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Sonata No. 8 in G
Not classified 14

Piano & keyboards
Piano solo 33
Easy Piano 7
Piano, Voice 1

Guitars
Guitar 2

Voice

Woodwind
Flute and Piano 3
Oboe, Piano (duet) 2
Flute 1
Bass Clarinet, Piano 1
Flute, Oboe, Clarinet (trio) 1

Alto Saxophone and Piano 1
Soprano Saxophone and Piano 1
Tenor Saxophone and Piano 1
English horn, Piano 1
Baritone Saxophone, Piano 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Flute Quartet: 4 flutes 1
Clarinet and Piano 1
Flute, Basso continuo 1
Flute and Guitar 1

+ 10 instrumentations

- Retract

Woodbrass
Euphonium, Piano (duet) 2
Trombone and Piano 1
3 Trombones (trio) 1
Trumpet, Piano 1
English horn, Piano 1

Brass Quintet: 2 trumpets, horn, trombone, tuba 1

+ 1 instrumentations

- Retract

Strings
Violin 11
Violin and Piano 5
Cello 5
Cello, Piano 3
Viola, Piano 3

String Quartet: 2 violins, viola, cello 2
2 Violins (duet) 1
Double bass, Piano (duet) 1
Double Bass 1
Viola 1
String Trio: violin, viola, cello 1

+ 6 instrumentations

- Retract

Percussion & orchestra
String Orchestra 1

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Sonata No. 8 in G

Viola, Piano

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3 sheet music found

15 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part

15 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part #Viola, Piano #INTERMEDIATE/ADVANCED #Classical #Santino Cara #Santino Cara #15 Concertos and Sonatas 'Book #Santino Cara #SheetMusicPlus

Piano,Viola - Level 4 - Digital Download SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score ...(+)

Piano,Viola - Level 4 - Digital Download SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score and part. 298 pages. Santino Cara #887557. Published by Santino Cara (A0.1297515). Complete scores and part of 15 Concertos and Sonata - BOOK 1 Â for Viola and Piano. Composed by: Bach C.P.E - H. Casadesus - J.W. Kallivoda - A. Rolla - R. Schumann. Transcribed in Rome over the years by Santino Cara.Transcriber's contact details: cara.santinocara.santino@gmail.comÂ 1. Â Â Viola Sonata in G minor H542.5Â 2. Â Â Viola Sonata in G major H550Â 3. Â Â Viola Sonata in E minor H551Â 4. Â Â Viola Sonata in G major H564Â 5. Â Â Handel-Casadesus - Viola Concerto in B minorÂ 6. Â Â JCBach-Casadesus - Viola Concerto in C minorÂ 7. Â Â Nocturne No.1 in A flat major Op.186Â 8. Â Â Nocturne No.2 in C major Op.186Â 9. Â Â Nocturne No.3 in F major Op.18610. Â Â Nocturne No.4 in G major Op.18611. Â Â Nocturne No.5 in E flat major Op.18612. Â Â Nocturne No.6 in D minor Op.18613. Â Â Divertimento in F major BI 33014. Â Â Variazioni Brillanti in F major Op.1315. Â Â MÃ¤rchenbilder Op.113 - Four Pieces11 Concertos and Sonatas 'Book 2' for Viola and Piano - Scores and Part

$38.40 ≈ 34.39€

Presto from Sonata No.1, BWV 1001 - Viola and Piano (Full Score)

Presto from Sonata No.1, BWV 1001 - Viola and Piano (Full Score) #Viola, Piano #INTERMEDIATE/ADVANCED #Classical #Johann Sebastian Bach and Robe #CÃ©sar Madeira #Presto from Sonata No.1, BWV 1 #Sheet Music To Play Editions #SheetMusicPlus

Piano,Viola - Level 4 - Digital Download SKU: A0.1229880 Composed by Johann Sebastian Bach and Robert Schumann. Arranged by CÃ©sar Madeira. 19th Centur...(+)

Piano,Viola - Level 4 - Digital Download SKU: A0.1229880 Composed by Johann Sebastian Bach and Robert Schumann. Arranged by CÃ©sar Madeira. 19th Century,Baroque,Classical,Early Music,Romantic Period. Score and part. 8 pages. Sheet Music To Play Editions #825638. Published by Sheet Music To Play Editions (A0.1229880). Presto from Bach's Sonata No.1 in G Minor, BWV 1001. Adapted by Schumann. Arrangement for Viola and Piano. WithÂ Full Score. Enjoy it!This file DOES NOT contain Individual Parts.Â Full Score only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

$5.99 ≈ 5.36€

Scriabin: Prelude Op. 11 No. 2 for Viola & Piano

Scriabin: Prelude Op. 11 No. 2 for Viola & Piano #Viola, Piano #INTERMEDIATE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...(+)

Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 17.87€