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Time After Time, piano cover
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Time After Time, piano cover
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Piano solo
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16 sheet music found
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1
Bohemian Rhapsody, piano cover
Bohemian Rhapsody, piano cover
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Rock
#
Queen
#
Christine Brown
#
Bohemian Rhapsody, piano cover
#
Christine Brown
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Christine Brown. Sheet Music Single. 5 pages. Published by Christine Brow...
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Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Christine Brown. Sheet Music Single. 5 pages. Published by Christine Brown
This "Classical Pop" cover, arranged by Kawai Artist Christine Brown, is an (adv./intermediate) solo piano arrangement of the iconic "Bohemian Rhapsody", a chill, classical/new age version of the song. From the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended "seamlessly" with other pop or classical songs, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."
Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California.
$7.99 ≈
7.33€
Nights In White Satin, piano cover (with Clair de Lune)
Nights In White Satin, piano cover (with Clair de Lune)
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
The Moody Blues
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Nights In White Satin, piano c
#
Christine Brown
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By The Moody Blues. Arranged by Christine Brown. Sheet Music Single. 7 pages. Published by Chri...
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Piano Solo - Advanced Intermediate - Digital Download By The Moody Blues. Arranged by Christine Brown. Sheet Music Single. 7 pages. Published by Christine Brown
A gorgeous arrangement of the Moody Blues classic, "Nights in White Satin", blended with nuances of Debussy's classical masterpiece, "Clair de Lune". This "Classical Pop" cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended "seamlessly" with classical songs, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."
Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California.
$7.99 ≈
7.33€
Open Arms, piano cover
Open Arms, piano cover
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Steve Perry/Jonathan Cain
#
Christine Brown
#
Open Arms, piano cover
#
Christine Brown
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Steve Perry/Jonathan Cain. Arranged by Christine Brown. Sheet Music Single. 6 pages. Publish...
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Piano Solo - Advanced Intermediate - Digital Download By Steve Perry/Jonathan Cain. Arranged by Christine Brown. Sheet Music Single. 6 pages. Published by Christine Brown
A classical arrangement of the popular Journey ballad, "Open Arms", blended with classical phrases of a Debussy favorite, "Reverie". This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
$7.99 ≈
7.33€
Your Song, piano cover
Your Song, piano cover
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Rock
#
Elton John
#
Christine Brown
#
Your Song, piano cover
#
Christine Brown
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Elton John. Arranged by Christine Brown. Sheet Music Single. 6 pages. Published by Christine...
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Piano Solo - Advanced Intermediate - Digital Download By Elton John. Arranged by Christine Brown. Sheet Music Single. 6 pages. Published by Christine Brown
This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement of Elton John's "Your Song", blended with classical phrases of Franz Liszt's "Liebestraum", from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
$7.99 ≈
7.33€
Santa Baby - Piano Solo
Santa Baby - Piano Solo
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Old Time/Rock
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Eartha Kitt
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Mario Stallbaumer
#
Santa Baby - Piano Solo
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Eartha Kitt. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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Piano Solo - Advanced Intermediate - Digital Download By Eartha Kitt. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Santa Baby" on piano!
It's an accurate, playable arrangement of Eartha Kitt's famous 1953 recording, in the song's original key of Db major.
It comes with a few challenges, but sounds fantastic!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
Written by Joan Javits and Philip Springer, Eartha Kitt recorded the song with Henri René and his orchestra. After its release in October 1953, it became the best-selling Christmas song of that year!
The song's suggestive lyrics and sexual undertone were considered quite controversial (the song was even banned for some time in the American South), and "Santa Baby" has been named both one of the best and one of the worst Christmas songs ever written...
Still, the song has become a famous holiday hit, and has been recorded by many artists, including Madonna, Kylie Minogue, Michael Bublé, Robbie Williams, Ariana Grande, Gwen Stefani, Taylor Swift, and many others.
Many consider Eartha Kitt's original recording to be the greatest version of the song - it certainly makes for a fantastic piano cover!
