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37 sheet music found
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1
26
Musically Declined, Theoretically Speaking, Op. 181
Musically Declined, Theoretically Speaking, Op. 181
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Piano solo
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ADVANCED
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Contemporary
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Samuel Wellman
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Musically Declined, Theoretica
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.882087 Composed by Samuel Wellman. 20th Century,Contemporary. Score. 5 pages. Samuel Wellman #518835. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.882087 Composed by Samuel Wellman. 20th Century,Contemporary. Score. 5 pages. Samuel Wellman #518835. Published by Samuel Wellman (A0.882087). In 2006 I began a series of musical fragments for my second-year theory students, using either their first or last name in a distorted or humorous manner as a title, which then led (usually) to a specific musical idea or style. The fragments appear consecutively as one single piece, but each fragment is a stand-alone piece (although very short). The present work is the first installment, that is, the one I composed in 2006.
$4.00 ≈
3.74€
Cadenza to the First Movement of W. A. Mozart's Piano Concerto No. 24 in C Minor, K. 491 - piano sol
Cadenza to the First Movement of W. A. Mozart's Piano Concerto No. 24 in C Minor, K. 491 - piano sol
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Piano solo
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Joseph Dillon Ford
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Cadenza to the First Movement
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David Warin Solomons2
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.958455 Composed by Wolfgang Amadeus Mozart. Arranged by Joseph Dillon Ford. 20th Century. Score. 2 pages....
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Piano Solo - Level 5 - Digital Download SKU: A0.958455 Composed by Wolfgang Amadeus Mozart. Arranged by Joseph Dillon Ford. 20th Century. Score. 2 pages. David Warin Solomons2 #3689621. Published by David Warin Solomons2 (A0.958455). The Cadenza to the First Movement of W. A. Mozart's Piano Concerto No. 24 in C Minor, K. 491, was composed in 1975 for Dillon Ford's personal use as soloist in performances at Florida International University. Since no Mozart cadenza survives for this, perhaps the most romantic of all the Mozart concertos, he consciously set out to create his own cadenza in a kind of hybrid style that is as much redolent of the Viennese Ländler as it is of the Brahms waltzes. Nor did he hesitate to introduce such stylistically advanced features as the concluding double trills, which are virtually unknown in Mozart's keyboard compositions. He believes the result is a concise but effective classico-romantic cadenza in quasi-improvisatory style well suited to its original purpose. He offers it to the pianist who is seeking musically engaging material that has as yet been little heard during public performances of what is perhaps Mozart's greatest contribution to the piano concerto genre.
$3.00 ≈
2.81€
Bach - Fugue in C - Level E - (Key Map Tablature)
Bach - Fugue in C - Level E - (Key Map Tablature)
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Piano solo
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ADVANCED
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Classical
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Johann Sebastian Bach
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John M
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6 Pages
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Bach - Fugue in C - Level E -
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music I...
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Piano Solo - Level 5 - Digital Download SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Workshop #4356271. Published by Music Innovators Workshop (A0.984695). This is a very interesting 4 voice fugue. I like a lot - but I can't play it on this tablature - even though I can play it on traditional notation. I wonder if it's because I learned to play it first on the traditional notation, or if the complexity of the piece makes the tablature less effective than it is on less complex pieces. Actually, i'm fascinated by the way it looks on the tablature. The weaving of the melody lines is very interesting. It really is a visual work of art! 6 Pages.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00 ≈
1.87€
Purple Horse
Purple Horse
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Piano solo
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ADVANCED
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Valery Aralov
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Yury Chugunov and Zellev
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Purple Horse
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1201265 Composed by Valery Aralov. Arranged by Yury Chugunov and Zellev. 20th Century,Blues,Broadway,Jazz...
