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26
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Choral SATB
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INTERMEDIATE/ADVANCED
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99 ≈
16.84€
Three motets
Three motets
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Choral SATB
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INTERMEDIATE/ADVANCED
#
Sacred music
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Three motets
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Moseler Verlag
#
SheetMusicPlus
1. Singet dem Herren, 2. Finnisches Busslied, 3. Der Herr ist mein Hirte. Composed by Zoltan Gardonyi. This edition: choral score. Moseler Chorreihe. ...
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1. Singet dem Herren, 2. Finnisches Busslied, 3. Der Herr ist mein Hirte. Composed by Zoltan Gardonyi. This edition: choral score. Moseler Chorreihe. Downloadable, Choral score. Op 230. Moseler Verlag #Q53286. Published by Moseler Verlag
$3.99 ≈
3.73€
Singin' wid a sword in ma han', Lord
Singin' wid a sword in ma han', Lord
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Choral SATB
#
INTERMEDIATE/ADVANCED
#
Sacred music
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Zsolt Gardonyi
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Singin' wid a sword in ma han'
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Moseler Verlag
#
SheetMusicPlus
Mixed choir (SATB) and organ - intermediate to advanced - Digital Download Spiritual. Composed by Zsolt Gardonyi. This edition: score. Moseler Chorreih...
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Mixed choir (SATB) and organ - intermediate to advanced - Digital Download Spiritual. Composed by Zsolt Gardonyi. This edition: score. Moseler Chorreihe. Downloadable, score. Op 224. Duration 3 minutes. Moseler Verlag #Q53059. Published by Moseler Verlag
$3.99 ≈
3.73€
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99 ≈
9.35€
At that hour when all things have repose
At that hour when all things have repose
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Choral SATB
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INTERMEDIATE/ADVANCED
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Timothy Stephens
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At that hour when all things h
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291784 Composed by Timothy Stephens. 20th Century,Celtic,Irish. 18 pages. Seolta ...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291784 Composed by Timothy Stephens. 20th Century,Celtic,Irish. 18 pages. Seolta Music Limited #882394. Published by Seolta Music Limited (A0.1291784). James Joyce wrote a letter to his brother expressing the hope that his collection of thirty-six poems, Chamber Music, would one day be set to music: ‘The book is in fact a suite of songs and if I were a musician I suppose I should have set them to music myself’. At that hour when all things have repose is set for choir and harp by American composer Timothy Stephens. It is a work filled with musical images: ‘Play on, invisible harps, unto love’.To explore all choral titles in College Choral Series please click here.
$2.50 ≈
2.34€
Celtic Invocation
Celtic Invocation
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Choral SATB
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INTERMEDIATE/ADVANCED
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Timothy Stephens
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Celtic Invocation
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291788 Composed by Timothy Stephens. 20th Century,21st Century,A Cappella. 4 page...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291788 Composed by Timothy Stephens. 20th Century,21st Century,A Cappella. 4 pages. Seolta Music Limited #882401. Published by Seolta Music Limited (A0.1291788). Alexander Carmichael’s Carmina Gadelica is a six volume set of various prayers, songs, poems, invocations and other lore he collected over close to a fifty-year period (1860-1909) in the Gaelic speaking regions of Scotland. Not without controversy over Carmichael’s editing practice, the collection remains as one of the most important sources of Gaelic folklore today.Found in Volume I under the Scottish title, Solus-iuil na siorruidheachd (The Guiding Light of Eternity), the six lines of text give reference to three types of light: the “joyous light of this dayâ€, the “new light of this day†and the “guiding light of eternityâ€. The English musical setting is in a simple, contemporary style which uses a mix of unison and contrapuntal textures reflective of the text.To explore all choral titles in College Choral Series please click here.
$2.50 ≈
2.34€
O most merciful God
O most merciful God
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Choral SATB
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INTERMEDIATE/ADVANCED
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Mark Armstrong
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O most merciful God
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1292632 Composed by Mark Armstrong. A Cappella,Christian,Sacred. 4 pages. Seolta M...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1292632 Composed by Mark Armstrong. A Cappella,Christian,Sacred. 4 pages. Seolta Music Limited #883194. Published by Seolta Music Limited (A0.1292632). O most merciful God for SATB choir divisi. Text by Reginald Heber (1827) composed by Mark Armstrong.To browse all a choral music titles from Seolta Publishing please click here.
$2.50 ≈
2.34€
Salve Regina
Salve Regina
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Traditional Plainsong
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Mark Armstrong
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Salve Regina
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1285620 Composed by Traditional Plainsong. Arranged by Mark Armstrong. A Cappella,...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1285620 Composed by Traditional Plainsong. Arranged by Mark Armstrong. A Cappella,Praise & Worship,Religious,Sacred,Traditional. 10 pages. Seolta Music Limited #876727. Published by Seolta Music Limited (A0.1285620). Salve Regina is a traditional Latin plainsong hymn. Mark Armstrong has arranged it in an impressionistic style for a cappella mixed choir.To explore all choral music titles from Seolta Publishing click here.