Here are the song's full lyrics:
Santa baby, just slip a sable under the tree
For me
Been an awful good girl
Santa baby, so hurry down the chimney tonight
Santa baby, a 54 convertible too
Light blue
I'll wait up for you dear
Santa baby, so hurry down the chimney tonight
Think of all the fun I've missed
Think of all the fellas that I haven't kissed
Next year I could be just as good
If you'll check off my Christmas list
Santa baby, I wanna yacht
And really that's not a lot
Been an angel all year
Santa baby, so hurry down the chimney tonight
Santa honey, one little thing I really need
The deed
To a platinum mine
Santa baby, so hurry down the chimney tonight
Santa cutie, and fill my stocking with a duplex
And checks
Sign your 'X' on the line
Santa cutie, and hurry down the chimney tonight
Come and trim my Christmas tree
With some decorations bought at Tiffany's
I really do believe in you
Let's see if you believe in me
Santa baby, forgot to mention one little thing
A ring
I don't mean on the phone
Santa baby, so hurry down the chimney tonight
Hurry down the chimney tonight
Hurry, tonight
$4.99 ≈
4.58€
Linkin Park - In the End - Piano Solo (original key)
Linkin Park - In the End - Piano Solo (original key)
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Alternative/Rock
#
Linkin Park
#
Mario Stallbaumer
#
Linkin Park - In the End - Pia
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Linkin Park. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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Piano Solo - Advanced Intermediate - Digital Download By Linkin Park. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play "In the End" by Linkin Park on piano!
It's an accurate, carefully created piano arrangement of the full song, in the song's original key of Eb minor.
"In the End" is a song from Linkin Park's debut album "Hybrid Theory", and was released in October 2000 as the album's second single.
Praised for its flawless combination of different elements - the melancholic, immediately recognizable piano riff, prominent rap parts by Mike Shinoda, heavy guitar riffs, and the powerful voice of Chester Bennington (who initially disliked the song), "In the End" became arguably Linkin Park's most famous hit!
"In the End" became one of Linkin Park's signature songs and their highest charting single (#2 on the Billboard Hot 100), reached top 10 positions around the globe, and became Billboard's second most played rock song of the decade.
The song has been streamed over 900 million times on Spotify, and the music video has been watched over a billion times on Youtube!
The song re-entered the charts after the suicide of Linkin Park's lead singer, Chester Bennington, in July 2017.
Every Linkin Park fan knows the lyrics of the song's chorus:
"I tried so hard and got so far
But in the end, it doesn't even matter
I had to fall to lose it all
But in the end, it doesn't even matter"
What better way to remember Chester than to play his music yourself?
"In the End" makes for an amazing piano cover...
$4.99 ≈
4.58€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
35.74€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
35.74€
Nojoqui Falls - for Solo Piano
Nojoqui Falls - for Solo Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Emily Nafius
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Nojoqui Falls - for Solo Piano
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Emily Nafius Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.918243 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 4 pages. Emily Nafi...
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Piano Solo - Level 4 - Digital Download SKU: A0.918243 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 4 pages. Emily Nafius Music #5995145. Published by Emily Nafius Music (A0.918243). A modern, meditative original composition, suitable for students and advanced musicians alike.Composer’s Note:Nojoqui Falls (pronounced NAW-ho-wee) is a seasonal waterfall in Santa Barbara County, California, in the interior foothills of the Santa Ynez Mountains. It is the subject of stories from the Chumash, a Native American people who have lived along California’s central coast for thousands of years. When the area experiences extreme drought, sometimes the waterfall reduces to a trickle. But it is a beautiful, shady place with a magical quality, and the water always returns.For interested students or teachers, here are a few pedagogical notes:Pedal ad lib is appropriate for this piece. Unless a player has very large hands, the right hand will need to cover most of the top notes in the bass clef (the C ostinato). This can be a welcome challenge for students, as they will need to balance this with sustaining and shaping the top melody notes. Some of the middle C ostinato notes are indicated as optional, since they are already struck as melody notes during the same beat. (But they are still notated in case another instrument plays the melody.) It might feel awkward to strike some of the other C ostinato notes that are rhythmically nearby, but it can also be a good way to practice leaving that sustained melodic note ringing while striking the same note soon after with a much quieter dynamic, which requires both control and skilled use of the pedal.About the Composer:Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of singer-songwriters and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.
$3.99 ≈
3.66€
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7...
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Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50 ≈
8.72€
Suites d’Enac, Je peux vous demander le monde qui est là-bas
Suites d’Enac, Je peux vous demander le monde qui est là-bas
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Piano solo
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INTERMEDIATE/ADVANCED
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Raphaël Novarina
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Raphaël Novarina
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Suites d’Enac, Je peux vous
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Raphaël Novarina
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1424436 Composed by Raphaël Novarina. Arranged by Raphaël Novarina. Contemporary. Score. 5 pages. Rapha...
