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Bach Romantic
Not classified 381

Piano & keyboards
Piano, Voice 182
Piano solo 155
Easy Piano 114
Organ 14
Piano Trio: piano, violin, cello 13

1 Piano, 4 hands 8
C Instruments 5
Piano Quintet: piano, 2 violins, viola, cello 5
2 Pianos, 4 hands 4
Piano Quartet: piano, violin, viola, cello 3
1 Piano, 6 hands 2
Piano Accompaniment 2
Piano, Vocal and Guitar 1
Harpsichord 1
Piano Quartet: piano, 2 violins, cello 1
Big Note Piano 1

+ 11 instrumentations

- Retract

Guitars
Guitar notes and tablatures 66
Guitar 16
Melody line, (Lyrics) and Chords 7
Bass guitar 5
Ukulele 5

2 Guitars (duet) 4
4 Guitars (Quartet) 1
3 Guitars (trio) 1
Mandolin 1

+ 4 instrumentations

- Retract

Voice
Choral SATB 10
Soprano voice, Piano 4
Choral SSAA 3
Vocal duet 2
Vocal duet, Piano 2

Choral 3-part 1
Alto voice, Piano 1

+ 2 instrumentations

- Retract

Woodwind
Flute and Piano 46
Clarinet and Piano 36
Oboe, Piano (duet) 31
Clarinet 27
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 27

Saxophone Quartet: 4 saxophones 25
Alto Saxophone and Piano 23
Clarinet Quartet: 4 clarinets 17
2 Saxophones (duet) 17
Flute 15
2 Flutes (duet) 15
2 Clarinets (duet) 15
Flute Quartet: 4 flutes 13
Tenor Saxophone and Piano 13
3 Saxophones (trio) 12
Soprano Saxophone and Piano 12
Flute, Oboe, Clarinet, Bassoon 11
English horn, Piano 10
Flute, Clarinet (duet) 9
Flute Trio: 3 flutes 8
2 Oboes (duet) 7
Oboe (band part) 7
Alto Saxophone 7
Saxophone ensemble 6
Clarinet Quintet: 5 clarinets 6
3 Clarinets (trio) 5
Descant (Soprano) Recorder 5
Saxophone 5
Oboe, Bassoon (duet) 5
Recorder 5
Saxophone Quintet: 5 Saxophones 4
Baritone Saxophone, Piano 4
Clarinet Ensemble 4
Flute, Clarinet and Bassoon. 4
Harmonica 3
Recorder Quartet 3
Treble (Alto) Recorder 3
Clarinet, Bassoon (duet) 3
Flute, Clarinet, Piano (trio) 3
Flute, Violoncello 3
Bass Clarinet, Piano 3

Clarinet, Cello (duet) 3
2 Recorders (duet) 3
Flute, Violin, Piano 3
2 Flutes, Piano 2
Flute, Violin 2
English Horn 2
Flute, Cello, Piano (trio) 2
Flute and Guitar 2
2 Saxophones, Piano 2
Clarinet, Harp (duet) 2
Oboe 2
Oboe, Clarinet, Bassoon (trio) 2
Flute, Cello, Guitar 2
Clarinet, Violin (duet) 2
Descent (Soprano) Recorder, Piano 1
Saxophone and Piano 1
Oboe, Flute 1
Flute, Oboe, Piano (trio) 1
Flute, Oboe, Bassoon 1
Flute, Violin, Violoncello and Piano 1
2 Clarinets, Piano 1
Piccolo, Piano 1
Soprano Saxophone 1
Tenor Saxophone 1
Oboe, Cello 1
Clarinet and Viola 1
Flute, Violin and Violoncello 1
Oboe, Harp 1
Flute (band part) 1
Oboe, Clarinet (duet) 1
Eb Instruments 1
Flute, Saxophone (duet) 1
Saxophone (band part) 1
Flute ensemble 1
Flute, Oboe, Clarinet (trio) 1

+ 71 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 36
Trombone and Piano 22
Trumpet, Piano 19
Trumpet 15
Trombone 15

