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Over There
Not classified 1,302

Piano & keyboards
Big Note Piano 3,035
Organ 1,416
Piano solo 592
Piano, Voice 315
Easy Piano 175

Piano, Vocal and Guitar 137
C Instruments 76
Keyboard 51
2 Pianos, 4 hands 23
1 Piano, 4 hands 11
Piano Trio: piano, violin, cello 11
Piano Accompaniment 6
Piano Quartet: piano, violin, viola, cello 5
Piano Quintet: piano, 2 violins, viola, cello 3
Organ, Trumpet (duet) 1
Accordion ensemble 1
Accordion 1
2 Pianos, 8 hands 1
Solo instrument and Organ 1
Piano Quartet: piano, 2 violins, cello 1
Harpsichord 1

+ 16 instrumentations

- Retract

Guitars
Bass guitar 298
Guitar 52
Guitar notes and tablatures 47
Melody line, (Lyrics) and Chords 22
Ukulele 13

2 Guitars (duet) 10
Mandolin 7
4 Guitars (Quartet) 5
Dulcimer 5
Banjo 5
Lyrics and Chords 2
Guitar, Orchestra 1
Piano, Guitar (duet) 1
3 Guitars (trio) 1

+ 9 instrumentations

- Retract

Voice
Choral Unison 312
Choral SATB 188
Choral 3-part 67
Choral 2-part 39
Alto voice, Piano 31

Tenor voice 26
Soprano voice 23
Choral TTBB 22
Soprano voice, Piano 20
Choral SSAA 14
Tenor voice, Piano 7
Vocal duet 4
Baritone voice, Piano 3
High voice 3
Vocal duet, Piano 3
Medium voice, Piano 2
Soli, Mixted choir and accompaniment 1
Voice solo 1
Low voice, Piano 1
Choral SSAATTBB 1

+ 15 instrumentations

- Retract

Woodwind
2 Saxophones (duet) 312
Saxophone, Clarinet (duet) 169
2 Clarinets (duet) 119
Clarinet, Violin (duet) 108
2 Flutes (duet) 107

Flute and Piano 89
Clarinet, Trumpet (duet) 81
Oboe, Piano (duet) 74
Flute, Clarinet (duet) 68
Clarinet and Piano 66
Alto Saxophone and Piano 63
2 Oboes (duet) 62
Clarinet 59
Flute, Violin 59
Oboe, Clarinet (duet) 59
Clarinet and Viola 58
Oboe, Bassoon (duet) 54
Tenor Saxophone and Piano 52
Oboe, Flute 50
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 49
Flute, Saxophone (duet) 47
Flute, Trumpet (duet) 41
Soprano Saxophone and Piano 41
Flute, Viola (duet) 40
Saxophone Quartet: 4 saxophones 39
Saxophone ensemble 36
Baritone Saxophone, Piano 32
Flute, Oboe, Clarinet, Bassoon 32
Alto Saxophone 30
2 Flutes, Piano 30
Saxophone (band part) 29
English horn, Piano 28
Flute ensemble 28
Flute 27
Oboe (band part) 26
Clarinet Quartet: 4 clarinets 25
Bass Clarinet, Piano 23
Clarinet Ensemble 21
Saxophone Quintet: 5 Saxophones 16
Flute Quartet: 4 flutes 16
3 Saxophones (trio) 11
Harmonica 10
Flute Quintet : 5 flutes 7
Descant (Soprano) Recorder 7
Flute, Violoncello 7
Flute and Guitar 7
Clarinet, Cello (duet) 6
Clarinet Quintet: 5 clarinets 6
Oboe 5
Tenor Saxophone 4
Clarinet, Guitar (duet) 4
Piccolo, Piano 3

Soprano Saxophone 3
2 Clarinets, Piano 3
2 Oboes, Piano 3
Pennywhistle 3
Oboe, Clarinet, Bassoon (trio) 2
Flute, Bassoon, and Piano 2
Flute, Clarinet, Horn and Bassoon (Quartet) 2
Treble (Alto) Recorder, Piano 2
Flute, Oboe, Bassoon 2
Baritone Saxophone 2
Flute, Oboe (duet) 2
Flute, harp and violin 2
Flute Trio: 3 flutes 2
Flute, Clarinet, Piano (trio) 2
3 Clarinets (trio) 2
Oboe, Violin (duet) 2
Eb Instruments 2
Descent (Soprano) Recorder, Piano 2
English Horn 1
Oboe, Guitar (duet) 1
Clarinet, Cello, Piano (trio) 1
Flute, Harp and Cello 1
Bass Clarinet 1
Flute, Viola and Piano 1
Piccolo 1
Flute, Organ (duet) 1
Clarinet Quartet: Clarinet, Violin, Viola, Cello 1
Recorder Quartet 1
Clarinet Quintet: Clarinet, String Quartet 1
Flute, Violin, Piano 1
Tenor Recorder 1
Recorder 1
Clarinet, Harp (duet) 1
English Horn, Guitar (duet) 1
Oboe, Clarinet and Piano (Trio) 1
Flute, Cello, Piano (trio) 1
Saxophone and Organ 1
2 Recorders (duet) 1