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Piano Solo - Level 4 - Digital Download SKU: A0.1424436 Composed by Raphaël Novarina. Arranged by Raphaël Novarina. Contemporary. Score. 5 pages. Raphaël Novarina #1005627. Published by Raphaël Novarina (A0.1424436). Raphaël Novarina is a French composer and Pianist born in Paris in 1980, that composes in a variety of musical styles and setting, but mainly focuses on contemporary classical piano. Novarina also manages a music label. Novarina has an extensive collection of albums. His Solo Piano series has over ten albums of original solo piano music. The style of each album varies, but Novarina’s compositional styles are always based in the rich European classical tradition of forms and harmonic and melodic developments. Each album contains solid playing and themed around various forms. For example, Solo Piano VIII, is comprised of ten Etudes. While Solo Piano VII is all Funeral Marches. Now Novarina is releasing Solo Piano X, which has a theme of suites. The album contains ten suites composed by Novarina. A suite, in Western classical music, is an ordered set of instrumental pieces. Originating in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude. The separate movements were often thematically and tonally linked. In the Baroque era, the suite was an important musical form, also known as Suite de danses, Partita or Ouverture (after the theatrical “overture” which often included a series of dances) as with the orchestral suites of Christoph Graupner and Telemann.#piano #pianocover #pianomusic #pianoplayer #pianoforte #pianoman #pianosolo #pianolessons #pianolove #pianoteacher #pianobar #pianopiano #pianolover #pianos #pianogram #pianoplaying #pianogirl #pianolesson #pianocovers #pianokeys #pianotime.
$1.99 ≈
1.83€
Family
Family
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Piano solo
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INTERMEDIATE/ADVANCED
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Jemetris Brown
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Family
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Jemetris Brown
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1093510 By Jemetris Brown. By Jemetris Brown. Classical,Jazz. Score. 6 pages. Jemetris Brown #697572. Pub...
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Piano Solo - Level 4 - Digital Download SKU: A0.1093510 By Jemetris Brown. By Jemetris Brown. Classical,Jazz. Score. 6 pages. Jemetris Brown #697572. Published by Jemetris Brown (A0.1093510). Family is a beautiful composition written for my family. It has rich harmony and a gorgeous melody. You'll discover a mixture of jazz and classical devices that make the music pop. This piece is an absolute joy to play and listen to. You will feel sentimental after playing through this tune, and so will others! It is the perfect ballad for any occasion. Get yourself a copy and dive right into the beauty!
$21.99 ≈
20.18€
Stevie Wonder - Isn't She Lovely
Stevie Wonder - Isn't She Lovely
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Piano solo
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INTERMEDIATE/ADVANCED
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Rock
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Stevie Wonder
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Mario Stallbaumer
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Stevie Wonder - Isn't She Love
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Stevie Wonder. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Sta...
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Piano Solo, Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Stevie Wonder. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Isn't She Lovely" by Stevie Wonder on piano!
It's an accurate piano arrangement of the famous pop/jazz standard which sounds amazing!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics and chords!
Stevie Wonder wrote "Isn't She Lovely" to celebrate the birth of his daughter, Aisha Morris.
The song was included on his 1976 album "Songs in the Key of Life", and served as the album's second single (after the lead single "I Wish").
"Songs in the Key of Life" became Stevie Wonder's best-selling album. It won a "Album of the Year" Grammy Award and is considered one of the greatest and most influental albums of all time!
"Isn't She Lovely" became one of Stevie Wonder's greatest hits and signature songs, and a popular jazz standard / pop standard.
With this sheet music, you can play it too!
About SMP Press
$4.99 ≈
4.58€
Perdido Bay Moon Rag
Perdido Bay Moon Rag
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Piano solo
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INTERMEDIATE/ADVANCED
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Ragtime
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Donald Ashwander
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Perdido Bay Moon Rag
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1295715 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886012. Publi...
