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So What Drums
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3 sheet music found
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Almost May for Piano Solo
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.68€
Mobile for prepared piano
Mobile for prepared piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Michelle Agnes Magalhaes
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Mobile for prepared piano
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Michelle Agnes Magalhaes
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.944160 Composed by Michelle Agnes Magalhaes. Contemporary. Score. 17 pages. Michelle Agnes Magalhaes #598...
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Piano Solo - Level 4 - Digital Download SKU: A0.944160 Composed by Michelle Agnes Magalhaes. Contemporary. Score. 17 pages. Michelle Agnes Magalhaes #5989239. Published by Michelle Agnes Magalhaes (A0.944160). ABOUT MOBILE (by Ricardo Descalzo, pianist) Few compositions have impressed me as much in my life as this genius work by the Brazilian composer, pianist and improviser. I remember that when I found it a few years ago I did not give credit to what I was listening and I could not imagine how those sounds were produced without any electronic manipulation. The idea of using cylindrical neodymium magnets inside the piano, shows that there are no limits in the imagination of the composers and that the resources to be used in our instrument are unlimited, even if there is an increasingly frequent number of people in our professional environment who hate these practices. The idea of combining precise writing with improvised fragments seems to me to fit perfectly with the spirit of the work, which was born from the improvisational world of the composer herself. Mobile is a tribute to John Cage (hence the classic screws and washers) and is inspired by the sculpture of Richard Lippold Gemini that, at the same time, served as inspiration for the Sonatas XIV and XV of the American composer. Mobile evokes an imaginary metal sculpture, a sound automaton and its cyclic movements. The result is a gorgeous universe of bells, ghostly echoes and distant ritual drums. Mobile is an essential part of my concert programs since it entered my life and one of the pieces that every year I work with my students in Musikene. I’m sure that it will become a classic of new piano music. I can only say: thanks, Michelle for creating something so beautiful, so original and so pleasant to play.
$8.00 ≈
7.37€
Lovers Know
Lovers Know
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Piano solo
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INTERMEDIATE/ADVANCED
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Jazz
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Alan Simon
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Lovers Know
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Chappell & Company Inc, USA
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1008555 Composed by Alan Simon. Jazz. Score. 1 pages. Chappell & Company Inc, USA #4885075. Published by ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1008555 Composed by Alan Simon. Jazz. Score. 1 pages. Chappell & Company Inc, USA #4885075. Published by Chappell & Company Inc, USA (A0.1008555). A contrafact of the standard You Don't Know What Love Is, but played as a medium-up swinger instead of a ballad. The A sections use augmentation so that they are doubled (16 bars each) while the B section (bridge) is only 8 bars like the original-a total of 40 measures. On the recording the head is preceded by two chorus' of 12-bar blues in F minor featuring guitarist, Rory Stuart. The rest of the band is Glenn Wilson on baritone sax, Ernie Krivda, tenor sax, Jeff Halsey, bass, John Hazilla, drums and Alan Simon on piano.
$2.99 ≈
2.76€
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