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Only Time
Not classified 1,260

Piano & keyboards
Piano solo 748
Piano, Vocal and Guitar 605
Easy Piano 301
Piano, Voice 185
Piano Accompaniment 51

Organ 38
C Instruments 34
2 Pianos, 4 hands 16
1 Piano, 4 hands 12
Piano Trio: piano, violin, cello 11
Piano Quartet: piano, violin, viola, cello 9
Piano Quintet: piano, 2 violins, viola, cello 5
Organ, Trumpet (duet) 3
Organ, Piano (duet) 2
Accordion 2
Big Note Piano 2
Harpsichord 1
Piano Quartet: piano, 2 violins, cello 1
Piano (band part) 1

+ 14 instrumentations

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Guitars
Guitar notes and tablatures 70
Guitar 65
Lyrics and Chords 31
Melody line, (Lyrics) and Chords 29
Bass guitar 12

2 Guitars (duet) 12
Mandolin 8
Ukulele 5
Dulcimer 4
4 Guitars (Quartet) 4
Banjo 3
Mandolin, Guitar (duet) 2
Ukulele Ensemble 1
3 Guitars (trio) 1
Piano, Guitar (duet) 1

+ 10 instrumentations

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Voice
Choral SATB 203
Choral 2-part 137
Choral 3-part 71
Vocal duet, Piano 38
Choral Unison 29

Choral TTBB 25
Choral SSAA 24
Voice solo 18
Vocal duet 7
Soprano voice, Piano 3

High voice 2
Tenor voice 2
Soprano voice 1
Alto voice, Piano 1
Mezzo-Soprano voice, Piano 1
Low voice 1
Choral SSAATTBB 1
Low voice, Piano 1
Tenor voice, Piano 1

+ 14 instrumentations

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Woodwind
Flute and Piano 135
2 Saxophones (duet) 115
Clarinet and Piano 101
Saxophone 100
Clarinet 83

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 78
Alto Saxophone and Piano 71
Saxophone Quintet: 5 Saxophones 70
Oboe, Piano (duet) 69
Flute 60
Saxophone Quartet: 4 saxophones 59
Tenor Saxophone and Piano 56
2 Flutes (duet) 50
Flute, Oboe, Clarinet, Bassoon 49
Saxophone ensemble 47
Soprano Saxophone and Piano 42
2 Clarinets (duet) 40
Saxophone (band part) 38
Clarinet Quartet: 4 clarinets 37
Alto Saxophone 36
Baritone Saxophone, Piano 33
3 Saxophones (trio) 31
Oboe (band part) 28
Clarinet Ensemble 24
Saxophone, Clarinet (duet) 22
English horn, Piano 22
Recorder Ensemble 19
Flute, Clarinet (duet) 18
Flute Quintet : 5 flutes 17
Flute Quartet: 4 flutes 16
Clarinet, Violin (duet) 15
Clarinet Quintet: 5 clarinets 15
Bass Clarinet, Piano 15
2 Oboes (duet) 14
Clarinet, Trumpet (duet) 13
Recorder 13
Flute and Guitar 12
Flute Trio: 3 flutes 12
Flute ensemble 11
3 Clarinets (trio) 11
Flute, Violin 9
2 Recorders (duet) 9
Tenor Saxophone 9
Flute, Saxophone (duet) 9
Oboe 9
Clarinet, Bassoon (duet) 7
Clarinet and Viola 7
Treble (Alto) Recorder 7
3 Recorders (trio) 7
Descant (Soprano) Recorder 6
Soprano Saxophone 6
Oboe, Flute 6
Flute, Viola (duet) 6
Oboe, Clarinet (duet) 6
Recorder Quartet 5
5 Recorders 5
Oboe, Bassoon (duet) 5
Flute, Trumpet (duet) 5
Clarinet, Guitar (duet) 4
Flute, Oboe, Clarinet (trio) 4
Treble (Alto) Recorder, Piano 4
Eb Instruments 3
Flute, Cello, Piano (trio) 3
Oboe, Clarinet, Bassoon (trio) 3
Flute, Oboe, Bassoon 2
Baritone Saxophone 2
Flute, Basso continuo 2
Clarinet (band part) 2
Flute, Clarinet and Bassoon. 2
Saxophone and Guitar 2
Tenor Recorder 2
Descent (Soprano) Recorder, Piano 2
Oboe ensemble 2
3 Oboes 1
2 Flutes, Piano 1
English Horn 1
Piccolo, Piano 1
English horn, Harp (duet) 1
4 Oboes 1
Saxophone and Organ 1
Flute, Clarinet, Piano (trio) 1
Clarinet, Cello, Piano (trio) 1
English Horn, Guitar (duet) 1
Flute, Violoncello 1
Bass Clarinet 1
Oboe, Guitar (duet) 1
Pennywhistle 1
Recorder, Piano 1

+ 83 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 80
Trumpet 80
Trombone 60
Trombone and Piano 51
Brass quartet : 2 trumpets, trombone, tuba 50

