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You've selected:
chopin advanced
Cello, Piano
Sheetmusic to print
4 sheet music found
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1
Waltz in A Minor (Chopin) - Cello and Piano - Chamber music
Waltz in A Minor (Chopin) - Cello and Piano - Chamber music
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Cello, Piano
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INTERMEDIATE
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Classical
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.760530 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instr...
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Cello,Piano - Level 3 - Digital Download SKU: A0.760530 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4616207. Published by Raymond Fenech (A0.760530). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99 ≈
3.68€
Valse en mi mineur de Frédéric Chopin
Valse en mi mineur de Frédéric Chopin
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Cello, Piano
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Classical
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Jules de Swert
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he died in Ostend on 24
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Valse en mi mineur de Frédér
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53296 Composed by Jules de Swert. Edited by Beverley Ellis and Rainer Mohrs. This ...
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Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53296 Composed by Jules de Swert. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. posth. 9 pages. Schott Music - Digital #Q53296. Published by Schott Music - Digital (S9.Q53296). English • German.Belgian cellist Jules de Swert was born on 15.8.1843 in Leuven; he died in Ostend on 24.2.1891. His first cello lessons were with his father in Leuven, then from 1856 to 1858 he studied with Adrien Francois Servais in Brussels. Immediately after completing his studies he embarked on a very successful concert tour across Denmark, Sweden and Germany. He then found employment in Düsseldorf, Weimar – and Berlin, where he was Director of Music at court and teacher at the Academy of Music. In Vienna he was then appointed principal cellist at the Imperial Opera and professor at the Vienna Conservatoire. In 1888 de Sweet returned to Belgium, where besides teaching at Conservatoires in Ghent and Bruges he also worked as a conductor. Despite his busy concert schedule and teaching commitments, Jules de Swert still found time for composition. Alongside original pieces for cello and piano as well as transcriptions (particularly of works by Chopin) he composed two cello concertos, several orchestral works and operas. This transcription of Chopin’s Valse in E minor was published in 1876 (plate no. 22003).
$3.99 ≈
3.68€
Fantaisie sur La Flûte enchantée” de Mozart
Fantaisie sur La Flûte enchantée” de Mozart
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Cello, Piano
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Classical
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Auguste Joseph Franchomme
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he died in Paris in 1884
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Fantaisie sur La Flûte enchan
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53290 Op. 40. Composed by Auguste Joseph Franchomme. Edited by Beverley Ell...
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Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53290 Op. 40. Composed by Auguste Joseph Franchomme. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 40. 16 pages. Schott Music - Digital #Q53290. Published by Schott Music - Digital (S9.Q53290). English • German.Auguste Joseph Franchomme was born in Lille on 10.4.1808; he died in Paris in 1884. One of his first cello teachers in Lille was Pierre Baumann, who also taught Edouard Lalo. Giving up the study of Law in favour of the cello, he studied with Jean-Henri Levasseur and Louis-Pierre Norblin from 1825 at the Paris Conservatoire. After that he played in various orchestras until he was eventually able to establish himself as a soloist and chamber musician in Paris. Together with violinist Jean-Delphin Alard he founded the Alard Quartet, one of the few string quartets of the time whose members were all professional musicians. Alongside his concert career, Franchomme was a popular and successful professor at the Conservatoire for almost forty years. His compositions include numerous pieces and studies for the cello, a cello concerto and many transcriptions. Franchomme was a close friend of Chopin: he also composed the cello part to Chopin’s Duo concertante and reworked the cello part for the Polonaise Brillante. Chopin dedicated his Cello Sonata op. 65 to Franchomme. Chopin’s influence is clearly recognisable in Franchomme’s work and particularly evident, for example, in his Étude in C# minor op. 35/11. In 1884 Franchomme was awarded the Légion d’honneur for his services to music. This Fantaisie based on themes from Mozart’s Magic Flute was published in 1873 (plate no. 20425).
$3.99 ≈
3.68€
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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Cello, Piano
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INTERMEDIATE
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romanti...
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Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95 ≈
24.82€
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