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First Call
Not classified 167

Piano & keyboards
Piano solo 78
Piano, Voice 33
Piano, Vocal and Guitar 8
Organ 6
Piano Trio: piano, violin, cello 4

1 Piano, 4 hands 2
Accordion 2
C Instruments 2
Easy Piano 2
Organ, Trumpet (duet) 1

+ 5 instrumentations

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Guitars
Guitar 16
Guitar notes and tablatures 7
Banjo 1
2 Guitars (duet) 1
Mandolin 1

Lyrics and Chords 1

+ 1 instrumentations

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Voice
Choral SATB 49
Choral 3-part 11
Choral SSAA 4
Choral TTBB 3
Vocal duet, Piano 3

Medium voice, Piano 2
Soprano voice 2
Choral 2-part 2
Voice solo 1
Alto voice, Piano 1
Vocal duet 1
Soprano voice, Orchestra 1
Soprano voice, Piano 1
Low voice 1
Choral Unison 1

+ 10 instrumentations

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Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 24
Clarinet Quartet: 4 clarinets 18
Flute and Piano 14
Saxophone Quintet: 5 Saxophones 12
Alto Saxophone and Piano 11

Saxophone Quartet: 4 saxophones 11
Clarinet Ensemble 10
Flute, Oboe, Clarinet, Bassoon 8
Oboe, Piano (duet) 6
Flute ensemble 6
Soprano Saxophone and Piano 5
2 Saxophones (duet) 4
Flute Quartet: 4 flutes 4
Clarinet Quintet: 5 clarinets 4
Clarinet 4
Tenor Saxophone and Piano 4
Bass Clarinet, Piano 3
Baritone Saxophone, Piano 3
Flute Quintet : 5 flutes 2
2 Flutes (duet) 2
Clarinet and Piano 2
Flute 2
Saxophone ensemble 2
2 Clarinets (duet) 1
English horn, Piano 1
Clarinet and Viola 1
Wind ensemble 1
Flute and Guitar 1
Treble (Alto) Recorder 1
Clarinet, Cello (duet) 1
Flute, Organ (duet) 1
3 Clarinets (trio) 1
3 Saxophones (trio) 1
Recorder 1
Recorder Quartet 1
Saxophone and Guitar 1

+ 31 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 27
Brass quartet : 2 trumpets, trombone, tuba 15
Trumpet 4
French Horn and Piano 4
Brass Quartet 3

Trumpet ensemble 3
Euphonium, Piano (duet) 2
Brass Quartet: 2 trumpets, horn, trombone 2
2 French horns (duet) 2
2 Trumpets (duet) 2
Trombone and Piano 2

Trombone ensemble 2
Trumpet, Piano 2
2 Trombones (duet) 1
English horn, Piano 1
Trumpet (band part) 1
Tuba and Piano 1
2 Euphoniums (duet) 1
Trombone 1
Brass Quartet: 4 horns 1
Trumpet, Horn (duert) 1
Tuba ensemble 1

+ 17 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 31
Violin and Piano 9
Viola, Piano 6
2 Harps (duet) 5
Harp 5

String Quintet: 2 violins, viola, cello, bass 4
Cello, Piano 4
2 Violins (duet) 3
Violin, Cello (duet) 2
String Trio: violin, viola, cello 2
Violin ensemble 2
Viola 2
Violin, Viola (duet) 2
2 Violas (duet) 2
String Trio: 3 violins 1
2 Cellos (duet) 1
Violin 1
Cello (band part) 1
Cello 1
Violin, Guitar (duet) 1
4 Cellos 1
Viola, Guitar (duet) 1
String Trio: 2 violins, cello 1

+ 18 instrumentations

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Percussion & orchestra
Concert band 39
String Orchestra 24
Orchestra 23
Brass ensemble 19
Jazz Ensemble 7

Chamber Orchestra 6
Jazz combo 5
Handbells 3
Percussion Ensemble 1
Vibraphone 1
Xylophone 1
Drums 1

+ 7 instrumentations

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Trombone and Piano

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Beethoven: Adagio from Sonata Pathetique for Trombone & Piano

Beethoven: Adagio from Sonata Pathetique for Trombone & Piano #Trombone and Piano #INTERMEDIATE #Classical #Ludwig van Beethoven #James M #piano concertos 1-5 #Beethoven: Adagio from Sonata #jmsgu3 #SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,R...(+)

Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata PathÃ©tique Op. 13 First of all, this is an arrangement of the second movement of Beethovenâ€™s Sonata PathÃ©tique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. www.jamesguthrie.com.

$24.95 ≈ 22.99€

Bless This House

Bless This House #Trombone and Piano #INTERMEDIATE #Annette Butters #Annette Butters #Bless This House #Annette Butters #SheetMusicPlus

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1255758 By Annette Butters. By May H. Brahe. Arranged by Annette Butters. 20th Century,Sacred. ...(+)

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1255758 By Annette Butters. By May H. Brahe. Arranged by Annette Butters. 20th Century,Sacred. Score and part. 4 pages. Annette Butters #849267. Published by Annette Butters (A0.1255758). Trombone or euphonium players will be able to show off their beautiful tone and lyrical playing skills with this arrangement of Bless this House. The first verse presents the tune, calling for a controlled yet expressive style of playing. During verse two, the soloist demonstrates the beauty of their instrument with musical embellishment over the melody which is now taken by the pianist. The ending allows the soloist to hold the audience in the palm of their hands as they come to a strong and sure finish. Suitable for concerts big and small, this lovely piece of yesteryear will appeal to the older members of your audience, but the strong melody also is easy to listen to and sounds great to perform in resonant buildings. The mp3 sample gives the lead in to verse two. Â Â Â

$8.00 ≈ 7.37€