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We Can Work It Out
Not classified 162

Piano & keyboards
Piano solo 67
Piano, Vocal and Guitar 33
Piano, Voice 22
2 Pianos, 4 hands 22
Easy Piano 13

C Instruments 12
Organ 4
Big Note Piano 3
Piano Quartet: piano, violin, viola, cello 2
Organ, Piano (duet) 1
Piano Trio: piano, violin, cello 1
Piano Accompaniment 1
1 Piano, 4 hands 1

+ 8 instrumentations

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Guitars
Guitar notes and tablatures 24
Guitar 13
Melody line, (Lyrics) and Chords 12
Ukulele 6
Bass guitar 6

Lyrics and Chords 3
4 Guitars (Quartet) 1
Banjo 1
Dulcimer 1

+ 4 instrumentations

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Voice
Choral SATB 41
Choral 3-part 12
Choral 2-part 7
Choral SSAA 5
Choral TTBB 2

Vocal duet, Piano 1
Choral SSATTB 1

+ 2 instrumentations

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Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 22
Clarinet Quartet: 4 clarinets 7
Saxophone (band part) 6
Saxophone Quartet: 4 saxophones 6
Clarinet 6

Alto Saxophone 6
Tenor Saxophone 5
Tenor Saxophone and Piano 5
Descant (Soprano) Recorder 4
Clarinet and Piano 4
Flute 4
Baritone Saxophone, Piano 3
Oboe, Piano (duet) 3
Flute and Piano 3
Clarinet Ensemble 3
Alto Saxophone and Piano 3
Soprano Saxophone and Piano 3
Harmonica 2
Flute, Oboe, Clarinet, Bassoon 2
Baritone Saxophone 2
2 Flutes (duet) 2
Soprano Saxophone 2
Flute ensemble 2
English horn, Harp (duet) 1
Oboe 1
Treble (Alto) Recorder, Piano 1
Clarinet Quintet: 5 clarinets 1
Ocarina 1
Clarinet, Harp (duet) 1

+ 24 instrumentations

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Woodbrass
Trumpet 8
Trombone 5
Trombone (band part) 4
Trumpet (band part) 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 3

Trumpet, Trombone (duet) 3
French horn 3
Brass Quartet: 2 trumpets, horn, trombone 2
2 Trombones (duet) 2
French Horn and Piano 2
2 Trumpets (duet) 2
Trombone and Piano 2
4 Tubas 2
Trumpet, Piano 2
Brass Quartet: 4 trombones 2
2 Tubas (duet) 2

English horn, Harp (duet) 1
Euphonium, Piano (duet) 1
Trumpet, Euphonium (duet) 1
Tuba and Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1
Trumpet ensemble 1

+ 17 instrumentations

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String Quartet: 2 violins, viola, cello 25
Violin 6
Viola, Piano 6
Viola 6
Cello 4

Cello, Piano 3
Harp, Flute (duet) 2
Violin, Viola (duet) 2
Violin and Piano 2
Violin, Cello (duet) 2
String Quintet: 2 violins, viola, cello, bass 2
Cello (band part) 1
Double Bass 1
4 Double Basses 1
Double bass, Piano (duet) 1
Harp 1
String Trio: 3 cellos 1
Viola (band part) 1
String Trio: violin, viola, cello 1

+ 14 instrumentations

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Percussion & orchestra
Concert band 17
Brass ensemble 16
String Orchestra 8
Orchestra 7
Jazz Ensemble 5

Chamber Orchestra 3
Percussion Ensemble 3
Jazz combo 3
Drums 2
Xylophone 2
Handbells 2
Orchestra, Violin 1
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We Can Work It Out

2 Tubas (duet)

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Fifteen Safari Duets for Tubas

Fifteen Safari Duets for Tubas #2 Tubas (duet) #EASY #Jazz #Gregory Fritze #Fifteen Safari Duets for Tubas #Musica Nova USA #SheetMusicPlus

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...(+)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.

In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.

1. Elephants at Stave

This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.

2. Gallop – Thompson Gazelle at Amboseli

This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.

3. Rhinos at Nairobi Game Park

This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.

4. Giraffes at Nairobi Twiga Park

This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.

5. Warthogs at Ngulia

Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.

6. Baboons at Kiliguni

This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal.

7. Pastoral – Cape Buffalo at Samburu

The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.

8. Song - Hippos at Mzima Springs

This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.

9. Leopards at Kimana Lodge

This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.

10. Colobus Monkeys at the Ark

This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.

11. Zebra Migration at Masai Mara

This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.

12. Ostrich at Samburu

This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.

13. Cheetah at Voi

This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.

14. Gallop – Gerenuk at Buffalo Springs

This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.

15. Lions at Mara Sopa

This duet is in the style of a fanfare. The lion is considered the king of the savanna.

Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.

His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.

$20.00

Twelve Duos for Tubas based on Armenian Folk Songs

Twelve Duos for Tubas based on Armenian Folk Songs #2 Tubas (duet) #ADVANCED #Petros Shoujounian #Twelve Duos for Tubas based on #Gordon Cherry #SheetMusicPlus

Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.792723 Composed by Petros Shoujounian. Contemporary,Folk,World. Score and p...(+)

Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.792723 Composed by Petros Shoujounian. Contemporary,Folk,World. Score and parts. 31 pages. Gordon Cherry #6071203. Published by Gordon Cherry (A0.792723). Petros Shoujounian, Armenian/Canadian composer has written Twelve Duos for Tubas based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Tubas. My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works are nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence. Komitas has left a collection of about 3,000 cleaned versions of ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination. This is the motivation behind my own work and these Twelve Duos for Tubas: to make the essence of our ethnographic music accessible through Komitas. These Twelve Duos are appropriate for advanced performers and may be performed on C Tuba, F Tuba and the larger B-flat Bass Tubas.

$17.50