Download Digital Sheet Music of Cello Sonata for Percussion Ensemble

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Piano & keyboards
Piano solo 83
Piano Trio: piano, violin, cello 11
Organ 6
Piano Quartet: piano, violin, viola, cello 5
Piano Quartet: piano, 2 violins, cello 5

Piano Quintet: piano, 2 violins, viola, cello 3
Easy Piano 3
Piano Accompaniment 2
2 Pianos, 4 hands 1

+ 4 instrumentations

- Retract

Guitars
Guitar notes and tablatures 9
Guitar 8
Bass guitar 1

Voice
Choral SATB 1
Choral 2-part 1

Woodwind
Flute, Violin and Violoncello 36
Flute, Violoncello 26
Clarinet, Cello (duet) 19
Treble (Alto) Recorder, Basso continuo 19
Recorder 12

Flute, Oboe, Clarinet, Bassoon 12
2 Recorders (duet) 9
3 Clarinets (trio) 6
Soprano Saxophone and Piano 6
2 Flutes (duet) 6
Flute and Piano 6
Flute, Oboe, Clarinet (trio) 5
Flute 5
2 Clarinets (duet) 5
Flute, Viola and Cello 4
Flute ensemble 4
Flute, Oboe, Bassoon 4
Oboe, Piano (duet) 4
Saxophone Quartet: 4 saxophones 4
Tenor Saxophone and Piano 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
Clarinet Quartet: 4 clarinets 3
Flute, Cello, Piano (trio) 3
Alto Saxophone and Piano 3
Baritone Saxophone, Piano 3
Clarinet Ensemble 2
Flute, Clarinet and Bassoon. 2
Clarinet and Piano 2
Saxophone Quintet: 5 Saxophones 1
Clarinet, Cello, Piano (trio) 1
Saxophone ensemble 1
Flute Trio: 3 flutes 1
Saxophone (band part) 1
Oboe, Cello 1
2 Clarinets, Bassoon 1
Clarinet (band part) 1
Descent (Soprano) Recorder, Piano 1
Flute, Basso continuo 1
2 Flutes, Basso continuo 1
Flute and Guitar 1
Oboe, Flute 1
Recorder, Piano 1
3 Saxophones (trio) 1
Bass Clarinet, Piano 1
Clarinet 1

+ 40 instrumentations

- Retract

Woodbrass
Trombone and Piano 9
Brass Quintet: 2 trumpets, horn, trombone, tuba 3
2 Trombones (duet) 3
Euphonium, Piano (duet) 2
Tuba and Piano 2

Bass Clef Instruments 2
French Horn and Piano 1
Brass Quartet 1
3 Trombones (trio) 1

+ 4 instrumentations

- Retract

Strings
Cello, Piano 352
String Quartet: 2 violins, viola, cello 282
Cello 117
String Trio: violin, viola, cello 81
Violin, Cello (duet) 74

2 Cellos (duet) 72
String Trio: 2 violins, cello 67
Cello (band part) 66
Violoncello, Basso continuo 38
2 Violins and Basso 27
Viola, Cello (duet) 23
Viola 19
String Quintet: 2 violins, viola, cello, bass 17
Violin and Piano 17
Violin, Basso continuo 15
Cello, Guitar (duet) 15
Violin 14
String Trio: 3 cellos 14
Cello, String Bass (duet) 11
2 Violins (duet) 10
4 Cellos 9
Viola, Piano 8
Double Bass 7
Cello, Orchestra 5
2 Violas (duet) 4
String Trio: 3 violins 4
Double bass, Piano (duet) 3
Violin, Viola (duet) 3
Cello Ensemble 3
Cello, Organ 2
Violin (band part) 2
Harp, Cello (duet) 2
String Quintet: 2 violins, 2 violas, cello 1
String Quintet: 2 violins, viola, 2 cellos 1
Viola (band part) 1
Harp, Flute (duet) 1
String trio 1
Doublebass (band part) 1
2 Double basses (duet) 1

+ 34 instrumentations

- Retract

Percussion & orchestra
String Orchestra 36
Chamber Orchestra 22
Orchestra 17
Percussion Ensemble 2

Concert band 2

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Cello Sonata

Percussion Ensemble

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2 sheet music found

Four Forces (First movement) I. Strong Forces

Four Forces (First movement) I. Strong Forces #Percussion Ensemble #ADVANCED #Salvador Rojo GamÃ³n #Four Forces #Salvador Rojo-Gamon #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score a...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciÃ³nIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.

$300.00 ≈ $409.25

Four Forces (Second movement) II. Weak Forces

Four Forces (Second movement) II. Weak Forces #Percussion Ensemble #ADVANCED #Salvador Rojo GamÃ³n #Four Forces #Salvador Rojo-Gamon #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score a...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciÃ³nIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.

$150.00 ≈ $204.63