$2.00 ≈
1.87€
Ave Verum
Ave Verum
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Traditional Plainsong
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Mark Armstrong
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Ave Verum
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1285623 Composed by Traditional Plainsong. Arranged by Mark Armstrong. A Cappella,...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1285623 Composed by Traditional Plainsong. Arranged by Mark Armstrong. A Cappella,Praise & Worship,Religious,Sacred,Traditional. 6 pages. Seolta Music Limited #876730. Published by Seolta Music Limited (A0.1285623). Ave verum is a traditional Latin plainsong hymn. Mark Armstrong has arranged it in an impressionistic style for a cappella mixed choir.To explore all choral music titles from Seolta Publishing please click here.
$2.00 ≈
1.87€
Aird Ui Chuain
Aird Ui Chuain
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Choral SATB
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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Folkloric/Traditional
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Traditional Irish
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Mark Armstrong
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Aird Ui Chuain
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1292641 Composed by Traditional Irish. Arranged by Mark Armstrong. A Cappella,Celt...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1292641 Composed by Traditional Irish. Arranged by Mark Armstrong. A Cappella,Celtic,Irish,Traditional. 7 pages. Seolta Music Limited #883204. Published by Seolta Music Limited (A0.1292641). Aird Ui Chuain, sometimes known as The Quiet Land of Erin, is a well-known Irish song in which an emigrant remembers with fondness their homeland, yearning to return one day to be buried there. It is arranged for SATB choir divisi with both the original Irish (Gaelic) words and an English translation.To browse the full range of Irish choral music from Seolta Publishing please click here.
$2.50 ≈
2.34€
Pange Lingua Gloriosa
Pange Lingua Gloriosa
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Traditional Plainsong
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Mark Armstrong
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Pange Lingua Gloriosa
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1285618 Composed by Traditional Plainsong. Arranged by Mark Armstrong. A Cappella,...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1285618 Composed by Traditional Plainsong. Arranged by Mark Armstrong. A Cappella,Praise & Worship,Religious,Sacred,Traditional. 10 pages. Seolta Music Limited #876725. Published by Seolta Music Limited (A0.1285618). Pange Lingua Gloriosa is a traditional Latin plainsong hymn. Mark Armstrong has arranged it in an impressionistic style for a cappella mixed choir.To explore all choral music titles from Seolta Publishing click here.
$2.00 ≈
1.87€
Lux Aeterna
Lux Aeterna
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Choral SATB
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INTERMEDIATE/ADVANCED
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Mark Armstrong
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Lux Aeterna
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1292629 Composed by Mark Armstrong. A Cappella,Christian,Sacred. 16 pages. Seolta ...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1292629 Composed by Mark Armstrong. A Cappella,Christian,Sacred. 16 pages. Seolta Music Limited #883191. Published by Seolta Music Limited (A0.1292629). An atmospheric setting of Lux Aeterna from the Requiem Mass including an optional harp part. A very accessible and beautiful arrangement of a Gregorian theme suitable for memorial and commemorative occasions.To browse all choral music titles from Seolta Publishing please click here.
$2.50 ≈
2.34€
Jesu dulcis memoria
Jesu dulcis memoria
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Traditional Plainsong
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Mark Armstrong
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Jesu dulcis memoria
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1285622 Composed by Traditional Plainsong. Arranged by Mark Armstrong. A Cappella,...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1285622 Composed by Traditional Plainsong. Arranged by Mark Armstrong. A Cappella,Praise & Worship,Religious,Sacred,Traditional. 10 pages. Seolta Music Limited #876729. Published by Seolta Music Limited (A0.1285622). Jesu dulcis memoria is a traditional Latin plainsong hymn. Mark Armstrong has arranged it in an impressionistic style for a cappella mixed choir.To explore all choral music titles from Seolta Publishing please click here.
$2.00 ≈
1.87€
Bright Cap and Streamers
Bright Cap and Streamers
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Choral SATB
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INTERMEDIATE/ADVANCED
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Colin Mawby
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Bright Cap and Streamers
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291787 Composed by Colin Mawby. 20th Century,A Cappella,Celtic,Irish. 11 pages. S...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291787 Composed by Colin Mawby. 20th Century,A Cappella,Celtic,Irish. 11 pages. Seolta Music Limited #882399. Published by Seolta Music Limited (A0.1291787). Bright Cap and Streamers from Chamber Music, a 1907 collection of poems by celebrated Irish author and poet James Joyce.James Joyce considered the poems from his Chamber Music collection ‘pretty enough to be put to music’ and expressed the hope to his brother that ‘someone will do so, someone that knows old English music, as I like’. One of two poems set by English composer Colin Mawby, Bright Cap and Streamers draws on references to song, whilst the youthful passion is reflected in the writing for clarinet and choir.To explore all choral titles in College Choral Series please click here.