+ 85 instrumentations

- Retract

Woodbrass
Trumpet, Saxophone (duet) 108
Brass Quintet: 2 trumpets, horn, trombone, tuba 69
Trombone and Piano 59
Trumpet 55
Trumpet, Trombone (duet) 49

2 Trumpets (duet) 48
2 Trombones (duet) 48
French Horn and Piano 44
Euphonium, Piano (duet) 37
Trumpet, Piano 37
Brass quartet : 2 trumpets, trombone, tuba 30
English horn, Piano 28
Trombone 25
Brass Quartet 19
Tuba and Piano 14
French horn 14
2 French horns (duet) 10
Tuba 9
Brass Quartet: 2 trumpets, horn, trombone 9
Trombone ensemble 7
Trumpet ensemble 5
Brass Quartet: 4 trombones 4
Bass Clef Instruments 4
Horn Ensemble 3
Bb Instruments 3
2 French horns, Piano 3
3 Euphoniums 2
2 Euphoniums and 2 Tubas 2
2 Trumpets, Keyboard (piano or organ) 2
2 Tubas (duet) 2
English Horn 1
Brass Quartet: 4 trumpets 1
Brass Trio 1
3 Trombones (trio) 1
English Horn, Guitar (duet) 1
Trumpet, Euphonium (duet) 1
Trombone, Tuba (duet) 1
3 Trumpets (trio) 1
Trombone, Violin (duet) 1

+ 34 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 131
Violin and Piano 90
Violin, Cello (duet) 76
Viola, Piano 71
2 Violins (duet) 70

2 Violas (duet) 68
Violin, Viola (duet) 66
Cello, Piano 63
2 Cellos (duet) 58
Harp 56
Violin 48
Viola 23
String Trio: violin, viola, cello 19
String Trio: 2 violins, cello 18
Cello (band part) 18
String Quintet: 2 violins, viola, cello, bass 13
Cello 10
Double Bass 9
2 Harps (duet) 8
Cello, String Bass (duet) 6
Double bass, Piano (duet) 6
Flute, Doublebass (duet) 5
4 Cellos 4
Viola (band part) 4
2 Violins, Piano 3
Viola, Cello (duet) 2
Violin (band part) 2
2 Cellos, Piano 2
2 Violas, Piano 2
Viola ensemble 2
String Trio: 3 cellos 2
Violin, Clarinet, Piano (trio) 2
Violin ensemble 2
String Quintet: 2 violins, 2 violas, cello 2
Harp, Flute (duet) 2
Cello Ensemble 1
Violin, Guitar (duet) 1
2 Double basses (duet) 1
Harp, Voice 1
String quartet: 4 violins 1
3 Harps 1
String Trio: 3 violins 1
Piano Trio: Violin, Viola, Piano 1
String Quartet : 4 violas 1
String Trio: 2 violins, viola 1
Doublebass (band part) 1

+ 41 instrumentations

- Retract

Percussion & orchestra
Concert band 212
String Orchestra 107
Orchestra 74
Brass ensemble 52
Chamber Orchestra 48

Jazz Ensemble 46
Jazz combo 27
Handbells 16
Percussion Ensemble 11
Marching band 6
Marimba 3
Piano and Orchestra 1
Drums 1
Xylophone, Piano 1
School Ensemble 1
Brass Quintet: other combinaisons 1
Vibraphone and Marimba 1

+ 12 instrumentations

- Retract

Others
Musical course - Solfege 1

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Over There

Piccolo, Piano

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Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano

Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano #Piccolo, Piano #EASY #Classical #J #James M #Bach-Gounod: Ave Maria, Schwen #jmsgu3 #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christm...(+)

Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.Â Ave Maria Ave MariaÂ is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of theÂ Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann SebastianÂ Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Â History BachÂ came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. Â Style It seems likeÂ Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted aÂ BachÂ revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthyÂ BachÂ biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There isÂ Bach, Mozart, Beethoven, and Stravinsky among others. However, because BachÂ is so important in our music history, it contains three times moreÂ Bach than all the others combined.

$32.95 ≈ 30.65€

Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano

Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano #Piccolo, Piano #INTERMEDIATE #Classical #Edvard Grieg #James M #Grieg: Morning Mood from Peer #jmsgu3 #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,...(+)

Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 â€“1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Â Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ€™s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

$32.95 ≈ 30.65€

Sullivan: The Lost Chord for Piccolo & Piano

Sullivan: The Lost Chord for Piccolo & Piano #Piccolo, Piano #INTERMEDIATE/ADVANCED #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for P #jmsgu3 #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP....(+)

Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ 25.07€