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Piano Solo - Level 5 - Digital Download SKU: A0.1201265 Composed by Valery Aralov. Arranged by Yury Chugunov and Zellev. 20th Century,Blues,Broadway,Jazz,Musical/Show,Video Game. Score. 6 pages. Zellev Music #799915. Published by Zellev Music (A0.1201265). Key Signature: NaturalTime Signature: 3/4Tempo: Con moto (with movement (as lively as possible/ vivace))Difficulty: Advancednot much known about the composer, the piece originally comes from jazz compilation by Yury Chugunov.from the excerpt: The publication is dedicated to the waltz - not quite an ordinary genre in jazz, where the quadruple meter reigned supreme. The waltz was established in many respects thanks to the creativity in the fifty of the musicians kula (the so-called cool jazz - cool jazz). Interest in the waltz was shown by several major musicians of this direction, such as Miles Davis, Bill Evans, Dave Brubeck. One of the first waltz themes to penetrate jazz was Frank Churchill's most popular melody from the movie Snow White and the Seven Dwarfs. Soon waltzes written by jazz musicians began to appear.The jazz waltz represents the lyrical side of jazz along with the jazz ballad and bossa nova. The collection includes works by Soviet and foreign authors.The latter are represented by the names of R. Rogers, B. Evans, D. Brubeck, P. Desmond with his famous Take Five waltz and others. Dave Brubeck (in whose ensemble alto saxophonist Paul Desmond played) was perhaps the first to experiment with five-, six-, seven-quarter time signatures, widely using variable time signatures, polyrhythm; a typical example of a waltz of variable size belongs to the young Moscow pianist Daniil Kramer (Caprice). Recall, by the way, that an example of a five-quarter waltz in symphonic music is found in Tchaikovsky (second movement of the Sixth Symphony).We hope that the collection will be of interest not only to jazz musicians, but also to a wider circle of music lovers.-Yuri Chugunov.
$5.00 ≈
4.68€
Dies Irae Dodecaphonic
Dies Irae Dodecaphonic
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Piano solo
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ADVANCED
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Contemporary
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6...
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Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99 ≈
5.60€
Suite espagnole
Suite espagnole
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Piano solo
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ADVANCED
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Classical
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Isaac Albeniz
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Suite espagnole
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Schott Music - Digital
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SheetMusicPlus
Piano - advanced - Digital Download SKU: S9.Q14664 Composed by Isaac Albeniz. This edition: Sheet music. Piano - spain. Schott Piano Classics. Downloadab...
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Piano - advanced - Digital Download SKU: S9.Q14664 Composed by Isaac Albeniz. This edition: Sheet music. Piano - spain. Schott Piano Classics. Downloadable. Op. 47. Schott Music - Digital #Q14664. Published by Schott Music - Digital (S9.Q14664). Isaac Albéniz's first Suite espagnole, op. 47, composed in 1886 (a second suite was to follow in 1889), belongs, as the title suggests, to that part of his work coloured by folk-music and nationalistic elements. With its eight dance movements the work refers musically to Spanish towns and landscapes. The individual pieces differ considerably as far as the technical demands made on the performer are concerned. Taken as a whole they represent the composer’s characteristically recognizable preference for large sonorous chords, for guitar-like tremolo sounds and for rhythmic and harmonic effects taken from folk-music.
$12.99 ≈
12.15€
Three Hopper Paintings
Three Hopper Paintings
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Piano solo
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ADVANCED
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Contemporary
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Geoffrey Peterson
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Three Hopper Paintings
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Geoffrey Peterson
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.942951 Composed by Geoffrey Peterson. Contemporary. Score. 8 pages. Geoffrey Peterson #3915779. Published...
