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You've selected:
Never Be The Same
intermediate
Choral SATB
Sheetmusic to print
5 sheet music found
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1
The Wind Blows
The Wind Blows
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Choral SATB
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INTERMEDIATE
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Isaac McNutt
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The Wind Blows
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Isaac McNutt
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1232092 Composed by Isaac McNutt. 21st Century,A Cappella,Chamber. Octavo. 4 pages. Isaac McNutt...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1232092 Composed by Isaac McNutt. 21st Century,A Cappella,Chamber. Octavo. 4 pages. Isaac McNutt #827770. Published by Isaac McNutt (A0.1232092). This song is meant to help us say goodbye to those we love. The wind will always blow, and though our lives will never be the same without them, like the wind we must continue on. Most of the song is in g minor, with the final chord resolving to C major, this is meant to symbolize hope, not only that our tears will dry and we will find joy again, but that also in the future we will be reunited with our loved one.
$1.99 ≈
1.86€
And the Angels Sang (Downloadable)
And the Angels Sang (Downloadable)
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Choral SATB
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INTERMEDIATE
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Craig Carnahan
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And the Angels Sang
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8243-E Composed by Craig Carnahan. Christmas, 21st Century. Octavo. 10 pages. E. C. Schirmer...
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SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8243-E Composed by Craig Carnahan. Christmas, 21st Century. Octavo. 10 pages. E. C. Schirmer Music Company - Digital #8243-E. Published by E. C. Schirmer Music Company - Digital (MQ.8243-E). English.I have always been fascinated with the juxtaposition of the grandeur of Christ's birth—choirs of angels and kings bearing regal gifts—set against the humble manger scene in Bethlehem. As contradictory as this may seem, it is also a fitting representation of the reality (and miracle) of that sacred event: the Son of God come down to earth. That is the story I tried to capture in the poetry and the music of this piece. The text draws on the 'human-ness' of the Christ Child and everything He represents, punctuated by the descending scale heard in the angel's recurring motive 'Gloria in excelsis Deo' that represents the physical act of moving from heaven to earth. From that night on, our world could never be the same.-Craig CarnahanDuration: 4:00.
$2.25 ≈
2.11€
Because I Walked In His Steps (SATB)
Because I Walked In His Steps (SATB)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Carol Troutman Wiggins
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Because I Walked In His Steps
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.727527 Composed by Carol Troutman Wiggins. Christian,Contemporary,Religious,Sacred,Spiritual. Oc...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.727527 Composed by Carol Troutman Wiggins. Christian,Contemporary,Religious,Sacred,Spiritual. Octavo. 11 pages. Carol Troutman Wiggins #4775015. Published by Carol Troutman Wiggins (A0.727527). Because I Walked In His Steps SATB Could you imagine walking in the places that Jesus walked . . . being baptized in the same river that He was . . . or seeing the tomb where He lay before He rose again? You would never be the same! Excellent for the average SATB choir Medium range for ease or all singers Great for use as an anthem, offertory, or special programs Chords included for additional instruments Piano Accompaniment Track on this site.
$2.95 ≈
2.76€
Lesbia mi dicit semper male
Lesbia mi dicit semper male
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeto...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00 ≈
1.87€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music...
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that’dshow healthy indifference;…
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
4.67€
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