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Kyrie for Ten Voices
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You've selected:
Kyrie for Ten Voices
Sheetmusic to print
44 sheet music found
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1
26
Kyrie for Ten Voices
Kyrie for Ten Voices
#
Choral SATB
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INTERMEDIATE
#
Christian contemporary
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Sacred music
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utilizing close harmonies and
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Mark Kline
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Christ have mercy
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Kyrie for Ten Voices
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Mark Kline
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.933469 Composed by Mark Kline. Christian,Contemporary,Easter,Holiday,Sacred. Octavo. 8 pages. M...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.933469 Composed by Mark Kline. Christian,Contemporary,Easter,Holiday,Sacred. Octavo. 8 pages. Mark Kline #2332297. Published by Mark Kline (A0.933469). One of the most ancient, beloved, and enduring prayers of the Christian Faith is the Kyrie. In the language of the New Testament, Koine Greek, the simple phrase Kyrie Eleison, Christe Eleison means Lord, have mercy; Christ have mercy. By utilizing close harmonies and a fluid increase of intensity, Mark Kline’s composition is meant to suggest the heavenl-like sounds of grace in the hearts of penitents. At two minutes in length, this Kyrie works well in both church and concert settings, engaging a listening audience or aiding in reflective prayer and meditation. In the context of the Mass, the liturgical form used is three Kyrie’s, three Christe’s, and three Kyrie’s. This arrangement can also function in the Mass as a song of thanksgiving after Communion or as an opening or closing piece. Mark Kline's Kyrie is written in ten indispensable parts, and can benefit greatly from multiple singers on each part (especially the men’s continuo with its close harmonies).
$5.95 ≈
$8.14
Mass for male voices a cappella
Mass for male voices a cappella
#
Choral TTBB
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Emil Fredberg
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Mass for male voices a cappell
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB chorus - Digital Download SKU: BJ.1412 Composed by Emil Fredberg. Christian. Octavo. 41 pages. Bo Ejeby Forlag - Digital #1412. Published by Bo Ejeb...
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TTBB chorus - Digital Download SKU: BJ.1412 Composed by Emil Fredberg. Christian. Octavo. 41 pages. Bo Ejeby Forlag - Digital #1412. Published by Bo Ejeby Forlag - Digital (BJ.1412). 8.27 x 11.7 inches.A mass for male voices, composed for the Swedish ensemble Svanholm Singers. The mass was first performed in concert in 2019. The Kyrie movement is also available separately. This piece was inspired by the oldest notated sacred music. Gregorian chanting as well as use of fifths and fourths in relation to each other are the foundation of the tonal content. Through these tools a new, more modern tonal language emerges. - Emil Fredberg.
$8.80 ≈
$12.03
KYRIE ELEISON (concert band, medium easy, score, parts & license to copy)
KYRIE ELEISON (concert band, medium easy, score, parts & license to copy)
#
Concert band
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EASY
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Antonio Lotti
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Brian Harris
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KYRIE ELEISON
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Bandroom.com Publications
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,...
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Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,Instructional,Sacred. 38 pages. Bandroom.com Publications #3134913. Published by Bandroom.com Publications (A0.859753). _______________________Choral work by Antonio Lotti (c.1667-1740); transcribed for band by Brian HarrisThe Kyrie is part of the Ordinary of the Roman Catholic Mass. This musical setting of the Kyrie was written for choir by Italian composer Antonio Lotti, who spent his entire career at the famous St. Mark's Basilica in Venice.The adaptation of choir literature for use by wind players provides an ideal tool for teaching basic musicianship such as intonation, balance, and blend as well as the advanced techniques of phrasing, nuance of line, and accuracy of ensemble articulation. Because the work consists of only 4 voices, players can more readily hear and address individual, section, and ensemble problems.The score and each part is notated with the specific voice assignment (S = soprano, A = alto, T = tenor, B = bass). This allows the conductor to rehearse like groups by simply asking for all players with the alto line and so forth. Knowing that another instrument is playing the exact same line can encourage them to listen across the band in order to match style/balance with the other players.You may view the entire score as well as additional part samples and detailed information for this work at my site www.bandroom.com - - - - - - - - - - - - - - -ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director at the public school and college level for over 30 years. His works are available from www.bandroom.com and as digital downloads.__________________________________
$30.00 ≈
$41.02
Kyries for Worship Services
Kyries for Worship Services
#
Choral SATB
#
EASY
#
Randall Donald
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Kyries for Worship Services
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Randall Donald
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1278341 Composed by Randall Donald. 21st Century,A Cappella,Christian,Religious. 2 pages....
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1278341 Composed by Randall Donald. 21st Century,A Cappella,Christian,Religious. 2 pages. Randall Donald #870058. Published by Randall Donald (A0.1278341). Kyries for Worship Services is a 4 piece set of Kyie Eleison, Christe Eleison, Kyrie Eleison responses written for SATB voices. The first is in minor key. The rest are in various church modes. This format is typically used in Protestant services after a Prayer of Confession.ISMN 979-0-9025253-0-5.
$1.99 ≈
$2.72
Missa Solemnis for mixed choir, soloist voices and organ - Full
Missa Solemnis for mixed choir, soloist voices and organ - Full
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Choral SATB
#
ADVANCED
#
Sacred music
#
Santino Cara
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Missa Solemnis for mixed choir
#
Santino Cara
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.