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Piano Solo - Level 5 - Digital Download SKU: A0.942951 Composed by Geoffrey Peterson. Contemporary. Score. 8 pages. Geoffrey Peterson #3915779. Published by Geoffrey Peterson (A0.942951). Three Hopper Paintings was written in the early 1990s. The three movements are connected by a ten-note theme. Much of the music, both melodic and harmonic, is derived from this. In my early twenties at the time, and having recently spent some months in Vienna studying the atonal and twelve-tone works of Arnold Schoenberg, I was greatly influenced by the music and compositional techniques of the Second Viennese School. The first movement, Nighthawks, is brooding and mysterious attempting to capture those qualities depicted in the painting. The music takes its cue from the early atonal piano works of Schoenberg. Rooms by the Sea has an impressionistic quality. With some exceptions, the music is predominantly in the sound world of Debussy. Some artistic license is taken with the last two chords to portray a sudden sea breeze closing the door shut. House by the Railroad is musically the most literal representation of the three paintings. The sustain pedal is left down for almost the entire movement to simulate the rumbling of an oncoming train. Allegedly, the house in Alfred Hitchcock's Psycho was inspired by it. Ironically, I lived in a small carriage house a few hundred feet from an active railroad when I composed the work.
$5.99 ≈
5.60€
Dance Of The Skeletons
Dance Of The Skeletons
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Piano solo
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ADVANCED
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Liberace
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Timothy Stapay
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from his classic fifties t
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Dance Of The Skeletons
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1112901 By Liberace. By Camille Saint-Saens. Arranged by Timothy Stapay. Broadway,Classical,Film/TV,Hallo...
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Piano Solo - Level 5 - Digital Download SKU: A0.1112901 By Liberace. By Camille Saint-Saens. Arranged by Timothy Stapay. Broadway,Classical,Film/TV,Halloween,Musical/Show,Pop. Score. 12 pages. Timothy Stapay #714856. Published by Timothy Stapay (A0.1112901). Dance Of The Skeletons as performed by piano artist Liberace; from his classic fifties t.v. show.The song is based upon Dance Macabre op. 40 by Camille Saint-Saens. Want to learn to play like Liberace? Now you can learn to play this fun and exciting Halloween song; in the same fantastic style as the legendary showman, Liberace According to the ancient superstition, Death appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle . The skeletons dance for him until the first break of dawn, when they must return to their graves until the next year! Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.41€
Jacques Leguerney: Fantaisie in g minor for piano
Jacques Leguerney: Fantaisie in g minor for piano
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Piano solo
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ADVANCED
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Classical
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Jacques Leguerney
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Jacques Leguerney: Fantaisie i
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.533316 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 37 pages. Musik Fabrik Music...
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Piano Solo - Level 5 - Digital Download SKU: A0.533316 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 37 pages. Musik Fabrik Music Publishing #2343073. Published by Musik Fabrik Music Publishing (A0.533316). Fantaisie en sol mineur pour pianoI. GraveII. ScherzandoIII. Bien allantDate de composition : 17 septembre 1945In 1945 Leguerney finished composition of the Fantaisie en sol mineur pour piano, written in three movements. He felt an â??extraordinary enthusiasmâ? for this piece, which he felt represented a departure from the current writing style for piano. He said in an interview with Patrick Choukroun in 1994 that â??I wanted to show that one could write lyrically for the piano. The piano music of Francis Poulenc lacked strength.â? The work was immediately performed in a private concert at the home of the Countess Jean de Polignac by the French pianist Monique Haas (1909-1987) in December 1945. The fact that she waschosen to perform Leguerneyâ??s Fantaisie is a key to the style of this work which Leguerney felt emulated the expressive force of Cesar Franckâ??s works. Haas was a distinguished concert artist, especially known for her performances of 20th century music, with which she toured worldwide. French pianists of her generation tried to avoid the excess of the â??romanticâ? school and strove for cleanness and precision with a warm tone color reflecting the influence of Alfred Cortot.Leguerney remembers that both Poulenc and Henri Sauguet were present at this private concert, but he noted that they did not comment about his piece. He felt it was obvious that his Fantaisie was â??far from the habitual level of piano musicâ? being composed at that time. These post-war years were Leguerneyâ??s most productive period. In addition to the Fantaisie, hecomposed the Sonatine pour violin et piano, the Quatuor à cordes, and many fine songs including the cycle Sept Poèmes de François Maynard. The 1940s finished with the composition of his first ballet, Endymion. The first public performance of the Fantaisie was given by Stéphane Petit-Jean in the Cloître Saint-Sauveur at the Festival of Aix-en-Provence on July 28, 1988 during a recital for Radio France that included songs of Leguerney interpreted by Nathalie Stutzmann. The concert was laterbroadcast as Une heure avec . . . Jacques Leguerney and also included the song cycles Sept Poèmes de François Maynard, La Nuit and Le Carnaval.The work is dedicated to Jean Fonda, the stage name of Jean-Pierre Fournier. He was the son of the famed French cellist Pierre Fournier. Before the performance at Aix-en-Provence, Leguerney showed the score of the Fantaisie to Fonda, who encouraged him to have it performed. It is possible that the dedication was made at this time.
