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First Call
Not classified 555

Piano & keyboards
Piano solo 229
Piano, Voice 148
Easy Piano 39
Piano, Vocal and Guitar 33
C Instruments 18

Organ 16
Piano Trio: piano, violin, cello 11
2 Pianos, 4 hands 8
1 Piano, 4 hands 7
Accordion 6
Piano Accompaniment 6
Piano Quartet: piano, violin, viola, cello 4
Piano Quintet: piano, 2 violins, viola, cello 3
Organ, Piano (duet) 2
Organ, Trumpet (duet) 1
Piano (band part) 1

+ 11 instrumentations

- Retract

Guitars
Guitar 41
Guitar notes and tablatures 26
2 Guitars (duet) 3
Melody line, (Lyrics) and Chords 3
Lyrics and Chords 3

Ukulele 3
Mandolin 3
Mandolin, Guitar (duet) 2
Dulcimer 1
Banjo 1
Bass guitar 1

+ 6 instrumentations

- Retract

Voice
Choral SATB 146
Choral 3-part 39
Choral Unison 14
Choral 2-part 14
Choral TTBB 11

Voice solo 8
Choral SSAA 7
Vocal duet 5
Soprano voice, Piano 4
Vocal duet, Piano 3
Soprano voice 3
Choral SSAATTBB 2
Medium voice, Piano 2
Low voice 1
Soprano voice, Orchestra 1
Low voice, Piano 1
High voice 1
Alto voice, Piano 1
Baritone voice, Piano 1
Mezzo-Soprano voice, Piano 1
Tenor voice, Piano 1
Tenor voice 1
Choral SSATTB 1

+ 18 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 47
Saxophone Quintet: 5 Saxophones 35
Flute and Piano 35
Clarinet Quartet: 4 clarinets 33
Saxophone Quartet: 4 saxophones 33

Alto Saxophone and Piano 23
Saxophone ensemble 20
Saxophone (band part) 19
Soprano Saxophone and Piano 19
Clarinet Ensemble 19
Flute, Oboe, Clarinet, Bassoon 18
Clarinet 18
Oboe, Piano (duet) 16
Tenor Saxophone and Piano 12
2 Saxophones (duet) 11
Clarinet and Piano 11
Flute 11
Flute Quartet: 4 flutes 10
Alto Saxophone 10
Flute ensemble 9
Clarinet Quintet: 5 clarinets 7
Baritone Saxophone, Piano 7
Flute Quintet : 5 flutes 6
2 Flutes (duet) 6
3 Saxophones (trio) 6
Bass Clarinet, Piano 6
Oboe (band part) 5
Flute and Guitar 5
English horn, Piano 4
Recorder Quartet 3
3 Clarinets (trio) 3
Flute, Clarinet (duet) 3
2 Clarinets (duet) 3
Descant (Soprano) Recorder 3
Soprano Saxophone 2
Treble (Alto) Recorder 2
Tenor Saxophone 2
Clarinet and Viola 2
Flute, Organ (duet) 1
Oboe, Clarinet, Bassoon (trio) 1
Clarinet, Trombone (duet) 1
Flute, Oboe, Clarinet (trio) 1
5 Recorders 1
Wind ensemble 1
2 Oboes (duet) 1
Recorder 1
Saxophone and Organ 1
Treble (Alto) Recorder, Basso continuo 1
Recorder Ensemble 1
2 Recorders (duet) 1
Clarinet, Cello (duet) 1
Flute, Violin, Piano 1
Clarinet, Trumpet (duet) 1
Saxophone and Guitar 1
Flute Trio: 3 flutes 1
Clarinet, Guitar (duet) 1
Flute, Oboe (duet) 1
Clarinet, Cello, Piano (trio) 1
Clarinet (band part) 1
3 Recorders (trio) 1
Flute, Oboe, Piano (trio) 1
Oboe ensemble 1
2 Saxophones, Piano 1
Flute, Violin 1

+ 59 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 63
Brass quartet : 2 trumpets, trombone, tuba 45
Trumpet 27
Brass Quartet: 2 trumpets, horn, trombone 18
Trombone and Piano 15

Trombone ensemble 11
Trombone 10
French Horn and Piano 9
French horn 7
Trombone (band part) 7
Brass Quartet 6
Trumpet ensemble 6
Euphonium, Piano (duet) 6
Trumpet (band part) 5
Trumpet, Piano 5
2 Trumpets (duet) 5
2 Trombones (duet) 5
Tuba and Piano 5
English horn, Piano 4
Brass Quartet: 4 trombones 4
2 French horns (duet) 3
Trumpet, Trombone (duet) 3

