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Flute and Piano
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6 sheet music found
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1
Toxic Chickens for flute and piano
Toxic Chickens for flute and piano
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Flute and Piano
#
ADVANCED
#
Dana H
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Toxic Chickens for flute and p
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Dana H. Joras
#
SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.772950 Composed by Dana H. Joras. Blues,Contemporary,Halloween,Jazz. Score and part. 32 pages. Dana H. J...
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Flute,Piano - Level 5 - Digital Download SKU: A0.772950 Composed by Dana H. Joras. Blues,Contemporary,Halloween,Jazz. Score and part. 32 pages. Dana H. Joras #2919469. Published by Dana H. Joras (A0.772950). Toxic Chickens by Dana H. Joras for flute and piano is a very melodic theme and variations style piece with a spooky and jazzy mood. It is very technically challenging and is suitable for the college age or professional flutist. It would be great on a Halloween themed recital or concert.
$5.99 ≈
5.36€
An Zimmern
An Zimmern
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Flute and Piano
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ADVANCED
#
Benjamin Schweitzer
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An Zimmern
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Schott Music - Digital
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SheetMusicPlus
Baritone, flute and piano - difficult - Digital Download SKU: S9.Q6943 Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, scor...
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Baritone, flute and piano - difficult - Digital Download SKU: S9.Q6943 Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, score and parts. Duration 3 minutes and 30 seconds. Schott Music - Digital #Q6943. Published by Schott Music - Digital (S9.Q6943). German.An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin’s late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This ‘riveness’ can be found in the work’s concentrated character, which combines fragile colours of piano and flute, an eruptive climax and exactly organized lines and motives. During the thorough revision of the score, 17 years after the composition of the primary version, I tried to preserve the character of the piece with its strong influences from Alban Berg’s expressionistic style, but to accentuate the musical ideas of the work more exactly and subtly at the same time. Benjamin Schweitzer.
$11.99 ≈
10.74€
Bei Mir Bist Du Schon (means That You're Grand)
Bei Mir Bist Du Schon (means That You're Grand)
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Flute and Piano
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ADVANCED
#
Contemporary
#
Louis Prima & Keely Smith
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Debra E
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Bei Mir Bist Du Schon
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Standard Time
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.761755 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Debra ...
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Flute,Piano - Level 5 - Digital Download SKU: A0.761755 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Debra E. Stempien, Gregory H. Turner. Contemporary. Score and part. 8 pages. Standard Time #6244547. Published by Standard Time (A0.761755). This classic 1930s swing tune is arranged for flute solo with piano accompaniment. The flute presents the complete melody, followed by a composed piano solo (chord symbols provided for optional improvisation) with flute backgrounds. The third iteration features a composed flute solo (optional improvisation) leading to an exciting conclusion. Please note that the recording features the alto sax version of this arrangement.
$7.99 ≈
7.16€
Out Under the Sky! (Both ADVANCED and INTERMEDIATE flute versions included)
Out Under the Sky! (Both ADVANCED and INTERMEDIATE flute versions included)
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Flute and Piano
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ADVANCED
#
Sacred music
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Traditional Appalachian Carol
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Greg Engell
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Out Under the Sky!
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Greg Engell
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1080340 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by Greg Engell. Chris...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1080340 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by Greg Engell. Christmas,Holiday,Praise & Worship,Sacred. Score and part. 15 pages. Greg Engell #684565. Published by Greg Engell (A0.1080340). Ring in the Christmas Season with this medley of two sacred classics...Appalachian Carol / We Three Kings. From the opening fanfare to the refelctive melody, your listeners will feel the awe of that first Christmas night. Look up, gaze into the sky...imagine the Star! This set Is arranged for both an advanced and an intermediate flutist. Select the staff that best fits your rehearsal time and skill level. Suitable for both concert and worship settings. Rehearsal Piano Track also available. similar versions available for full orchestra (MJ-104-SOR) and Wind Quintet (MJ-104-W5). Demo Audio is taken from the ADVANCED version.
$6.99 ≈
6.26€
Clarinet Polka
Clarinet Polka
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Flute and Piano
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ADVANCED
#
Karol Namyslowski
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Debra E
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Clarinet Polka
#
Standard Time
#
SheetMusicPlus
Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1366359 Composed by Karol Namyslowski. Arranged by Debra E. Stempien, Gregory H. Turner. Christi...
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Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1366359 Composed by Karol Namyslowski. Arranged by Debra E. Stempien, Gregory H. Turner. Christian,Jewish,Multicultural,Standards,Traditional,World. Score and part. 5 pages. Standard Time #950686. Published by Standard Time (A0.1366359). This traditional Polish polka is presented as a flute solo with idiomatic piano accompaniment. Please note that the recording features the soprano sax version of this arrangement.
$7.99 ≈
7.16€
Flûte en suite
Flûte en suite
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Flute and Piano
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ADVANCED
#
Joerg Widmann
#
Flûte en suite
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Schott Music - Digital
#
SheetMusicPlus
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano ...
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99 ≈
50.14€
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