$23.95 ≈
22.41€
Laura
Laura
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Piano solo
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ADVANCED
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Jazz
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David Raksin and Johnny Mercer
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Timothy Stapay/Liberace
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Laura
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1346315 Composed by David Raksin and Johnny Mercer. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Pop...
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Piano Solo - Level 5 - Digital Download SKU: A0.1346315 Composed by David Raksin and Johnny Mercer. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #931139. Published by Timothy Stapay (A0.1346315). This is a piano solo arrrangement of Laura as performed by piano artist, Liberace, on his emmy award winning t.v. show. It has been adapted for piano solo.Laura is a 1945 popular song. The music, composed by David Raksin for the 1944 movie film-noir classic Laura, which starred Gene Tierney and Dana Andrews, is heard frequently in the movie.  The song became a jazz standard and has been recorded more than 400 times. Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  He was born in Wisconsin to parents of Italian and Polish origin and enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:Laura is the face in the misty lightFootsteps that you hear down the hallThe laugh that floats on a summer nightThat you can never quite recallAnd you see Laura on a train that is passing throughThose eyes how familiar they seemShe gave your very first kiss to youThat was Laura, but she's only a dreamShe gave your very first kiss to youThat was Laura, but she's only a dream.
$8.99 ≈
8.41€
Sonata for Piano No. 5 "GILT-EDGE"
Sonata for Piano No. 5 "GILT-EDGE"
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Piano solo
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ADVANCED
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Sean A
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Sonata for Piano No. 5 "GILT-E
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Sean A Moore
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1397074 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 25 pages. Sean A ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1397074 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 25 pages. Sean A Moore #980408. Published by Sean A Moore (A0.1397074). GILT-EDGE†is a piano sonata in three movements. The sonata features dissonance, clusters, irregular rhythmic patterns and meters, syncopation, and extremes in textures and dynamics. The work is mostly intervallically/motivically based with the entire keyboard being utilized as a sort of sonic canvas as diverse as the world itself. The first movement, “GILT-EDGEâ€, has the same name as the title of the composition. The movement is emotionally intense, beginning loudly with a forearm cluster crash at the low end of the instrument and with a fast tempo. However, the first movement of the sonata ends slowly, quietly and sometimes dreamlike all while expressing a very dark mood. “Hopewellâ€, the second and somewhat more melodic movement, has a more meditative quality. This movement is inspired by the image of a quiet country road and an uncomplicated way of living that sometimes isn’t always what it seems. The final movement, “Antiochâ€, written on three staves, returns the listener back to the emotional complexities of the first movement. However, this movement does not end quietly. In this short explosive last movement, the sonata reaches its dramatic conclusion.
$12.99 ≈
12.15€
Great Is Thy Faithfulness (advanced piano arrangement)
Great Is Thy Faithfulness (advanced piano arrangement)
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Piano solo
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ADVANCED
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Raluca Bojor
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Raluca Bojor
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Great Is Thy Faithfulness
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Raluca Bojor
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.612917 By Raluca Bojor. By Thomas O. Chisholm. Arranged by Raluca Bojor. Praise & Worship. Score. 6 pages...
