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You've selected:
Prelude for orchestra
Oboe, Piano (duet)
Sheetmusic to print
4 sheet music found
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romanti...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.62€
Suite for Oboe and Piano (Downloadable)
Suite for Oboe and Piano (Downloadable)
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Oboe, Piano (duet)
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Walter Piston
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Suite for Oboe and Piano
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Oboe & piano - Moderately Difficult - Digital Download SKU: MQ.0788-E Composed by Walter Piston. 18 pages. E. C. Schirmer Music Company - Digital #0788-E...
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Oboe & piano - Moderately Difficult - Digital Download SKU: MQ.0788-E Composed by Walter Piston. 18 pages. E. C. Schirmer Music Company - Digital #0788-E. Published by E. C. Schirmer Music Company - Digital (MQ.0788-E). This 1931 suite was first performed by a principal player of the Boston Symphony Orchestra, Ferdinand Gillet, with Jesus Sanromá as pianist. It is dedicated to Dr. Augusts Thorndike, an amateur oboist who was the father of one of Piston's friends. Commentators on the music suspect that Piston might have been writing it to suite Thorndike's tastes and skills, for it is unusually brilliantly written for the instrument, but is uncommonly Debussian and Ravelian in its style, which abounds in use of the whole-tone scale and chords of the ninth. It even quotes Debussy's Clair de lune and Roussel's Suite in F. The movements of the suite have titles that would not be out of place in the music of any of these composers, such as Nocturne, Sarabande, Prelude, and Minuetto. While the piece is very lyrical, it is almost excessively pretty and hence is pretty atypical for Piston. -Joseph Stevenson, AllMusic.com.
$12.85 ≈
11.99€
Prélude à "L'après-midi d'un faune"
Prélude à "L'après-midi d'un faune"
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Oboe, Piano (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Claude Achille Debussy
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Isao Tsuruhara
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Prélude à "L'après-midi d'u
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TsuruharaMusic
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SheetMusicPlus
Small Ensemble A Clarinet,Bassoon,Flute,Horn,Oboe,Piano - Level 4 - Digital Download SKU: A0.1088090 Composed by Claude Achille Debussy. Arranged by Isao...
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Small Ensemble A Clarinet,Bassoon,Flute,Horn,Oboe,Piano - Level 4 - Digital Download SKU: A0.1088090 Composed by Claude Achille Debussy. Arranged by Isao Tsuruhara. Classical. Score and parts. 42 pages. TsuruharaMusic #692329. Published by TsuruharaMusic (A0.1088090). A work for orchestra modified for woodwind quintet and piano.
$36.99 ≈
34.52€
Prayer
Prayer
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Oboe, Piano (duet)
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Willard Zirk
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Prayer
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Imagine Music - Digital
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SheetMusicPlus
Oboe & piano - Digital Download SKU: IZ.IMF1819 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMF1819. Published by Imagin...
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Oboe & piano - Digital Download SKU: IZ.IMF1819 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMF1819. Published by Imagine Music - Digital (IZ.IMF1819). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (and Congressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot - WASP). Since the premiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It has been used for weddings, funerals, offertories, and preludes.Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on the human weakness of willful transgression. Cleanse thou me from secret faults.... Let the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV).I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry for myself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadence at the end acknowledges God's gracious forgiveness.Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40.
$10.00 ≈
9.33€
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