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You've selected:
Prelude for orchestra
Choral SATB
Sheetmusic to print
8 sheet music found
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1
Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
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Choral SATB
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INTERMEDIATE
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Sacred music
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Gordon Thornett
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Prelude and Cherubic Hymn, inc
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Gordon John Thornett
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821201 Composed by Gordon Thornett. Christian,Christmas,Praise & Worship,Sacred. Octavo. 14 page...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821201 Composed by Gordon Thornett. Christian,Christmas,Praise & Worship,Sacred. Octavo. 14 pages. Gordon John Thornett #3861793. Published by Gordon John Thornett (A0.821201). Prelude and Cherubic Hymn was commissioned by the John F. Kennedy School in Berlin, to mark the 25th anniversary of their annual Advent services held in Berlin Cathedral. It was performed by joint choirs, drawn from students, parents and faculty, and choir members of the American Church in Berlin on 29 November 2017.The piece is built around the ancient hymn, Let all mortal flesh keep silence. I was asked to write an organ prelude, to serve as a processional as the choirs assembled. This may be ordered separately through SwirlyMusic.org - and now also through SheetMusicPlus.After an opening fanfare-like section, the hymn setting starts gently, with sopranos singing in unison, with successive verses using contrasting choral forces to reflect the words, and the music builds to a big climax, with a return of the fanfare opening, for the final verse, At his feet the six-winged seraph, ending with joyful Alleluias. Although originally conceived for a large chorus with orchestral accompaniment, the setting may be performed with just organ or piano.There's a youtube video at https://youtu.be/HQwYDJRdmcc - this is an extract from the first performance in the magnificent setting of Berlin Cathedral, which was packed to capacity. The quality of both sound and picture isn't great, but it will provide you with an idea of the atmosphere and impact of the piece. The sound recording covers the whole piece, using Sibelius sounds. (You may also like to hear a computer generated recording of the whole piece.)Dr. Joseph R. Curtis, Choral Director at the JFK School, writes:Prelude and Cherubic Hymn is a grand arrangement of the timeless carol 'Let All Mortal Flesh Keep Silence'. Utilizing choir, full orchestra and organ, it is sure to please and impress performers and audience alike. At a recent performance in the Berlin Cathedral, the piece received spontaneous applause (which was a first for this kind of event).NOTE - Although originally scored for orchestra, the piece would work well with just choir and organ - in which case the fanfare sections at the beginning and the first 6 measures at letter F could be omitted. If orchestral score and parts are needed, please go to https://www.swirlymusic.org/music/choral-music/gordon-thornett-cherubic-hymn/.]
$2.50 ≈
2.33€
Last Words Orchestra Score and Instrument Parts
Last Words Orchestra Score and Instrument Parts
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Choral SATB
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INTERMEDIATE
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Michael Myrick
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Last Words Orchestra Score and
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.765565 Composed by Michael Myrick. Easter,Sacred. Octavo. 228 pages. MICHAEL MYRICK #2998963. Pu...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.765565 Composed by Michael Myrick. Easter,Sacred. Octavo. 228 pages. MICHAEL MYRICK #2998963. Published by MICHAEL MYRICK (A0.765565). Last Words begins on the day of the crucifixion, the heart of the passion story. The last statements Jesus makes are set to music to bring worshipers to a closer understanding of His sacrifice. The cantata takes the listener from sorrow to heartbreak as Christ looks down from the cross and speaks. This is a deeply moving service your choir and congregation will never forget. BREATHTAKING!CONTENTSPreludeI. Woman Behold Your SonII. Father, Forgive ThemIII. ParadiseIV. My God, Why?V. I ThirstVI. Father into Your HandsVII. It Is FinishedVIII. KyrieSCORE, ALL ORCHESTRA PARTS ARE INCLUDED WITH THIS PURCHASEVideo Promotional: https://youtu.be/jvKOh2oP8xUChoir / Keyboard edition is also available from SMP. S0.187873 Last Words SATB and Keyboard
$100.00 ≈
93.35€
EASTER MUSICAL, YOU ARE THE LIVING ONE by Gary Lanier for SATB Choir. (Includes Choir/Piano Score &
EASTER MUSICAL, YOU ARE THE LIVING ONE by Gary Lanier for SATB Choir. (Includes Choir/Piano Score &
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Choral SATB
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EASY
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Sacred music
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VALLETA LANIER, GARY LANIER
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Gary Lanier
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EASTER MUSICAL, YOU ARE THE LI
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The Lanier Company
