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Livin
Not classified 38

Piano & keyboards
Piano solo 30
Piano, Voice 6
Organ 5
2 Pianos, 4 hands 1
Piano Quartet: piano, violin, viola, cello 1

Guitars
Guitar 7
Lyrics and Chords 2
Bass guitar 1
Guitar notes and tablatures 1
Mandolin 1

Voice
Choral SATB 3

Choral TTBB 1

Woodwind
Flute 10
Saxophone 6
Alto Saxophone 4
Clarinet Quartet: 4 clarinets 4
Tenor Saxophone 3

Clarinet 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
Flute, Oboe, Clarinet, Bassoon 2
Clarinet Ensemble 1
Alto Saxophone and Piano 1
Soprano Saxophone 1
2 Saxophones (duet) 1

+ 7 instrumentations

- Retract

Woodbrass
Trumpet 3
Euphonium, Piano (duet) 3
Trombone 3
Tuba and Piano 2
Trombone and Piano 2

Trumpet (band part) 1
Trombone ensemble 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
French Horn and Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1
2 Tubas (duet) 1

+ 6 instrumentations

- Retract

Strings
Violin, Guitar (duet) 4
String Quartet: 2 violins, viola, cello 4
Violin and Piano 3
Violin 2
Harp 1

Cello (band part) 1
String Trio: 2 violins, cello 1
Cello, Piano 1
String Trio: violin, viola, cello 1
String Quintet: 2 violins, viola, cello, bass 1
Viola 1

+ 6 instrumentations

- Retract

Percussion & orchestra
Drums 5
Orchestra 4
Chamber Orchestra 3
String Orchestra 1
Percussion Ensemble 1

Jazz Ensemble 1
Jazz combo 1

+ 2 instrumentations

- Retract

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Choral SATB

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3 sheet music found

Dia

Dia #Choral SATB #ADVANCED #Candace R #Dia #Candace R. Lambert #SheetMusicPlus

Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #345211...(+)

Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by Candace R. Lambert (A0.1028226). Appropriate for church services, college, or professional groups.Context: The piece receives its title from my little sister's nickname. Dia was born 10 weeks early and weighed less than 3 pounds. The doctors told us that she would not live. My father began to pray and certain scriptures came to his mind. Soon, he and my mother began to remind each other of these scriptures. Dia ended up making it. I tell her God must have something planned for her if she survived such a rough start.Performance: The piece opens with a joyful piano solo followed by the higher voices' entrance. These are the mothers exclaiming their joy for the new coming baby. The lower voices then make their statement in their own melody. They are the fathers expressing the excitement of the chlid's birth. The piano takes a turn into the minor key. A soloist represents the doctor delivering the bad news as the rest of the choir makes waiting room sounds. Have people texting or talking on the phone, flipping through magazines, or rustling papers. The alto soloist then repeats the doctor's message. The higher voices began to weep and cry as the father begins to pray. The 3 basses (Father, Son, and Holy Spirit) answer in scripture. The father begins to recite the scripture with God and soon the rest of the choir joins. The key modulates to the Major 3rd as the piano solo returns to represent the child living.

$15.00 ≈ 14.04€

The Lake Isle of Innisfree

The Lake Isle of Innisfree #Choral SATB #ADVANCED #John Newell #The Lake Isle of Innisfree #Abierto Music #SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1294289 Composed by John Newell. 21st Century,Contemporary. 14 pages. Abierto Musi...(+)

Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1294289 Composed by John Newell. 21st Century,Contemporary. 14 pages. Abierto Music #884670. Published by Abierto Music (A0.1294289). A new setting of William Butler Yeatsâ€™ great poem. It arose from a memory he had of his childhood while walking along Fleet Street in London in 1888: â€œI had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gillâ€¦â€ The poem is a powerful expression of Yeatsâ€™ desire for a life of peace, simplicity and being close to nature. This work (SSATBB) is intended for advanced choral ensembles. For more information about my work visit www.johnnewellmusic.com.

$2.00 ≈ 1.87€

The Story of a Leader

The Story of a Leader #Choral SATB #ADVANCED #Classical #Igor Korneitchouk #The Story of a Leader #Studio at the Post #SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 3...(+)

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of â€˜re-choralesâ€™ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as â€˜anonymousâ€™. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these â€˜re-chorales,â€™ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Mosesâ€™ people, an inversion of the soprano line in the bass..

$15.04 ≈ 14.07€