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You've selected:
Don't Change
String Orchestra
Sheetmusic to print
13 sheet music found
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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String Orchestra
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INTERMEDIATE
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Instructional
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. P...
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String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00 ≈
13.81€
Don't Get Around Much Anymore: 2nd Violin
Don't Get Around Much Anymore: 2nd Violin
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String Orchestra
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Bob Russell and Duke Ellington
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Robert Gardner
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Don't Get Around Much Anymore:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0001782_VN2 2nd Violin. Composed by Bob Russell and Duke Ellington. Arranged by Robert Gardner. ...
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String Orchestra - Digital Download SKU: AX.00-PC-0001782_VN2 2nd Violin. Composed by Bob Russell and Duke Ellington. Arranged by Robert Gardner. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001782_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001782_VN2). UPC: 038081353425.Big band jazz translates very well for strings and this cool arrangement stays true to the style of the original. Most sections share the melody, with the others playing the famous call-and-response accompaniment, and all but the cellos remain in first position. Two solos are written out for each instrument, with chord changes and back-up parts provided to allow students to create their own solos, encouraging improvisation. Your students will enjoy performing this authentic and accessible arrangement of Ellington's classic tune, and it would make an upbeat and distinctive addition to any concert program.
$5.99 ≈
5.51€
Don't Get Around Much Anymore: Cello
Don't Get Around Much Anymore: Cello
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String Orchestra
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Instructional
#
Bob Russell and Duke Ellington
#
Robert Gardner
#
Don't Get Around Much Anymore:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0001782_VC1 Cello. Composed by Bob Russell and Duke Ellington. Arranged by Robert Gardner. Instr...
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String Orchestra - Digital Download SKU: AX.00-PC-0001782_VC1 Cello. Composed by Bob Russell and Duke Ellington. Arranged by Robert Gardner. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001782_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001782_VC1). UPC: 038081353425.Big band jazz translates very well for strings and this cool arrangement stays true to the style of the original. Most sections share the melody, with the others playing the famous call-and-response accompaniment, and all but the cellos remain in first position. Two solos are written out for each instrument, with chord changes and back-up parts provided to allow students to create their own solos, encouraging improvisation. Your students will enjoy performing this authentic and accessible arrangement of Ellington's classic tune, and it would make an upbeat and distinctive addition to any concert program.
$5.99 ≈
5.51€
Don't Get Around Much Anymore: Score
Don't Get Around Much Anymore: Score
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String Orchestra
#
Instructional
#
Bob Russell and Duke Ellington
#
Robert Gardner
#
Don't Get Around Much Anymore:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PR-0001761 Score. Composed by Bob Russell and Duke Ellington. Arranged by Robert Gardner. Instructi...
(+)
String Orchestra - Digital Download SKU: AX.00-PR-0001761 Score. Composed by Bob Russell and Duke Ellington. Arranged by Robert Gardner. Instructional. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0001761. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0001761). UPC: 038081353425.Big band jazz translates very well for strings and this cool arrangement stays true to the style of the original. Most sections share the melody, with the others playing the famous call-and-response accompaniment, and all but the cellos remain in first position. Two solos are written out for each instrument, with chord changes and back-up parts provided to allow students to create their own solos, encouraging improvisation. Your students will enjoy performing this authentic and accessible arrangement of Ellington's classic tune, and it would make an upbeat and distinctive addition to any concert program.
$7.00 ≈
6.44€
Don't Get Around Much Anymore: Viola
Don't Get Around Much Anymore: Viola
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String Orchestra
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Instructional
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Bob Russell and Duke Ellington
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Robert Gardner
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Don't Get Around Much Anymore:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0001782_VA1 Viola. Composed by Bob Russell and Duke Ellington. Arranged by Robert Gardner. Instr...
