Download Digital Sheet Music of We Believe for Alto Saxophone and Piano

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We Believe
Not classified 96

Piano & keyboards
Piano solo 62
Piano, Voice 41
Piano, Vocal and Guitar 37
Easy Piano 12
C Instruments 4

Piano (band part) 3
Organ 2
Accordion 1
Piano Quartet: piano, violin, viola, cello 1
Piano Trio: piano, violin, cello 1
Big Note Piano 1

+ 6 instrumentations

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Guitars
Melody line, (Lyrics) and Chords 11
Guitar 6
Guitar notes and tablatures 6
Bass guitar 3
Lyrics and Chords 2

Guitar (band part) 2
Mandolin, Guitar (duet) 1
Piano, Guitar (duet) 1
Banjo 1

+ 4 instrumentations

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Voice
Choral SATB 83
Choral 3-part 16
Choral 2-part 7
Choral Unison 5
Choral TTBB 5

Soprano voice, Piano 2
Choral 2
Voice solo 2
Choral SSATTB 1

+ 4 instrumentations

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Woodwind
Saxophone (band part) 7
Saxophone Quintet: 5 Saxophones 5
Flute and Piano 3
Clarinet (band part) 3
Flute, Oboe, Clarinet, Bassoon 2

Clarinet Quartet: 4 clarinets 2
Clarinet Quintet: 5 clarinets 2
Alto Saxophone and Piano 2

Clarinet and Piano 2
Recorder Ensemble 1
Flute Quintet : 5 flutes 1
Oboe, Piano (duet) 1
5 Recorders 1
2 Clarinets (duet) 1
Saxophone Quartet: 4 saxophones 1
Tenor Saxophone and Piano 1
3 Saxophones (trio) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Saxophone ensemble 1
Tenor Saxophone 1
Alto Saxophone 1
Flute (band part) 1
Oboe (band part) 1
Oboe, Bassoon (duet) 1
Clarinet 1

+ 20 instrumentations

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Woodbrass
Trombone (band part) 7
Trumpet (band part) 5
2 Trumpets (duet) 3
Trumpet 3
Brass quartet : 2 trumpets, trombone, tuba 2

Trumpet ensemble 1
2 Tubas (duet) 1
Trombone and Piano 1
French Horn and Piano 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
French horn (band part) 1
Trumpet, Trombone (duet) 1
2 Trombones (duet) 1
Tuba 1
Horn Ensemble 1

+ 10 instrumentations

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Strings
Harp 7
Violin, Cello (duet) 6
Violin and Piano 6
Cello, Piano 3
Violin (band part) 3

Doublebass (band part) 3
String Quartet: 2 violins, viola, cello 2
Violin 2
String Trio: violin, viola, cello 2
Cello (band part) 2
Viola (band part) 2
Harp, Voice 1
Cello 1
Viola, Piano 1
String Quintet: 2 violins, viola, cello, bass 1
2 Violins (duet) 1
Violin, Viola (duet) 1

+ 12 instrumentations

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Percussion & orchestra
Concert band 42
Orchestra 14
Jazz Ensemble 4
Jazz combo 3
Percussion (band part) 3

Drums 2
String Orchestra 2
Percussion Ensemble 1
Marimba 1
Drum (band part) 1
Brass ensemble 1

+ 6 instrumentations

- Retract

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We Believe

Alto Saxophone and Piano

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2 sheet music found

O Come All Ye Faithful for Alto Sax & Piano

O Come All Ye Faithful for Alto Sax & Piano #Alto Saxophone and Piano #BEGINNER #Wade #James M #O Come All Ye Faithful for Alt #jmsgu3 #SheetMusicPlus

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and pa...(+)

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604â€“1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.

$24.95 ≈ $33.85

Alto Sax - "And Can It Be?" Theme and Variations

Alto Sax - "And Can It Be?" Theme and Variations #Alto Saxophone and Piano #INTERMEDIATE #Sacred music #Lyrics: Charles Wesley, Music: #Dan Cutchen #Alto Sax - "And Can It Be?" Th #Dan Cutchen Music #SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...(+)

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,â€™ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Brayâ€™s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Brayâ€™s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesleyâ€™s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

$7.00 ≈ $9.50