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You've selected:
The Passage: Piano Accompaniment
expert
Trombone and Piano
Sheetmusic to print
3 sheet music found
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London Town Fantasy for Trombone and Piano
London Town Fantasy for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Contemporary
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Antonio J
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London Town Fantasy for Trombo
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Par...
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.
Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).
The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)
Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).
The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50 ≈
25.63€
Awaken the dawn (for trombone & piano)
Awaken the dawn (for trombone & piano)
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Trombone and Piano
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ADVANCED
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Sacred music
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Joseph Hollings
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Awaken the dawn
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Joseph Hollings Publishing
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.927663 Composed by Joseph Hollings. 20th Century,Contemporary. Score and part. 21 pages. Joseph Holli...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.927663 Composed by Joseph Hollings. 20th Century,Contemporary. Score and part. 21 pages. Joseph Hollings Publishing #6682863. Published by Joseph Hollings Publishing (A0.927663). Awaken the dawn was written for and dedicated to Shachar Israel, Assistant Principal Trombone of the Cleveland Orchestra. Mr. Israel commissioned the work and worked closely with the composer during the composition process. The piece is demanding for both trombonist and pianist.Naming the piece was relatively straightforward, as the composer intended from the outset to use the English translation of the Hebrew word and Mr. Israel's first name 'Shachar' (in Hebrew, 'shachar' means 'dawn'). The title, taken from a passage in the Book of Psalms, is intended to represent the energy and beauty present in the few moments before dawn breaks.The piece begins with a lyrical trombone line, floating over a minimalistic piano accompaniment. Making the most of the trombone's pitch and dynamic range, the trombone becomes increasingly agitated and the piano accompaniment more fragmented. A frenetic passage leads into a fast, aggressive section before returning to the opening melodies.Mr. Israel recorded the piece in 2018 at the Oberlin Conservatory of Music in Oberlin, Ohio with the marvelous Martha Locker on piano. The recording was produced by the Grammy award-winning Elaine Martone. The recording is currently available on Amazon, Spotify and Apple Music.DURATION: approx. 7:30Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.comFollow on TikTok @TikTokComposerFollow on Instagram @josephhollings.
$15.00 ≈
13.98€
Concerto for Trombone and Piano
Concerto for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages....
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50 ≈
25.63€
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