$20.20 ≈
$27.62
Kyrie
Kyrie
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Piano, Voice
#
BEGINNER
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Cristi Cary Miller and Traditi
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Cristi Cary Miller
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Kyrie
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Cristi Cary Miller
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.729632 Composed by Cristi Cary Miller and Traditional. Arranged by Cristi Cary Miller. Contest,Fes...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.729632 Composed by Cristi Cary Miller and Traditional. Arranged by Cristi Cary Miller. Contest,Festival,Sacred,Traditional. Score. 5 pages. Cristi Cary Miller #337898. Published by Cristi Cary Miller (A0.729632). The solo option of this popular choral will offer your developing singers the opportunity for a positive and expressive performance. This arrangement if intended for high voices.
$5.25 ≈
$7.18
Kyrie and Agnus Dei
Kyrie and Agnus Dei
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John A
#
Kyrie and Agnus Dei
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JAB Publishing
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1318411 Composed by John A. Behnke. Advent,Christian,Lent,Religious. 8 pages. JAB Publishing...
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Medium Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1318411 Composed by John A. Behnke. Advent,Christian,Lent,Religious. 8 pages. JAB Publishing #907072. Published by JAB Publishing (A0.1318411). JAB080 Kyrie and Agnus Dei, John A. Behnke  $7.99  This is a new original setting of the Kyrie and the Agnus Dei for unison voices, piano, and optional flute.  It can be sung in the normal liturgical spots or it can be sung during communion or the offering as well.  You only need to buy one because the music is reproducible for your choir.  This piece is perfect for a small choir or a soloist during the penitential seasons of Advent and Lent.
$7.99 ≈
$10.93
Kyrie and Agnus Dei
Kyrie and Agnus Dei
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Choral Unison
#
BEGINNER
#
John A
#
Kyrie and Agnus Dei
#
JAB Publishing
#
SheetMusicPlus
Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.1317850 Composed by John A. Behnke. Advent,Christian,Lent,Religious. 8 pages. JAB Publi...
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Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.1317850 Composed by John A. Behnke. Advent,Christian,Lent,Religious. 8 pages. JAB Publishing #906543. Published by JAB Publishing (A0.1317850). JAB080 Kyrie and Agnus Dei, John A. Behnke  $7.95  This is a new original setting of the Kyrie and the Agnus Dei for unison voices, piano, and optional flute.  It can be sung in the normal liturgical spots or it can be sung during communion or the offering as well.  You only need to buy one because the music is reproducible for your choir.  This piece is perfect for a small choir or a soloist during the penitential seasons of Advent and Lent.
$7.95 ≈
$10.87
Kyrie in D for STB voices and optional piano/guitar, by Simon Peberdy
Kyrie in D for STB voices and optional piano/guitar, by Simon Peberdy
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Christian contemporary
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Sacred music
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Simon Peberdy
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Kyrie in D for STB voices and
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Simon Peberdy
#
SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.756907 Composed by Simon Peberdy. Contemporary,Sacred. Score. 1 pages. Simon Peberdy...
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Choral Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.756907 Composed by Simon Peberdy. Contemporary,Sacred. Score. 1 pages. Simon Peberdy #368265. Published by Simon Peberdy (A0.756907). Part of a small mass for soprano, tenor, and bass, accompanied by piano / guitar. See related scores for the other parts. Performed for the first time on 1st May 2014 in Maria Alm, Austria.For more new pieces, please visit www.simonpeberdymusic,com
$1.99 ≈
$2.72
Short Mass (Kyrie, Sanctus & Benedictus, Agnus Dei)
Short Mass (Kyrie, Sanctus & Benedictus, Agnus Dei)
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Choral SATB
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INTERMEDIATE
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Laurence Panter
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Short Mass
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Laurence Panter
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1026393 Composed by Laurence Panter. 20th Century,Christian,Contemporary,Sacred. Octavo. 9 pages...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1026393 Composed by Laurence Panter. 20th Century,Christian,Contemporary,Sacred. Octavo. 9 pages. Laurence Panter #6115847. Published by Laurence Panter (A0.1026393). Ideal for young voices on the soprano line, with a supportive organ part, this mass was originally written for the choir of St George's Catholic Cathedral Southwark. Approx. 6 mins in total, 2 mins per section.
$14.99 ≈
$20.50
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamb...
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Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
$102.49
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Machaut: La Messe de Nostre Dame for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
$102.49
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
#
Guillaume de Machaut, 1300-137
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James M
#
2 Trombones 1
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95 ≈
$68.30
Machaut: Le Messe de Nostre Dame for Brass Quartet
Machaut: Le Messe de Nostre Dame for Brass Quartet
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Guillaume de Machaut, 1300-137
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James M
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2 Trombones
1
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Machaut: Le Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 83 pages. Jmsgu3 #850538. Published by jmsgu3 (A0.1257210). INSTRUMENTATION: Cornet, French Horn & 2 Trombones1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$74.95 ≈
$102.49
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: Le Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
$68.30
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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Flute, Oboe, Clarinet, Bassoon
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EASY
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Guillaume de Machaut, 1300-137
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James M
#
Bassoon Duo
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
$68.30
Machaut: La Messe de Nostre Dame for Double Reed Quartet
Machaut: La Messe de Nostre Dame for Double Reed Quartet
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Guillaume de Machaut, 1300-137
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James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - Digital Download SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arrange...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - Digital Download SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #851675. Published by jmsgu3 (A0.1258422). INSTRUMENTATION: 2 ENGLISH HORNS and 2 BASSOONS1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
$102.49
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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Flute Quartet: 4 flutes
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EASY
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
$68.30
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Kyrie for Ten Voices
