Download Digital Sheet Music of Ravel Intermediate for Soprano Saxophone and Piano

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Ravel Intermediate
Not classified 55

Piano & keyboards
Piano solo 103
Easy Piano 15
Organ 5
Piano Trio: piano, violin, cello 1
Piano, Vocal and Guitar 1

Guitars
Guitar 8
Guitar notes and tablatures 5
2 Guitars (duet) 2
4 Guitars (Quartet) 1
Dulcimer 1

Voice
Choral SATB 7
Choral TTBB 3
Choral 2-part 2
Choral 3-part 2
Choral SSAA 1

Choral Unison 1

+ 1 instrumentations

- Retract

Woodwind
2 Saxophones (duet) 15
Saxophone, Clarinet (duet) 8
2 Clarinets (duet) 8
Flute 7
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 7

2 Flutes (duet) 6
Clarinet, Violin (duet) 6
Clarinet, Trumpet (duet) 6
Flute, Clarinet (duet) 6
Flute and Piano 5
Saxophone 5
Flute ensemble 5
Saxophone Quintet: 5 Saxophones 5
Clarinet and Piano 4
Clarinet Ensemble 4
Oboe, Bassoon (duet) 4
Saxophone ensemble 4
Clarinet Quartet: 4 clarinets 4
Saxophone Quartet: 4 saxophones 3
Oboe, Piano (duet) 3
Flute, Saxophone (duet) 3
Oboe, Clarinet (duet) 3
2 Oboes (duet) 3
Flute, Violin 3
Flute, Trumpet (duet) 2
Clarinet 2
Flute, Viola (duet) 2
Flute, Clarinet, Piano (trio) 2
Bass Clarinet, Piano 2
Clarinet and Viola 2
Recorder 2
Oboe 2
Flute and Guitar 2
Clarinet Quintet: 5 clarinets 1
Clarinet, Bassoon (duet) 1
Tenor Saxophone 1
Flute Trio: 3 flutes 1
Alto Saxophone and Piano 1
Oboe, Flute 1
3 Clarinets (trio) 1
Wind ensemble 1
Soprano Saxophone and Piano 1

Flute Quartet: 4 flutes 1
Alto Saxophone 1
Flute Quintet : 5 flutes 1
Soprano Saxophone 1
Flute, Oboe, Clarinet, Bassoon 1
Flute, Oboe, Bassoon 1

+ 43 instrumentations

- Retract

Woodbrass
Trumpet, Saxophone (duet) 6
Brass quartet : 2 trumpets, trombone, tuba 4
Brass Quartet: 2 trumpets, horn, trombone 3
Trumpet, Trombone (duet) 3
French Horn and Piano 3

Trombone and Piano 3
Trumpet 3
2 Trumpets (duet) 3
Trombone ensemble 3
2 Trombones (duet) 3
French horn 2
Trumpet, Piano 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Tuba and Piano 2
Trombone 1
Tuba 1
Euphonium 1

+ 12 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 16
Violin and Piano 15
Violin 12
Harp 9
Violin, Cello (duet) 6

Cello, Piano 5
String Trio: 2 violins, cello 4
Viola 4
Cello 4
2 Cellos (duet) 4
Violin, Viola (duet) 3
Double bass, Piano (duet) 3
String Trio: violin, viola, cello 3
2 Violins (duet) 3
2 Violas (duet) 3
String Quintet: 2 violins, viola, cello, bass 2
Viola, Piano 2
Violin ensemble 1
Double Bass 1
Viola ensemble 1
Cello, Guitar (duet) 1
Harp, Flute (duet) 1

+ 17 instrumentations

- Retract

Percussion & orchestra
String Orchestra 9
Concert band 6
Orchestra 2
Handbells 2
Brass ensemble 1

Chamber Orchestra 1
Percussion Ensemble 1

+ 2 instrumentations

- Retract

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Ravel Intermediate

Soprano Saxophone and Piano

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Saint-Saens: The Swan for Soprano Sax & Piano

Saint-Saens: The Swan for Soprano Sax & Piano #Soprano Saxophone and Piano #EASY #Camille Saint-SaÃ«ns #James M #Saint-Saens: The Swan for Sopr #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-SaÃ«ns (1835 â€“ 1921). Arranged by James M. Guthrie...(+)

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-SaÃ«ns (1835 â€“ 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-SaÃ«ns Background Charles-Camille Saint-SaÃ«ns (1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the AnimalsÂ (1886) to the list. Childhood It is important to realize that Saint-SaÃ«ns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-SaÃ«ns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought. Â A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-SaÃ«ns taught for a short time in Paris, where his students included namely Gabriel FaurÃ©. To clarify, Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 ≈ 30.36€