French Horn and Piano 11
2 Trumpets (duet) 10
English horn, Piano 10
French horn 7
2 Trombones (duet) 7
Euphonium, Piano (duet) 6
Brass quartet : 2 trumpets, trombone, tuba 6
Brass Quartet: 4 trombones 6
Tuba and Piano 6
Trumpet ensemble 5
Tuba 5
Brass Quartet 4
Brass Quartet: 4 horns 3
Brass Quartet: 2 trumpets, horn, trombone 3
2 French horns (duet) 2
English Horn 2
Trombone ensemble 2
Euphonium 2
Trumpet, Trombone (duet) 2
Trumpet, Trombone, Piano 1
Horn Ensemble 1
Tuba and Organ 1
Brass Trio 1
Bb Instruments 1
Trumpet (band part) 1
Bass Trombone 1
Bass Clef Instruments 1
Trumpet, Orchestra 1
Brass Quartet: 4 trumpets 1
Bass Trombone and Piano 1
2 Euphoniums and 2 Tubas 1
3 Trumpets (trio) 1

+ 32 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 78
Violin and Piano 58
Cello, Piano 39
Violin 38
Viola, Piano 35

Harp 21
2 Violins (duet) 17
String Trio: violin, viola, cello 16
Violin, Cello (duet) 14
Cello (band part) 13
2 Cellos (duet) 13
Violin, Viola (duet) 12
Viola 11
Double bass, Piano (duet) 10
4 Cellos 9
Cello 7
Viola, Cello (duet) 6
String Trio: 2 violins, cello 6
String Quintet: 2 violins, viola, cello, bass 6
Double Bass 6
String quartet: 4 violins 5
Violin (band part) 4
2 Violas (duet) 4
String Trio: 3 cellos 3
String Quartet : 4 violas 3
Viola (band part) 3
2 Cellos, Piano 3
String Trio: 3 violins 3
String Trio: 3 violas 2
Cello, Guitar (duet) 2
Harp, Violin (duet) 2
String Trio: 2 violins, viola 2
Violin, Guitar (duet) 2
2 Harps (duet) 1
Viola and Bassoon 1
4 Double Basses 1
Harp, Flute (duet) 1
Piano Trio: Violin, Viola, Piano 1
Doublebass (band part) 1
Cello, String Bass (duet) 1
2 Violas, Piano 1
2 Double basses (duet) 1
String trio 1
2 Violins, Piano 1

+ 39 instrumentations

- Retract

Percussion & orchestra
String Orchestra 67
Orchestra 27
Chamber Orchestra 24
Concert band 13
Brass ensemble 11

Percussion Ensemble 5
Handbells 3
Marimba 1
Marching band 1
Vibraphone (band part) 1

+ 5 instrumentations

- Retract

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Bach Romantic

Bass Clarinet, Piano

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3 sheet music found

Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano

Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano #Bass Clarinet, Piano #EASY #J #James M #Bach-Gounod: Ave Maria, Schwen #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,St...(+)

Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.Â Ave Maria Ave MariaÂ is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of theÂ Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ€™s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ€™s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann SebastianÂ Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Â History BachÂ came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. Â Style It seems likeÂ Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted aÂ BachÂ revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthyÂ BachÂ biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There isÂ Bach, Mozart, Beethoven, and Stravinsky among others. However, because BachÂ is so important in our music history, it contains three times moreÂ Bach than all the others combined.

$32.95 ≈ 30.63€

Bach-Gounod: Ave Maria for Bass Clarinet & Piano

Bach-Gounod: Ave Maria for Bass Clarinet & Piano #Bass Clarinet, Piano #EASY #Bach-Gounod #James M #Piano, S0 #Bach-Gounod: Ave Maria for Bas #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,East...(+)

Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ€™s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ€™s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems likeÂ Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a BachÂ revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy BachÂ biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â

$32.95 ≈ 30.63€

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano #Bass Clarinet, Piano #INTERMEDIATE #Classical #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Song Without Word #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instruction...(+)

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitismÂ brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

$32.95 ≈ 30.63€