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How So Fair
Not classified 53

Piano & keyboards
Piano solo 17
Piano, Voice 4
Organ 3
Piano, Vocal and Guitar 2
Easy Piano 1

Guitars
Guitar 5
Banjo 2
Bass guitar 1
Guitar notes and tablatures 1

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Choral SATB 8
Choral TTBB 4
Vocal duet 2
Vocal duet, Piano 1
Choral 3-part 1

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Soprano Saxophone and Piano 4
Flute and Piano 4
Clarinet and Piano 3
Clarinet, Bassoon (duet) 3
Oboe, Piano (duet) 3

English horn, Piano 2
Clarinet Ensemble 2
Baritone Saxophone, Piano 2
Tenor Saxophone and Piano 2
Alto Saxophone and Piano 2

Bass Clarinet, Piano 1
Clarinet 1
Flute ensemble 1
Flute Quartet: 4 flutes 1
Bass Clarinet 1
Clarinet Quartet: 4 clarinets 1

+ 11 instrumentations

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Woodbrass
English horn, Piano 2
Trombone and Piano 2
Euphonium, Piano (duet) 2
French Horn and Piano 2
Brass quartet : 2 trumpets, trombone, tuba 2

Trumpet 1

+ 1 instrumentations

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Violin, Cello (duet) 5
Violin and Piano 3
Viola, Piano 3
Harp 2

Cello, Piano 2
2 Violins (duet) 2
Cello (band part) 1

+ 3 instrumentations

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String Orchestra 6
Concert band 5
Orchestra 3
Chamber Orchestra 2
Jazz Ensemble 2

Drums 1

+ 1 instrumentations

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How So Fair

Alto Saxophone and Piano

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Bach: Bist du bei mir BWV 508 for Alto Sax & Piano

Bach: Bist du bei mir BWV 508 for Alto Sax & Piano #Alto Saxophone and Piano #EASY #Classical #Johann Sebastian Bach #James M #Bach: Bist du bei mir BWV 508 #jmsgu3 #SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,S...(+)

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508.Â Bist du bei mir Bach adapted this aria from a lost StÃ¶lzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. Â He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2. Â Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time. Â Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair handsÂ Â Â Â Â Â Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. RevivalÂ Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

$32.95 ≈ $45.18

Saint-Saëns: The Swan for Alto Sax & Piano

Saint-Saëns: The Swan for Alto Sax & Piano #Alto Saxophone and Piano #INTERMEDIATE #Classical #Camille Saint-Saens #James M #Saint-Saëns: The Swan for Alt #jmsgu3 #SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Con...(+)

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 ≈ $45.18