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0001782_VA1 Viola. Composed by Bob Russell and Duke Ellington. Arranged by Robert Gardner. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001782_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001782_VA1). UPC: 038081353425.Big band jazz translates very well for strings and this cool arrangement stays true to the style of the original. Most sections share the melody, with the others playing the famous call-and-response accompaniment, and all but the cellos remain in first position. Two solos are written out for each instrument, with chord changes and back-up parts provided to allow students to create their own solos, encouraging improvisation. Your students will enjoy performing this authentic and accessible arrangement of Ellington's classic tune, and it would make an upbeat and distinctive addition to any concert program.
$5.99 ≈
5.51€
Elegie - for String Orchestra, Harp, and Piano
Elegie - for String Orchestra, Harp, and Piano
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String Orchestra
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ADVANCED
#
Ronan Bodisch
#
Elegie - for String Orchestra,
#
Ronan Bodisch
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bodisch. Chamber,Classical,Contemporary,Romantic Period. Score and Parts....
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String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bodisch. Chamber,Classical,Contemporary,Romantic Period. Score and Parts. 5 pages. Ronan Bodisch #699803. Published by Ronan Bodisch (A0.1095833). This intense and emotional piece draws inspiration from classical/romantic composers, such as Edward Elgar, while also mixing in modern elements. Performance Notes: Dissonance is very common in this piece. It will not help the orchestra if the players cower away from it, rather than play it confidently. Don't second-guess whether or not the right notes are being played. Be sensitive to whoever has the moving line, as it is passed around the orchestra. At measure 22, the Violas and Cellos should soar above the violins. At measures 26-30, everyone in the orchestra should be playing as loud as humanly possible (go crazy, go bananas), while still remaining sensitive to the moving melodies; this is the composer's signature theme. Be mindful of the key change at measure 35 (F Maj/D Min to B-Flat Maj/G Min). In the end, Violins, Violas, and Cellos should decrescendo to literally nothing on the tremolos. The basses should emphasize pizzicato, but play it lightly, rather than thunderous. The chords in the Harp and Piano should also be brought out.
$35.00 ≈
32.21€
Contemplation, for String Orchestra
Contemplation, for String Orchestra
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String Orchestra
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INTERMEDIATE
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Contemporary
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Alison Harbottle
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Contemplation, for String Orch
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Martini Strings
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.873911 Composed by Alison Harbottle. Contemporary. Score and parts. 15 pages. Martini Strings #4333...
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String Orchestra - Level 3 - Digital Download SKU: A0.873911 Composed by Alison Harbottle. Contemporary. Score and parts. 15 pages. Martini Strings #4333455. Published by Martini Strings (A0.873911). Sometimes our thoughts don’t go very far. Sometimes they swirl around, catching the same feelings again and again, then other times they take a sudden turn in a different direction. Sometimes we just sit and think, or daydream. That’s a bit what this piece is like. Enjoy the drifting, the wafting, the rise and fall, and watch out for the change. Consolidation of C# & G# intonation is a focus for this piece, along with the use of compound time and a chance to just sit...and contemplate.Score & parts, 15 pages.
$45.00 ≈
41.42€
Still Still Still - Christmas song - String Orchestra
Still Still Still - Christmas song - String Orchestra
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String Orchestra
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INTERMEDIATE
#
Christmas
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Traditional
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.567753 Composed by Traditional. Arranged by Thomas Graf. Baroque,Christmas,Classical,World. Score a...
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String Orchestra - Level 3 - Digital Download SKU: A0.567753 Composed by Traditional. Arranged by Thomas Graf. Baroque,Christmas,Classical,World. Score and parts. 21 pages. Thomas Graf - the-hit-factory.com #504877. Published by Thomas Graf - the-hit-factory.com (A0.567753). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult. Instrumentation: Violin 1+2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/ymmlglUSUkY .
$19.99 ≈
18.40€
My Country 'Tis of Thee
My Country 'Tis of Thee
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String Orchestra
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BEGINNER
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Traditional
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Kenneth Baird
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My Country 'Tis of Thee
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Kenneth Baird Music
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.726382 Composed by Traditional. Arranged by Kenneth Baird. Folk,Patriotic. Score and parts. 12 page...