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.613418 Composed by VALLETA LANIER, GARY LANIER. Arranged by Gary Lanier. Easter,Praise & Worship...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.613418 Composed by VALLETA LANIER, GARY LANIER. Arranged by Gary Lanier. Easter,Praise & Worship. Octavo. 69 pages. The Lanier Company #10649. Published by The Lanier Company (A0.613418). YOU ARE THE LIVING ONE, created by Valleta and Gary Lanier, is a 21 minute musical/cantata for SATB Choir with Piano accompaniment. Included in purchase is the Choir/Piano Score followed by the Choir Part in a SATB format. Ideal for any season, especially Easter. Every song anthem (5) can be used independently from the musical as special music in a worship service or concert setting. Total pages: 69 which includes Cover, Contents page, 42 pages of SATB Choir/Piano Score and 24 pages of CHOIR PARTS. In the book of Revelation, Jesus introduces himself to the Apostle John as, ... Him who is, who was, and who is to come. Jesus says... ...I am the first and the last... the living One; I was dead, and behold, I am alive forevermore.’ This powerful statement comes to life in, YOU ARE THE LIVING ONE. Each song includes a narration, with the Prelude also including the Apostle John as he describes the glorious Jesus. Woven within the musical are songs that tell the story of the Jesus who is, who was, and who is to come. A mp3 orchestra accompaniment track is available on Sheet Music Plus, listed as:
$5.99 ≈
5.59€
"Praise to the Lord" (Lobe den Herren) from CANTATA BWV 120a for Chorus and Orchestra
"Praise to the Lord" (Lobe den Herren) from CANTATA BWV 120a for Chorus and Orchestra
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Choral SATB
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INTERMEDIATE
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Sacred music
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J
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Paul Ferington
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"Praise to the Lord"
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Paul K Ferington
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1275511 Composed by J. S. Bach (1729). Arranged by Paul Ferington. Baroque,Classical,Religious,S...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1275511 Composed by J. S. Bach (1729). Arranged by Paul Ferington. Baroque,Classical,Religious,Sacred. Octavo. 27 pages. Paul K Ferington #867377. Published by Paul K Ferington (A0.1275511). A festive 90 sec. setting of the 8th movement (Chorale) from Bach's 1729 CANTATA BWV 120a for Chorus and Orchestra (and optional Organ), suitable as Worship Service opening Voluntary/Prelude or concluding Choral Benedition.
$15.95 ≈
14.89€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
82.14€
Te Deum H 146
Te Deum H 146
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Choral SATB
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INTERMEDIATE
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Marc-Antoine Charpentier
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Te Deum H 146
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Schott Music - Digital
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SheetMusicPlus
Soli: SSATB – Chor: SATB – 2./2Blfl.2.0.0. – 0.2.0.0. – Pk – 2Vl.2Va.Vc – Bc(Org) mixed choir (SATB) with solo parts (...
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Soli: SSATB – Chor: SATB – 2./2Blfl.2.0.0. – 0.2.0.0. – Pk – 2Vl.2Va.Vc – Bc(Org) mixed choir (SATB) with solo parts (SSATB) and orchestra - intermediate - Digital Download SKU: S9.Q22898 Composed by Marc-Antoine Charpentier. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 27 minutes. Schott Music - Digital #Q22898. Published by Schott Music - Digital (S9.Q22898). Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et très guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Te Deum but it has been suggested that it may have been performed during the celebrations of the military victory of Steinkerque (3 August 1692). It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687.
$13.99 ≈
13.06€
Messe de Mort
Messe de Mort
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Choral SATB
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Andre Campra
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Messe de Mort
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Schott Music - Digital
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SheetMusicPlus
Solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db soloists, mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q22897 Requie...
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Solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db soloists, mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q22897 Requiem. Composed by Andre Campra. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 55 minutes. Schott Music - Digital #Q22897. Published by Schott Music - Digital (S9.Q22897). Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.
$10.99 ≈
10.26€
Old-Country Christmas Carols
Old-Country Christmas Carols
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Choral SATB
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INTERMEDIATE
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Christmas
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Thoinot Arbeau, Charles Wood
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C
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Old-Country Christmas Carols
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FossPayneMusic
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SheetMusicPlus
Composed by Thoinot Arbeau, Charles Wood, Thomas Helmore, and Luke Wadding. Arranged by C. Foster Payne. Christmas, Holiday, Sacred. Octavo. 11 pages....
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Composed by Thoinot Arbeau, Charles Wood, Thomas Helmore, and Luke Wadding. Arranged by C. Foster Payne. Christmas, Holiday, Sacred. Octavo. 11 pages. FossPayneMusic #559189. Published by FossPayneMusic
A medley of three lesser-known Christmas Carols (\"Ding Dong! Merrily on High,\" \"O Come O Come Emmanuel,\" and \"Sussex Carol\"), this arrangement begins with a brass fanfare before bringing in the full orchestra with a high-energy prelude to \"Ding Dong! Merrily on High.\" The music then shifts to an SATB arrangement of \"O Come O Come Emmanuel\" mashed up with \"Sussex Carol.\" This is a classic \"must-have\" for all church orchestras and choirs!
$1.99 ≈
1.86€
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