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Piano Solo - Level 5 - Digital Download SKU: A0.612917 By Raluca Bojor. By Thomas O. Chisholm. Arranged by Raluca Bojor. Praise & Worship. Score. 6 pages. Raluca Bojor #222109. Published by Raluca Bojor (A0.612917). This piano arrangement is the perfect prelude for your upcoming church service. It begins with a single line, as if it were a calling from a distance. Half way through the first verse, another line joins in beautiful counterpoint. Full harmonies begin in the first chorus and will continue throughout the rest of the arrangement. Suitable for church prelude or offertory. Performance time 4’27â€.
$6.00 ≈
5.61€
St. Louis Blues
St. Louis Blues
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Piano solo
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ADVANCED
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W
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Timothy Stapay
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St. Louis Blues
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standard...
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Piano Solo - Level 5 - Digital Download SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #820575. Published by Timothy Stapay (A0.1224471). This arrangement of St. Louis Blues is written as performed by piano artist, Liberace. He performed this on his t.v. show and record albums. The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Liberace, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it. Lyrics:I hate to see that evening sun go down, I hate to see that evening sun go down, 'Cause my lovin' baby done left this town. If I feel tomorrow, like I feel today, If I feel tomorrow, like I feel today, I'm gonna pack my trunk and make my getaway. Oh, that St. Louis woman, with her diamond rings, She pulls my man around by her apron strings. And if it wasn't for powder and her store-bought hair, Oh, that man of mine wouldn't go nowhere. I got those St. Louis blues, just as blue as I can be, Oh, my man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I love my man like a schoolboy loves his pie, Like a Kentucky colonel loves his rocker and rye I'll love my man until the day I die, Lord, Lord. I got the St. Louis blues, just as blue as I can be, Lord, Lord! That man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I got those St. Louis blues, I got the blues, I got the blues, I got the blues, My man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me, Lord, Lord!Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$7.99 ≈
7.48€
Etude "Three Hands"
Etude "Three Hands"
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Piano solo
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ADVANCED
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Peter Saltzman
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Etude "Three Hands"
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Salt Muse, Inc
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162887 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Dow...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162887 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Download. Classical,Jazz. Individual part. 8 pages. Duration 196. Salt Muse, Inc #4nxW5iY27ChHy497Z90vlj. Published by Salt Muse, Inc (A0.1162887). Key: F minor.No, it's not really for three hands; it just feels and (at times) sounds like it. This etude was supposed to be an R&B tune. When I first came up with the melody (1992), I tried to write lyrics. But nothing worked. I then tried to make it a band instrumental, with electric guitar taking the lead. Nah, too corny sounding. But I liked the tune. So I persisted and tried it as a solo piano piece. The thing is this: it retains its provenance as a piece for band because the two hands are basically acting as the band. Nothing unusual about that with regard to solo piano: it's always kind of a band or orchestra. What's different here is the left hand is usually playing both the tune and bass line. The right hand, when it joins the party at measure nine, acts like the backup singer (or maybe the guitar that was supposed to take the lead.) Remember that the bottom staff, as indicated, is always 8vb, except for the last measure. And should you take up the challenge to learn this, it is fatiguing but worth the effort.
$4.95 ≈
4.63€
Marie for shame - for piano (2 hands)
Marie for shame - for piano (2 hands)
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Piano solo
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ADVANCED
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Contemporary
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David Warin Solomons
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Daniela Mastrandrea
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Marie for shame - for piano
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.575849 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 7 pages. D...
