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M. 61
Not classified 60

Piano & keyboards
Piano solo 6
Easy Piano 4
1 Piano, 4 hands 4
Piano Quartet: piano, violin, viola, cello 2
Organ 2

Piano Trio: piano, violin, cello 1
C Instruments 1

+ 2 instrumentations

- Retract

Guitars
Melody line, (Lyrics) and Chords 1
4 Guitars (Quartet) 1

Voice
Choral SATB 1
Choral 3-part 1

Woodwind
Flute and Piano 6
Clarinet and Piano 3

Alto Saxophone and Piano 3
Oboe, Piano (duet) 3
Baritone Saxophone, Piano 2

Soprano Saxophone and Piano 2
Clarinet 2
Tenor Saxophone and Piano 2
3 Clarinets (trio) 1
Bass Clarinet, Piano 1
English horn, Piano 1
Recorder Quartet 1
Harmonica 1

+ 8 instrumentations

- Retract

Woodbrass
Trombone and Piano 2
French Horn and Piano 2
Tuba and Piano 1
English horn, Piano 1

Strings
Violin and Piano 5
Viola, Piano 2
Cello 1
String Quartet: 2 violins, viola, cello 1

Percussion & orchestra
Brass ensemble 7
Jazz Ensemble 2
String Orchestra 1
Percussion Ensemble 1
Orchestra 1

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M. 61

Clarinet and Piano

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3 sheet music found

David Bowie: Life On Mars for Clarinet & Piano

David Bowie: Life On Mars for Clarinet & Piano #Clarinet and Piano #INTERMEDIATE #Rock #David Bowie #James M #David Bowie: Life On Mars for #jmsgu3 #SheetMusicPlus

Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Publ...(+)

Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.

"When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:

Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]

In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]

The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".

Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.

The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).

Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia

$49.95 ≈ 46.63€

Franck: Panis Angelicus for Clarinet & Piano

Franck: Panis Angelicus for Clarinet & Piano #Clarinet and Piano #EASY #CÃ©sar Franck #James M #Franck: Panis Angelicus for Cl #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549179 Composed by CÃ©sar Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,R...(+)

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549179 Composed by CÃ©sar Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3456289. Published by jmsgu3 (A0.549179). CÃ©sar Franck: Panis Angelicus (Bread of Angels) from Messe a trois voix, Op. 12. Duration: 3:25, Score: 61 ms, 7 pg. solo part - 1 pg. piano part 3 pg. Poco lento. A popular Eucharistic hymn, notably sung at the Feast of Corpus Christi. This version is suitable for Lent, Easter, or any Christian eucharistic service. It is also a great choice for a recital encore because of the potential for musical expressivity. This music emphasizes sensitive phrasing, dynamics, tone color, and rubato.Â

$32.95 ≈ 30.76€

Mendelssohn: Wedding March for Clarinet & Piano

Mendelssohn: Wedding March for Clarinet & Piano #Clarinet and Piano #INTERMEDIATE #Classical #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Wedding March for #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...(+)

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohnâ€™s Wedding March is so popular that itâ€™s difficult to imagine a wedding without it. It seems like itâ€™s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâ€™s music for the Shakespeare play A Midsummer Nightâ€™s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.

$24.95 ≈ 23.29€