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Sal sal in chand sal
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Sal sal in chand sal
intermediate
Choral SATB
Sheetmusic to print
5 sheet music found
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Ride On! Ride On in Majesty! — SATB voices, organ
Ride On! Ride On in Majesty! — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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English ballad
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Todd Marchand
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Ride On! Ride On in Majesty!
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacr...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
Unto the Hills (Psalm 121) - SATB voices, piano
Unto the Hills (Psalm 121) - SATB voices, piano
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Choral SATB
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INTERMEDIATE
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Sacred music
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Todd Marchand
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Unto the Hills
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Con Spirito Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.726148 Composed by Todd Marchand. Christian,Sacred. Octavo. 8 pages. Con Spirito Music #6732731....
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.726148 Composed by Todd Marchand. Christian,Sacred. Octavo. 8 pages. Con Spirito Music #6732731. Published by Con Spirito Music (A0.726148). John Campbell's (1845-1914) metrical paraphrase of one of the most beautiful and comforting psalms is given a fresh treatment in this gentle, pastoral setting for SATB voices and piano. Mostly unison and two-part harmony, with 3- and 4-part harmony in the final verse.©Copyright 2022 Todd Marchand / www.conspiritomusic.com
$2.00
Let All the World in Ev'ry Corner Sing — SATB voices, organ
Let All the World in Ev'ry Corner Sing — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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Todd Marchand
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Let All the World in Ev'ry Cor
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #101...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
Create in Me a Clean Heart — SATB, organ
Create in Me a Clean Heart — SATB, organ
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Choral SATB
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INTERMEDIATE
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Todd Marchand
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Create in Me a Clean Heart —
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Con Spirito Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1161909 Composed by Todd Marchand. Advent,Christian,Lent,Sacred. Octavo. 5 pages. Con Spirito Mu...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1161909 Composed by Todd Marchand. Advent,Christian,Lent,Sacred. Octavo. 5 pages. Con Spirito Music #762284. Published by Con Spirito Music (A0.1161909). Ideal for use in Lent and on other penitential occasions, Create in Me a Clean Heart is an excerpt from Psalm 51, which is recited as part of the Ash Wednesday liturgy in Roman Catholic, Anglican, and many other churches:
$2.00
Three Evening Canticles — SATB voices, organ
Three Evening Canticles — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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Todd Marchand
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Three Evening Canticles — SA
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Mu...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00
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