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Mozart Piano and Orchestra
Oboe, Piano (duet)
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8 sheet music found
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1
Mendelssohn: Wedding March for Oboe & Piano
Mendelssohn: Wedding March for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
#
Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Stan...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95 ≈
23.07€
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Oboe, Piano (duet)
#
INTERMEDIATE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructio...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.47€
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
#
Classical
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Ludwig van Beethoven
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James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95 ≈
23.07€
Eine Kleine Nachtmusik for Oboe and Piano
Eine Kleine Nachtmusik for Oboe and Piano
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Oboe, Piano (duet)
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INTERMEDIATE
#
Classical
#
Wolfgang Amadeus Mozart
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Diego Marani
#
Eine Kleine Nachtmusik for Obo
#
Diego Marani
#
SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.528344 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Sta...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.528344 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and part. 31 pages. Diego Marani #5774689. Published by Diego Marani (A0.528344). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Oboe faithfully reproduces the original for string orchestra and includes all the four movements (Allegro, Romance, Minuet, Rondo) of the composition.
$19.99 ≈
18.48€
Eine Kleine Nachtmusik (1st Mov.) for Oboe and Piano
Eine Kleine Nachtmusik (1st Mov.) for Oboe and Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Diego Marani
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Eine Kleine Nachtmusik
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Diego Marani
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.528328 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Sta...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.528328 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 11 pages. Diego Marani #5754363. Published by Diego Marani (A0.528328). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Oboe faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.
$9.99 ≈
9.24€
Queen of the Night - From the Magic Flute - Oboe and Piano
Queen of the Night - From the Magic Flute - Oboe and Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Queen of the Night - From the
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Oboe,Piano - Level 3 - Digital Download SKU: A0.760282 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Conte...
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Chamber Orchestra Oboe,Piano - Level 3 - Digital Download SKU: A0.760282 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and part. 19 pages. Raymond Fenech #3547283. Published by Raymond Fenech (A0.760282). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.
$3.99 ≈
3.69€
Concertino da Camera by Antonio Salieri, Mmt. II (oboe and piano)
Concertino da Camera by Antonio Salieri, Mmt. II (oboe and piano)
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Oboe, Piano (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Salieri
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Rebekah Henry
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Concertino da Camera by Antoni
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Rebekah Henry
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.942504 Composed by Antonio Salieri. Arranged by Rebekah H...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.942504 Composed by Antonio Salieri. Arranged by Rebekah Henry. Classical. Score and parts. 4 pages. Rebekah Henry #3512241. Published by Rebekah Henry (A0.942504). Arrangement of the 2nd movement of Antonio Salieri's Concertino da Camera for oboe and piano (originally for flute or oboe and string orchestra) by Rebekah Henry (ASCAP). A beautiful slow movement that is a great addition to a recital or alternative to the sometimes overplayed works of Mozart. 3'30.
$3.99 ≈
3.69€
Ave verum corpus for oboe (easy)
Ave verum corpus for oboe (easy)
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Oboe, Piano (duet)
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Daniel C
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Ave verum corpus for oboe
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Daniel C. M.
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SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.1064504 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and...
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1064504 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 3 pages. Daniel C. M. #668767. Published by Daniel C. M. (A0.1064504). This is a very easy arrangement for oboe and piano. The main voice of the sopranos has been left for the oboe to play. The choir and orchestra have been arranged for the piano in an easy way, but keeping the harmony the same as the original.
$4.00 ≈
3.70€
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