Download Digital Sheet Music of Do As I Say Not As I Do for Soprano Saxophone and Piano

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Do As I Say Not As I Do
Not classified 31

Piano & keyboards
Piano solo 24
Piano, Voice 10
C Instruments 2
Easy Piano 2
Piano, Vocal and Guitar 1

Piano Quartet: piano, 2 violins, cello 1
Piano Quartet: piano, violin, viola, cello 1
1 Piano, 4 hands 1

+ 3 instrumentations

- Retract

Guitars
Guitar 1
Bass guitar 1
Mandolin 1

Voice
Choral SATB 8
Choral 2-part 4
Choral 3-part 1
Vocal duet 1

Woodwind
Tenor Saxophone and Piano 7
Flute and Piano 3
Oboe, Piano (duet) 2
Soprano Saxophone and Piano 2

Clarinet and Piano 1

Alto Saxophone and Piano 1
Clarinet Quintet: 5 clarinets 1
English horn, Piano 1
Baritone Saxophone, Piano 1
Clarinet, Guitar (duet) 1
Clarinet 1

+ 6 instrumentations

- Retract

Woodbrass
French Horn and Piano 2
Trumpet 2
Tuba and Piano 1
Trumpet, Euphonium (duet) 1
Trombone and Piano 1

English horn, Piano 1
Trumpet, Trombone (duet) 1
Brass quartet : 2 trumpets, trombone, tuba 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1

+ 4 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 7
Viola, Piano 3
Violin, Cello (duet) 2
Viola and Harp 1
Violin 1

String Trio: violin, viola, cello 1
Harp 1
Cello (band part) 1

+ 3 instrumentations

- Retract

Percussion & orchestra
String Orchestra 2
Chamber Orchestra 1
Orchestra 1
Concert band 1

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Do As I Say Not As I Do

Soprano Saxophone and Piano

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2 sheet music found

A Night In Tunisia

A Night In Tunisia #Soprano Saxophone and Piano #INTERMEDIATE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett...(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.35€

Luther: Out of the Depths for Soprano Sax & Piano

Luther: Out of the Depths for Soprano Sax & Piano #Soprano Saxophone and Piano #BEGINNER #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,...(+)

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ 23.18€