$2.50 ≈
2.34€
The Skye Boat Song
The Skye Boat Song
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Choral SATB
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INTERMEDIATE/ADVANCED
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Scottish Traditional
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Desmond Earley
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The Skye Boat Song
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291814 Composed by Scottish Traditional. Arranged by Desmond Earley. A Cappella,C...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291814 Composed by Scottish Traditional. Arranged by Desmond Earley. A Cappella,Celtic,Irish,Traditional. 14 pages. Seolta Music Limited #882427. Published by Seolta Music Limited (A0.1291814). The Skye Boat Song given an  imaginative treatment by one of Ireland's foremost vocal arrangers, Desmond Earley for SATBB choir with tenor solo. The song was used as the theme for the TV series Outlander. Music traditional Scots (Cuachag nan Craobh) with words by Sir Harold Boulton.To explore all choral titles in College Choral Series please click here.
$2.50 ≈
2.34€
Down by the Salley Gardens
Down by the Salley Gardens
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Choral SATB
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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Folkloric/Traditional
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Traditional Irish
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Mark Armstrong
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Down by the Salley Gardens
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291795 Composed by Traditional Irish. Arranged by Mark Armstrong. A Cappella,Celt...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291795 Composed by Traditional Irish. Arranged by Mark Armstrong. A Cappella,Celtic,Irish,Traditional. 10 pages. Seolta Music Limited #882407. Published by Seolta Music Limited (A0.1291795). Down by the Salley Gardens (music traditional, words by W.B Yeats) in an imaginative arrangement by Mark Armstrong for SATB choir divisi.To explore all choral titles in College Choral Series please click here.
$2.50 ≈
2.34€
Oxen of the Sun
Oxen of the Sun
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Choral SATB
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INTERMEDIATE/ADVANCED
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Eoghan Desmond
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Oxen of the Sun
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291800 Composed by Eoghan Desmond. A Cappella,Celtic,Irish. 15 pages. Seolta Musi...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291800 Composed by Eoghan Desmond. A Cappella,Celtic,Irish. 15 pages. Seolta Music Limited #882412. Published by Seolta Music Limited (A0.1291800). Oxen of the Sun, composed for the Choral Scholars of University College Dublin and Irish horn player Cormac Ó hAodáin in 2017, is a true celebration of the miracle of childbirth.Quoting a fragment of text from Chapter 14 of James Joyce’s Ulysses, composer Eoghan Desmond portrays childbirth as a divine mystery. The greeting fanfare of a solo horn in tandem with the choir depicts a mystical incantation by doctors in Dublin’s Holles Street Maternity Hospital – ‘Deshil Holles Eamus/clockwise we go’, in other words, ‘while we wait for the mother to give birth, we will proceed in a clockwise manner’. The birthing begins with active music on the words ‘send us bright one, light one, Hornhorn, quickening and wombfruit’.To explore all choral titles in College Choral Series please click here.
$2.50 ≈
2.34€
Body of the Moon
Body of the Moon
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Choral SATB
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INTERMEDIATE/ADVANCED
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Desmond Earley
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Body of the Moon
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291816 Composed by Desmond Earley. 20th Century. 21 pages. Seolta Music Limited #...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291816 Composed by Desmond Earley. 20th Century. 21 pages. Seolta Music Limited #882398. Published by Seolta Music Limited (A0.1291816). Commissioned by All Classical Portland radio network to mark the occasion of the total solar eclipse in 2017, Body of the Moon was first recorded by Erick Vallé (vocal solo), Nancy Ives (violoncello), and Chris Whyte (percussion) with Resonance Ensemble, directed by Katherine FitzGibbon.The piece was broadcast across the Pacific Northwest of the United States as millions experienced the totality of the solar eclipse. The phenomenon of the eclipse is represented by the lyrical cello line as the choir gives voice to the words of Galileo Galilei (1564- 1642): ‘Vedere il corpo della luna/Behold the body of the moon!’ The bass drum represents the vastness of our solar system, and a lone vocal improvisation speaks to the personal experience of this magical moment. Galileo’s other phrase, ‘we had perpetual twilight and never darkness’, is a poetic description of experiencing the eerie phenomenon of a total solar eclipse. Desmond Earley’s piece captures the sense of awe fostered by witnessing such a galactic occurrence.To explore all choral titles in College Choral Series please click here.
$2.50 ≈
2.34€
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