11
Clarinet and Piano 10

Saxophone Quintet: 5 Saxophones 10
Saxophone (band part) 9
Flute and Piano 8
Clarinet Ensemble 7
Alto Saxophone and Piano 6
Clarinet 6
Flute 5
Oboe (band part) 5
Tenor Saxophone and Piano 4
Flute and Guitar 4
Oboe, Piano (duet) 4
Soprano Saxophone and Piano 4
Baritone Saxophone, Piano 4
Tenor Saxophone 4
2 Flutes (duet) 3
Alto Saxophone 3
Clarinet Quartet: 4 clarinets 3
Clarinet, Guitar (duet) 2
Flute ensemble 2
2 Clarinets (duet) 2
Oboe, Clarinet (duet) 1
Bass Clarinet, Piano 1
Saxophone and Guitar 1
Flute Quartet: 4 flutes 1
Flute Trio: 3 flutes 1
Flute Quintet : 5 flutes 1
Oboe, Clarinet, Bassoon (trio) 1
3 Saxophones (trio) 1
4 Oboes 1
3 Clarinets (trio) 1
Clarinet, Trombone (duet) 1
2 Flutes and Harp 1
Flute, Clarinet (duet) 1
English horn, Piano 1
English Horn, Guitar (duet) 1

+ 35 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 17
Brass quartet : 2 trumpets, trombone, tuba 16
Trumpet 6
Trombone (band part) 5
Trombone 5

Brass Quartet: 2 trumpets, horn, trombone 5
Trombone ensemble 4
French horn 4
Trumpet (band part) 4
Tuba 3
Trumpet, Piano 3
Trombone and Piano 3
Trumpet ensemble 2
French Horn and Piano 2
Tuba and Piano 2
Brass Quartet: 4 trombones 2
Brass Quartet: 4 trumpets 2
Brass Quartet 2
Euphonium, Piano (duet) 1
3 Trumpets (trio) 1
Brass Trio 1
Horn and Organ 1
Trumpet, Trombone (duet) 1
Brass Quartet: 4 horns 1
4 Euphoniums 1
Horn Ensemble 1
2 Trumpets (duet) 1
English horn, Piano 1
English Horn, Guitar (duet) 1

+ 24 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 37
Violin, Cello (duet) 11
Violin 11
String Trio: violin, viola, cello 11
Cello, Piano 11

Violin and Piano 9
String Quintet: 2 violins, viola, cello, bass 7
Viola, Piano 6
Harp 6
Harp, Voice 6
Cello 3
Double Bass 3
String Trio: 2 violins, cello 2
Double bass, Piano (duet) 2
Viola ensemble 2
Violin ensemble 2
Viola 2
Violin, Guitar (duet) 1
2 Harps (duet) 1
Doublebass (band part) 1
String Quintet: 2 violins, 2 violas, cello 1
Piano Trio: Violin, Viola, Piano 1
2 Violins, Piano 1
Cello, Orchestra 1
String Trio: 3 cellos 1
Violin (band part) 1
Viola, Guitar (duet) 1
Viola (band part) 1

+ 23 instrumentations

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Percussion & orchestra
Chamber Orchestra 54
String Orchestra 17
Jazz Ensemble 15
Orchestra 15
Brass ensemble 11

Concert band 11
Jazz combo 9
Percussion Ensemble 3

Piano and Orchestra 1
Drum (band part) 1

+ 5 instrumentations

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I Have A Voice

Percussion Ensemble

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3 sheet music found

Two Dreams for solo Trombone and 8-part Percussion Ensemble

Two Dreams for solo Trombone and 8-part Percussion Ensemble #Percussion Ensemble #ADVANCED #Antonio J #Two Dreams for solo Trombone a #Gordon Cherry #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some playersâ€™ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekerÃ©/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekerÃ©. Rhythmic vamps of multiple bars form the landscape over which the tromboneâ€™s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burtonâ€™s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionistsâ€™ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekerÃ©/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.

$50.00 ≈ 44.91€

Don't Worry, Be Happy

Don't Worry, Be Happy #Percussion Ensemble #INTERMEDIATE #Jazz #Bobby McFerrin #Ricardo Matosinhos #Don't Worry, Be Happy #Ricardo Matosinhos #SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and par...(+)

Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didnâ€™t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobbyâ€™s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now itâ€™s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com

$14.99 ≈ 13.46€

Gravity for Septet

Gravity for Septet #Percussion Ensemble #ADVANCED #Contemporary #MohammadHadi Ayanbod #Gravity for Septet #Rimorarte Edition #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, Iâ€™ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, Iâ€™ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, Iâ€™ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we donâ€™t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. Iâ€™ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.

$16.99 ≈ 15.26€