Trumpet, Piano 50
French Horn and Piano 38
Tuba 24
Tuba and Piano 23
French horn 23
2 Trombones (duet) 22
English horn, Piano 22
Trumpet ensemble 18
Brass Quartet: 2 trumpets, horn, trombone 18
2 Trumpets (duet) 18
Euphonium, Piano (duet) 17
Trombone ensemble 14
Trumpet, Trombone (duet) 14
Horn Ensemble 13
Trumpet, Saxophone (duet) 13
2 French horns (duet) 13
Brass Quartet 11
2 Tubas (duet) 8
Trumpet (band part) 7
Brass Quartet: 4 trumpets 7
Brass Quartet: 4 horns 6
Brass Quartet: 4 trombones 6
4 Tubas 6
Trombone (band part) 4
Euphonium 4
French horn (band part) 4
Trombone, Horn (duet) 3
Trumpet, Horn (duert) 3
3 Trombones (trio) 3
3 Tubas (trio) 3
Bass Trombone and Piano 2
Horn, Cello (duet) 2
Bass Trombone 2
3 French horns (trio) 2
French horn and Basson (duet) 2
Bass Clef Instruments 1
Euphonium, Tuba (duet) 1
English Horn 1
2 French horns, Piano 1
English horn, Harp (duet) 1
Bb Instruments 1
English Horn, Guitar (duet) 1
3 Euphoniums 1
Tuba and Organ 1
2 Euphoniums and 2 Tubas 1

+ 45 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 224
Violin and Piano 141
Viola, Piano 109
Cello, Piano 101
Violin, Cello (duet) 95

Violin 87
Harp 53
Viola 45
2 Violins (duet) 45
String Trio: violin, viola, cello 44
Cello (band part) 39
Cello 33
2 Cellos (duet) 24
String Quintet: 2 violins, viola, cello, bass 23
2 Violas (duet) 23
Violin, Viola (duet) 21
Double bass, Piano (duet) 14
4 Cellos 14
String Trio: 2 violins, cello 11
Viola, Cello (duet) 11
Double Bass 10
Viola (band part) 10
String Trio: 3 cellos 9
String Quartet : 4 violas 9
Violin ensemble 8
String quartet: 4 violins 7
Harp, Flute (duet) 7
String Trio: 3 violas 6
2 Double basses (duet) 5
Viola ensemble 5
String Trio: 3 violins 5
2 Harps (duet) 4
Harp, Violin, Violoncello 4
String Quintet: 2 violins, 2 violas, cello 3
Harp, Violin (duet) 3
String Trio: 2 violins, viola 2
Viola and Bassoon 2
2 Violins, Piano 2
String Quintet: 2 violins, viola, 2 cellos 2
Violin (band part) 2
String trio 2
Cello Ensemble 2
Cello, Guitar (duet) 2
Cello, Orchestra 1
4 Harps 1
Autoharp 1
Harp, Voice 1
Violin, Guitar (duet) 1
Doublebass (band part) 1
Piano Trio: Violin, Viola, Piano 1
Violoncello, Basso continuo 1

+ 46 instrumentations

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Percussion & orchestra
Concert band 296
Orchestra 131
String Orchestra 107
Handbells 78
Jazz Ensemble 48

Brass ensemble 42
Chamber Orchestra 32
Drums 21
Percussion Ensemble 15
Marching band 8
Jazz combo 8
Marimba 8
Percussion (band part) 3
School Ensemble 3
Vibraphone 2
2 Xylophones 2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 1
Xylophone, Piano 1
Piano and Orchestra 1
Percussion 1

+ 15 instrumentations

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Only Time

Soprano voice, Piano

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3 sheet music found

En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut

En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut #Soprano voice, Piano #ADVANCED #Gioachino Rossini #Nicole Elyse DiPaolo #En proie à la tristesse from #Nicole Elyse DiPaolo #SheetMusicPlus

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Rom...(+)

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie Ã la tristesse from Gioachino Rossini's Le comte OryÂ (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits andÂ condensesÂ those passages and, as a result, noticeably reduces the page countÂ toÂ 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severelyÂ from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting someÂ obviousÂ typos, and reconciling details in theÂ RicordiÂ andÂ French editions).InÂ this edition,Â the scoreÂ cutsÂ immediatelyÂ fromÂ 2 measuresÂ after rehearsalÂ 41Â toÂ the beginning ofÂ rehearsalÂ 42Â (so theÂ ComtesseÂ singsÂ the lastÂ syllableÂ of bonheurÂ onÂ theÂ first downbeat ofÂ cutÂ time and the C major/C minor sections are cut away completely).Â This bringsÂ theÂ excerptÂ inÂ lineÂ withÂ mostÂ cavatina/cabalettaÂ numbersÂ thatÂ doÂ notÂ haveÂ aÂ discernibleÂ breakÂ inÂ betweenÂ theÂ two.About the Arranger:Â Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .

$8.95 ≈ 8.32€

Chansons de Verlaine

Chansons de Verlaine #Soprano voice, Piano #ADVANCED #John Casken #Chansons de Verlaine #Schott Music - Digital #SheetMusicPlus

Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Do...(+)

Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durranâ€™s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: Lâ€™ombre des arbres and Chevaux de bois appear in Ariettes OubliÃ©es, while Colloque sentimental belongs to Debussyâ€™s second set of FÃªtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesnâ€™t want to remember, barely acknowledging the closeness they once shared, seeing only that â€˜hope has fled, defeated, towards the dark sky.â€™ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.

$19.99 ≈ 18.58€

Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition

Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition #Soprano voice, Piano #ADVANCED #Classical #Ruggiero Leoncavallo #Nicole Elyse DiPaolo #Qual fiamma...Stridono lassù #Nicole Elyse DiPaolo #SheetMusicPlus

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....(+)

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible AccompanimentsÂ series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassÃ¹, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from theÂ chaotic,Â poorlyÂ notated, andÂ technicallyÂ demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to playÂ the harpÂ lines that nobody canÂ hearÂ anyway!All Accessible Accompaniments, including this one,Â boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ€™ve provided.2. Iâ€™ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ€™s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ€™ve included the next downbeatâ€™s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, Iâ€™ve noted alternate cuts that singers might like to take within certain arias.6. In some cases Iâ€™ve modernized spelling conventions for easier readability (for example, by replacing ÃŸ with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger:Â Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .

$8.95 ≈ 8.32€