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Piano Solo - Level 5 - Digital Download SKU: A0.575849 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 7 pages. David Warin Solomons #2028825. Published by David Warin Solomons (A0.575849). Arrangement by concert pianist and composer Daniela Mastrandrea of my Sweet Suite - a four movement sequence originally written for string quintet. This 2-hands piano version is fairly difficult and requires large stretches at times, but for those who like a challenge it is well worth it. However, we decided it would be good to provide 4-hands versions as well, which are easier to perform and also available on this site. The original stories behind the movements are: 1. Marie for shame - based on a setting of the poem Marie, vous estes paresseuse - Marie for shame you keep a-bed too long, you must get up and enjoy life. 2. Nocturne is basically a segue to the first movement, in which Marie yawns and goes back to sleep! The harmonies are rich and yet somnolent. 3. Camp David is a sprightly number based on the Yiddish folksong Ikh bin a meidel in de joren - I am a maiden come of age and I am looking for a husband. 4. Blue Boar Blue is based on a poem by a friend stuck studying in his college room (Blue Boar Quad at Christ Church Oxford) but dreaming of sunny outings to the river and punting. The sound samples are electronic previews. In the case of the 4-hands versions, the pdf files include the score and also separate piano parts. The original string quintets are also available on this site.
$6.00 ≈
5.61€
Piano Sonata No 1
Piano Sonata No 1
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Piano solo
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ADVANCED
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Contemporary
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Malcolm D Robertson
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Piano Sonata No 1
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Mr Malcolm D Robertson
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.927979 Composed by Malcolm D Robertson. 20th Century,Concert,Contemporary. Score. 32 pages. Mr Malcolm D ...
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Piano Solo - Level 5 - Digital Download SKU: A0.927979 Composed by Malcolm D Robertson. 20th Century,Concert,Contemporary. Score. 32 pages. Mr Malcolm D Robertson #5209167. Published by Mr Malcolm D Robertson (A0.927979). Composed in 1988, the Sonata was one of my first substantial works and one in which I began to start exploring large scale structure. I've made some slight revisions during July 2019, but the Sonata is still basically as originally conceived. The Sonata is a challenge for a pianist of advanced ability.
$10.99 ≈
10.28€
Camp David for piano (2 hands)
Camp David for piano (2 hands)
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Piano solo
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ADVANCED
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Contemporary
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David Warin Solomons
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Daniela Mastrandrea
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Camp David for piano
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.575851 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 7 pages. D...
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Piano Solo - Level 5 - Digital Download SKU: A0.575851 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 7 pages. David Warin Solomons #2028829. Published by David Warin Solomons (A0.575851). Arrangement by concert pianist and composer Daniela Mastrandrea of my Sweet Suite - a four movement sequence originally written for string quintet. This 2-hands piano version is fairly difficult and requires large stretches at times, but for those who like a challenge it is well worth it. However, we decided it would be good to provide 4-hands versions as well, which are easier to perform and also available on this site. The original stories behind the movements are: 1. Marie for shame - based on a setting of the poem Marie, vous estes paresseuse - Marie for shame you keep a-bed too long, you must get up and enjoy life. 2. Nocturne is basically a segue to the first movement, in which Marie yawns and goes back to sleep! The harmonies are rich and yet somnolent. 3. Camp David is a sprightly number based on the Yiddish folksong Ikh bin a meidel in de joren - I am a maiden come of age and I am looking for a husband. 4. Blue Boar Blue is based on a poem by a friend stuck studying in his college room (Blue Boar Quad at Christ Church Oxford) but dreaming of sunny outings to the river and punting. The sound samples are electronic previews. In the case of the 4-hands versions, the pdf files include the score and also separate piano parts. The original string quintets are also available on this site.
$6.00 ≈
5.61€
Nocturne for piano (2 hands)
Nocturne for piano (2 hands)
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Piano solo
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ADVANCED
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Contemporary
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David Warin Solomons
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Daniela Mastrandrea
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Nocturne for piano
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.575850 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 4 pages. D...