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Piano Solo - Level 4 - Digital Download SKU: A0.1295715 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886012. Published by The Donald Ashwander Estate (A0.1295715). Perdido Bay Moon Rag is a heartfelt and evocative solo piano composition dedicated to the memory of an elegant lady whose love for dance and a chance suggestion led to the creation of this beautiful piece. The composition pays homage to the serene beauty and cherished memories of Bear Point, Alabama, a place rich in history and personal significance to the composer, Donald Ashwander.The story behind Perdido Bay Moon Rag begins on a summer day when Donald, along with friends Edith and Edwin Zelnicker, found themselves on the picturesque Bear Point, Alabama. This tranquil peninsula on the shores of Perdido Bay held a special place in their hearts, as it was a locale where they had spent countless hours as children. They reminisced about their youth, playing beneath the majestic magnolia trees adorned with Spanish Moss and exploring ancient Indian mounds in search of pottery shards.It was during this nostalgic conversation that Edith, the elegant lady in question, suggested the title for a piano composition: Perdido Bay Moon Rag. Enchanted by the idea, Donald was determined to bring this vision to life. Upon returning to New York, he began crafting the piece, but it somehow eluded his grasp. Despite this initial challenge, he designed an appropriate cover for the composition and sent it to Edith and Edwin in Mobile.Over the years, Perdido Bay Moon Rag remained a fixture on Edith and Edwin's piano, a symbol of a cherished memory and unfulfilled promise. Edith confessed to her friend that she had attempted to play the piece but found it too complex, and so it remained unplayed.Time passed, and sadly, Edith fell ill. On a poignant visit to Mobile after Edith's passing, the atmosphere in their home was filled with her spirit. There, prominently displayed on the piano, lay Perdido Bay Moon Rag. In that moment, Donald knew that he needed to fulfill his promise and honor Edith's memory properly.With newfound determination and inspiration, Donald embarked on a journey to create a completely new composition that would capture the essence of Bear Point, Perdido Bay, and the moonlit nights they had cherished. This time, the music flowed effortlessly from his fingertips, as if guided by the memories and love he held for his dear friend.Perdido Bay Moon Rag is a testament to the enduring power of memories, friendship, and the creative process. It reflects the tranquility of Bear Point, the gentle sway of Spanish Moss, and the serenity of moonlit nights on the bay. Through its delicate melodies and intricate rhythms, the composition invites listeners to share in the deep emotions and fond recollections that inspired its creation.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95 ≈
5.46€
Auld Lang Syne
Auld Lang Syne
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Piano solo
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INTERMEDIATE/ADVANCED
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Traditional
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Bradley Sowash
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Auld Lang Syne
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Bradley Sowash
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.750202 Composed by Traditional. Arranged by Bradley Sowash. Celtic,Holiday,Irish,Jazz,Rock. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.750202 Composed by Traditional. Arranged by Bradley Sowash. Celtic,Holiday,Irish,Jazz,Rock. Score. 4 pages. Bradley Sowash #6618097. Published by Bradley Sowash (A0.750202). This one grooves! After a suitably sentimental introduction played freely, the party starts with a funky bass line under colorful chords and 16th note syncopations.Level: Advanced intermediate Duration: 2:06 with no repeats 4 pages with cover
$7.95 ≈
7.29€
On The Highwire
On The Highwire
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Piano solo
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INTERMEDIATE/ADVANCED
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Ragtime
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Donald Ashwander
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On The Highwire
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1294639 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #884992. Publi...
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Piano Solo - Level 4 - Digital Download SKU: A0.1294639 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #884992. Published by The Donald Ashwander Estate (A0.1294639). On The Highwire, a captivating solo piano ragtime composition by Donald Ashwander, transports us to the magical world of the circus, where memories of childhood delight and wonder come alive once more. After many years of absence, a return to the circus rekindled the same emotions of delight, terror, and thrill that had captivated the composer during his youth.The composition is a musical tribute to that heart-pounding moment under the circus tent. Through the nimble fingers of the pianist, the composition captures the spirit of the highwire artist's ascent, balancing gracefully between the realms of courage and vulnerability.The ragtime style, known for its lively rhythms and syncopated melodies, mirrors the electrifying atmosphere of the circus, where each step is a daring act of courage and precision. The music's playful motifs and dynamic shifts mirror the ups and downs of the highwire, while the intricate harmonies evoke the delicate equilibrium between life and danger.As you listen to On The Highwire, let your imagination soar like the acrobat in the spotlight. Feel the rush of adrenaline and the thrill of each daring step. Experience the elegant nonchalance that defies gravity and leaves you breathless with amazement. This composition is a musical tightrope walk between nostalgia and the present, inviting you to relive the magic of the circus and rediscover the childlike wonder that still resides within us all.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95 ≈
5.46€
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