Brass Quartet: 4 horns 3
Tuba 3
French horn (band part) 2
2 Euphoniums and 2 Tubas 1
Clarinet, Horn (duet) 1
Tuba ensemble 1
3 Trombones (trio) 1
Euphonium 1
2 Euphoniums (duet) 1
Trumpet, Horn (duert) 1
Horn and Organ 1
Horn, Cello (duet) 1
Tuba and Organ 1

+ 30 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 86
Violin and Piano 40
Cello, Piano 23
Viola, Piano 18
Harp 18

Violin 15
Cello (band part) 11
2 Harps (duet) 10
String Quintet: 2 violins, viola, cello, bass 9
Cello 9
Violin, Cello (duet) 7
Violin (band part) 7
2 Violins (duet) 7
String Trio: violin, viola, cello 6
Violin, Viola (duet) 6
2 Cellos (duet) 5
Violin ensemble 4
Doublebass (band part) 3
Viola 3
Viola ensemble 2
4 Cellos 2
Double bass, Piano (duet) 2
Harp, Voice 2
Viola (band part) 2
2 Violas (duet) 2
Harp, Violin (duet) 1
Cello, String Bass (duet) 1
Violin, Guitar (duet) 1
String Trio: 2 violins, cello 1
Viola, Guitar (duet) 1
String Trio: 3 violins 1
Double Bass 1

+ 27 instrumentations

- Retract

Percussion & orchestra
Concert band 262
Orchestra 70
String Orchestra 63
Brass ensemble 49
Chamber Orchestra 30

Jazz combo 11
Handbells 11
Jazz Ensemble 11
Percussion Ensemble 6
Vibraphone 2
Marimba 1
Percussion (band part) 1
Drums 1
Drum (band part) 1
Xylophone 1
Orchestra, Violin 1
Piano and Orchestra 1

+ 12 instrumentations

- Retract

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First Call

Trumpet, Trombone (duet)

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3 sheet music found

Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir

Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir #Trumpet, Trombone (duet) #EASY #Giovanni Gabrieli #James M #Gabrieli: Sonata Pian e Forte, #jmsgu3 #SheetMusicPlus

Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...(+)

Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which he calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

$47.95 ≈ 44.18€

Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir

Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir #Trumpet, Trombone (duet) #EASY #Giovanni Gabrieli #James M #1 Bass Trombone #Gabrieli: Canzon Septimi Toni #jmsgu3 #SheetMusicPlus

Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...(+)

Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

$47.95 ≈ 44.18€

Stompin' Jam - Trumpet Trombone Duet

Stompin' Jam - Trumpet Trombone Duet #Trumpet, Trombone (duet) #INTERMEDIATE/ADVANCED #Eddie Lewis

Jazz out wi #Eddie Lewis #Stompin' Jam - Trumpet Trombon #Tiger Music #SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts...(+)

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts. 4 pages. Tiger Music #6624793. Published by Tiger Music (A0.750372). Stompinâ€™ Jam Trumpet and Trombone Duet MTR 0255 4143 By Eddie Lewis Jazz out with your trumpet or trombone friend playing this cool sounding duet. Weâ€™re calling it a jam because both players get to play a solo over the repeated accompaniment line. First the trombone player jams, then the trumpet. Here is the first of what I hope to be many, many duets made possible by my Just Friends video series. In this series I am inviting one of my musician friends over to make music, do an interview and maybe follow it all up with a Q and A session. I wrote this duet for one of those videos and we had a good time recording it. I enjoy writing music for the people I work with. Does trumpet and trombone seem like an odd duet to write? Well, you may not believe this, but sometimes trumpet players have trombone player friends. :-) Thus, the purpose of the duet. Trumpet Pro Skill Level The highest note in the trumpet part is B natural. The rhythms are also just a little complicated. Thatâ€™s why we put this at the Trumpet Pro level. We recorded it the same day when I wrote it, so itâ€™s not like I was working on this for days. But there was a little bit of awkwardness in the trumpet part. Practice Recommendations My number one suggestion for practicing this piece is to learn the rhythms first. Notice the anticipation of the third beat. This happens in almost every measure. This rhythm grew on me during my trip to South Africa in 2016 when I performed with the Afrika Mkhize big band. There were lots of songs at the jazz festival in Grahamstown that had that twelve-eight groove with the anticipated third beat. I am NOT saying that this composition is South African. I would not presume to know how to write that kind of music. What I am saying is that the music in South Africa has influenced my writing. In much the same way as playing in all those salsa bands in the 90â€™s did. So, recognize that the rhythms in this composition are very important and learn those first. The rest of it should fall into place after that. About the Trumpet Pro Skill Level The Trumpet Pro skill level is the fifth skill level in our system. This skill level has exercises and music up to high C. There are many other considerations in this skill level but that is the most obvious. To find more music for this specific skill level, search our other publications for the word Trumpet Pro in the title or descriptions. We publish books and compositions for students at the Trumpet Pro level that we believe you or your students will truly enjoy.

$4.99 ≈ 4.60€