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Piano Solo - Level 5 - Digital Download SKU: A0.575850 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 4 pages. David Warin Solomons #2028823. Published by David Warin Solomons (A0.575850). Arrangement by concert pianist and composer Daniela Mastrandrea of my Sweet Suite - a four movement sequence originally written for string quintet. This 2-hands piano version is fairly difficult and requires large stretches at times, but for those who like a challenge it is well worth it. However, we decided it would be good to provide 4-hands versions as well, which are easier to perform and also available on this site. The original stories behind the movements are: 1. Marie for shame - based on a setting of the poem Marie, vous estes paresseuse - Marie for shame you keep a-bed too long, you must get up and enjoy life. 2. Nocturne is basically a segue to the first movement, in which Marie yawns and goes back to sleep! The harmonies are rich and yet somnolent. 3. Camp David is a sprightly number based on the Yiddish folksong Ikh bin a meidel in de joren - I am a maiden come of age and I am looking for a husband. 4. Blue Boar Blue is based on a poem by a friend stuck studying in his college room (Blue Boar Quad at Christ Church Oxford) but dreaming of sunny outings to the river and punting. The sound samples are electronic previews. In the case of the 4-hands versions, the pdf files include the score and also separate piano parts. The original string quintets are also available on this site.
$6.00 ≈
5.61€
Score for the Unmade Film - Part 3 - Piano Solo
Score for the Unmade Film - Part 3 - Piano Solo
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Piano solo
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ADVANCED
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Contemporary
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Jonathan Wilson
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Score for the Unmade Film - Pa
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Fresh Air
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1023028 Composed by Jonathan Wilson. Contemporary. Score. 9 pages. Fresh Air #6897437. Published by Fresh...
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Piano Solo - Level 5 - Digital Download SKU: A0.1023028 Composed by Jonathan Wilson. Contemporary. Score. 9 pages. Fresh Air #6897437. Published by Fresh Air (A0.1023028). In the early years of film, starting with the first public projection by the Lumière brothers on December 28 1895 in Paris, live music was an essential part of an otherwise silent experience. Typically the accompanyment would be anything from a solo pianist to specially designed theatre organs or an orchestra. Solo piano accompaniment would often be improvised to fit the action on screen requiring a level of skill from the pianist which has largely been lost with the advent of sound in films.
$3.99 ≈
3.73€
Piano Sonata Op. 2
Piano Sonata Op. 2
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Piano solo
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ADVANCED
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Classical
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Andrew Maurer
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Piano Sonata Op. 2
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Andrew Maurer
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1145522 Composed by Andrew Maurer. 20th Century,Classical,Romantic Period. Score. 34 pages. Andrew Maurer...
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Piano Solo - Level 5 - Digital Download SKU: A0.1145522 Composed by Andrew Maurer. 20th Century,Classical,Romantic Period. Score. 34 pages. Andrew Maurer #745764. Published by Andrew Maurer (A0.1145522). Compared to the Op. 1 Prelude, the Piano Sonata Op. 2 is a much different take on pianism with its virtuosic and dense textures, from the opening bars to the spectacular ending. The sonata owes its inspiration primarily to Rachmaninoff’s works, of whom it is dedicated, as well as stylistic elements of Chopin, and influence of early Prokofiev sonatas. The composition explores a unique sound world and attempts to comprise a wide gamut of human emotion through writing in idioms of romantic lyricism. The single movement work explores thematic development as its focus, and the form can be roughly divided into sections of fast-slow-fast-slow-fast-slow-fast. The opening is an inversion of the solo entrance rhythmic motif in Rachmaninoff’s First Concerto, and is built around the simple four note motif in E minor. This theme appears over pedal point with its melody eventually developing into the first lyrical theme. The inspiration for the second lyrical theme occurs prior to the development and recapitulation, which share perpetual tension between the harmonically complex theme and second lyrical theme in D major, culminating in a resolution in D major instead of the home key. Elsewhere, the hidden Dies Irae motif briefly appears. The last triumphant theme is thematically transposed from the inner voices of the second theme motif. Visit https://andrewmaurer.wixsite.com/official for more!
$6.99 ≈
6.54€
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