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String Orchestra - Level 1 - Digital Download SKU: A0.726382 Composed by Traditional. Arranged by Kenneth Baird. Folk,Patriotic. Score and parts. 12 pages. Kenneth Baird Music #2831929. Published by Kenneth Baird Music (A0.726382). Honor America with this new patriotic arrangement of one of our most beloved traditional melodies now arranged for second-year (or easy third-year) string orchestra. Set in the key of G major and staying in first position throughout, occasional meter changes from three-four to four-four will keep your young players on their toes. This arrangement provides cues in the cello for orchestras that don’t have string bass available, an optional 3rd violin part for groups lacking violas, and a rehearsal piano (not intended for performance).
$35.00 ≈
32.21€
River Currents
River Currents
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String Orchestra
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INTERMEDIATE
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Donald J
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River Currents
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T.U.X. People's Music
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1247669 Composed by Donald J. Young. Contemporary,Contest,Festival. 74 pages. T.U.X. People's Music...
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String Orchestra - Level 3 - Digital Download SKU: A0.1247669 Composed by Donald J. Young. Contemporary,Contest,Festival. 74 pages. T.U.X. People's Music #842223. Published by T.U.X. People's Music (A0.1247669). Donald J. Young shows the ever-changing nature of rivers in his musical depiction of Root River. The melodic themes and textures are filtered through many changes, just as rivers flow and change across the land and over time.
$110.00 ≈
101.24€
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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String Orchestra
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INTERMEDIATE
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Patriotic
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?
If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.
The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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$8.99 ≈
8.27€
Super Mario Bros for String Orchestra
Super Mario Bros for String Orchestra
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String Orchestra
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Video Game
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Koji Kondo
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Lisa Ochoco
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Super Mario Bros for String Or
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Lisa Ochoco
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SheetMusicPlus
By Koji Kondo. Arranged by Lisa Ochoco. Score, Set of Parts. 16 pages. Published by Lisa Ochoco...
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By Koji Kondo. Arranged by Lisa Ochoco. Score, Set of Parts. 16 pages. Published by Lisa Ochoco
Super Mario Bros was a super popular Nintendo game, but I think the song was even more so. Back in the 80's, game music was written to attract attention to the game itself, rather than enhance the player's experience during the game. It was more or less, just a catchy tune. However, when Koji Kondo wrote the music to Super Mario Bros, he created it as an active part of the game. This idea would help change game music forever.
I feel as if I don't need to give any comments on how to play this piece, but I will say that in the interest of not inundating the sheet music with dots everywhere, this song should be played staccato throughout the piece unless otherwise noted. Playing the piece entirely in pizzicato is a lot of fun too.
This piece has a lot of syncopation, but it is repetitive, so musicians with intermediate skills should be able to play this piece.
Scored for 2 violins, 2 violas, cello and double bass.
Duration: 2.5 minutes
$14.00 ≈
12.89€
A Waterpark Celebration
A Waterpark Celebration
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String Orchestra
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Rock
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Kong Moua
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A Waterpark Celebration
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Mr. Blob Music Production Company
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SheetMusicPlus
String Orchestra - Digital Download Composed by Kong Moua. Pop, Rock, Country, Hip-Hop. 24 pages. Published by Mr. Blob Music Production Company...
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String Orchestra - Digital Download Composed by Kong Moua. Pop, Rock, Country, Hip-Hop. 24 pages. Published by Mr. Blob Music Production Company
About the Music: Everyones loves to swim and go to a waterpark. This music is written for the funs of spending time with friends and families in water. Either swimming, riding the waterpark rides, and playing with the warm blue water. Each waterpark rides gets celebration!
Rehearsal Notes: Cellos will have non div. throughout the entire music, Bass, Viola will follow along with the melody. Violins 1 and 2, has lots of slurs, non div, and double stops. The tempo never changes throughout the entire music. An optional piano & tambourine helps drives the celebration into a never stopping party! You can download the piano mp3, if you don't have a piano player.
$19.99 ≈
18.40€
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