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Charles L
Not classified 97

Piano & keyboards
Piano solo 231
Piano, Voice 140
Easy Piano 15
Piano Accompaniment 11
Accordion 10

Piano, Vocal and Guitar 9
1 Piano, 4 hands 4
Organ 3
C Instruments 3
Piano Quintet: piano, 2 violins, viola, cello 1
2 Pianos, 8 hands 1
Piano Quartet: piano, violin, viola, cello 1
Piano Trio: piano, violin, cello 1

+ 8 instrumentations

- Retract

Guitars
Bass guitar 18
Guitar notes and tablatures 3
Guitar 1
Ukulele Ensemble 1

Voice
Choral SATB 21
Voice solo 20
Choral 2-part 16
Vocal duet 10
Choral 3-part 10

Choral Unison 6
Vocal duet, Piano 5
Soprano voice, Piano 4
Choral 3
High voice 2
Alto voice, Piano 2
Choral SSAA 2
Low voice, Piano 2
Tenor voice, Piano 2
Baritone voice, Piano 1
Mezzo-Soprano voice, Piano 1
Choral TTBB 1

+ 12 instrumentations

- Retract

Woodwind
Saxophone 135
Flute 61
Clarinet 58
Alto Saxophone 16
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 10

Alto Saxophone and Piano 8
2 Saxophones (duet) 6
Tenor Saxophone 6
Flute, Oboe, Clarinet, Bassoon 6
Soprano Saxophone 5
Clarinet and Piano 5
Flute and Piano 5
Oboe, Piano (duet) 4

Soprano Saxophone and Piano 4
Saxophone (band part) 4
Tenor Saxophone and Piano 3
Saxophone, Clarinet (duet) 3
Oboe (band part) 3
2 Clarinets (duet) 3
Clarinet Quartet: 4 clarinets 2
Saxophone Quartet: 4 saxophones 2
Flute, Violoncello 2
Flute Quartet: 4 flutes 2
2 Flutes (duet) 2
Clarinet, Trumpet (duet) 2
Clarinet, Violin (duet) 2
Flute, Clarinet (duet) 2
Baritone Saxophone, Piano 1
English horn, Piano 1
Flute, Viola (duet) 1
Clarinet Ensemble 1
Flute ensemble 1
Recorder 1
Flute, Saxophone (duet) 1
Flute Trio: 3 flutes 1
Oboe, Flute 1
2 Oboes (duet) 1
Clarinet, Guitar (duet) 1
Flute, Violin 1
3 Clarinets (trio) 1
Saxophone ensemble 1
3 Saxophones (trio) 1
Flute and Guitar 1
Oboe, Clarinet (duet) 1
Oboe, Bassoon (duet) 1
Recorder Ensemble 1
Recorder, Harp 1
Clarinet and Viola 1
Flute, Trumpet (duet) 1

+ 44 instrumentations

- Retract

Woodbrass
Trumpet 58
Trombone 36
Brass Quintet: 2 trumpets, horn, trombone, tuba 35
Trombone and Piano 5
Trumpet, Piano 4

Trumpet, Saxophone (duet) 3
Brass quartet : 2 trumpets, trombone, tuba 3
Tuba 3
Brass Quartet 1
Trumpet (band part) 1
English horn, Piano 1
2 Trombones (duet) 1
French Horn and Piano 1
2 Trumpets (duet) 1
Trumpet ensemble 1
Trumpet, Trombone (duet) 1
Euphonium, Piano (duet) 1
2 Euphoniums and 2 Tubas 1
Brass Quartet: 2 trumpets, horn, trombone 1
French horn 1
Trumpet, Horn (duert) 1

+ 16 instrumentations

- Retract

Strings
Violin 71
Cello 61
Viola 46
Violin and Piano 18
String Quartet: 2 violins, viola, cello 11

Cello, Piano 4
Violin, Cello (duet) 4
Cello (band part) 4
Viola, Piano 4
2 Violins (duet) 4
Piano Trio: Violin, Viola, Piano 2
2 Cellos (duet) 1
2 Violins, Piano 1
Viola, Guitar (duet) 1
String quartet: 4 violins 1
String Trio: violin, viola, cello 1
String Quintet: 2 violins, viola, cello, bass 1
Violin, Viola (duet) 1
Viola, Cello (duet) 1
Violin, Guitar (duet) 1
2 Violas (duet) 1
Double Bass 1
Viola (band part) 1

+ 18 instrumentations

- Retract

Percussion & orchestra
Drums 20
Chamber Orchestra 7
Concert band 6
Marching band 4
Brass ensemble 3

String Orchestra 2
Orchestra 1

+ 2 instrumentations

- Retract

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Charles L

Oboe, Piano (duet)

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4 sheet music found

Eagles' Victory Song

Eagles' Victory Song #Oboe, Piano (duet) #BEGINNER #Dirk Quinn Band #Marcony Carvalho #Eagles' Victory Song #Zedas Couve #SheetMusicPlus

Oboe,Piano - Level 1 - Digital Download SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th C...(+)

Oboe,Piano - Level 1 - Digital Download SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782358. Published by Zedas Couve (A0.1182613). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chantâ€”which had emerged in the 1980sâ€”to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.

$4.99 ≈ 4.58€

THREE HYMN ARRANGEMENTS for OBOE and PIANO (Duet – Oboe/Piano with Oboe Part)

THREE HYMN ARRANGEMENTS for OBOE and PIANO (Duet – Oboe/Piano with Oboe Part) #Oboe, Piano (duet) #Sacred music #Gospel/Spiritual #FRANKLIN L #Gary Lanier #THREE HYMN ARRANGEMENTS for OB #The Lanier Company #SheetMusicPlus

Composed by FRANKLIN L. SHEPPARD, CARL G.GLASER, CHARLES GABRIEL. Arranged by Gary Lanier. 20th Century, Christian, Gospel, Sacred. Individual Part, Score, Set ...(+)

Composed by FRANKLIN L. SHEPPARD, CARL G.GLASER, CHARLES GABRIEL. Arranged by Gary Lanier. 20th Century, Christian, Gospel, Sacred. Individual Part, Score, Set of Parts. 22 pages. Published by The Lanier Company (S0.40755). - Individual Part,Score,Set of Parts - 20th Century,Christian,Gospel,Sacred - The Lanier Company

$14.99 ≈ 13.75€

Bach-Gounod: Ave Maria for Oboe and Piano

Bach-Gounod: Ave Maria for Oboe and Piano #Oboe, Piano (duet) #EASY #Classical #J #Colin Kirkpatrick #Bach-Gounod: Ave Maria for Obo #Colin Kirkpatrick Publications #SheetMusicPlus

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pa...(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

$7.95 ≈ 7.29€