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Colonel
Not classified 36

Piano & keyboards
Piano solo 22
Piano, Voice 2
1 Piano, 4 hands 2
Piano, Vocal and Guitar 2
Easy Piano 1

Guitars
Melody line, (Lyrics) and Chords 5
Guitar notes and tablatures 1
Guitar 1
Piano, Guitar (duet) 1
Mandolin, Guitar (duet) 1

Voice
Choral 2-part 3
Choral 3-part 1
Choral SATB 1
Tenor voice 1
Choral 1

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 8
Saxophone Quartet: 4 saxophones 6
Clarinet Quartet: 4 clarinets 6
Clarinet (band part) 5
Flute and Piano 4

Saxophone (band part) 4
Alto Saxophone and Piano 3
Recorder, Piano 2
Descent (Soprano) Recorder, Piano 2
Tenor Saxophone and Piano 2
Tenor Recorder 2
Soprano Saxophone and Piano 2
Treble (Alto) Recorder, Piano 2
Piccolo, Piano 2
Clarinet 2
Descant (Soprano) Recorder 1
2 Flutes (duet) 1
Flute (band part) 1
Baritone Saxophone, Piano 1
Flute Trio: 3 flutes 1
Flute Quartet: 4 flutes 1
Oboe (band part) 1
Saxophone Quintet: 5 Saxophones 1
Saxophone and Guitar 1
Flute, Oboe, Clarinet, Bassoon 1
Oboe, Piano (duet) 1
English Horn, Guitar (duet) 1
Saxophone ensemble 1
3 Clarinets (trio) 1
Flute 1
Flute and Guitar 1
English horn, Piano 1
Bass Clarinet, Piano 1

+ 28 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Brass quartet : 2 trumpets, trombone, tuba 3
Trombone (band part) 2
Trumpet 2
French Horn and Piano 2

Tuba and Piano 2
Trumpet (band part) 1
Euphonium, Piano (duet) 1
3 Trumpets (trio) 1
Tuba (band part) 1
3 Trombones (trio) 1
Trombone ensemble 1
4 Tubas 1
French horn (band part) 1
English Horn, Guitar (duet) 1
Trombone and Piano 1
Bass Trombone and Piano 1
English horn, Piano 1
Brass Quartet: 2 trumpets, horn, trombone 1
Brass Quartet 1

+ 15 instrumentations

- Retract

Strings
Violin and Piano 5
String Quartet: 2 violins, viola, cello 4
Cello, Piano 3
Viola, Piano 2
2 Harps (duet) 2

Double bass, Piano (duet) 2
String Trio: violin, viola, cello 1
Violin, Guitar (duet) 1
Viola, Guitar (duet) 1
Cello, Guitar (duet) 1

+ 5 instrumentations

- Retract

Percussion & orchestra
Concert band 63
String Orchestra 3

Brass ensemble 2
Handbells 2
Orchestra 2

Percussion (band part) 1

+ 1 instrumentations

- Retract

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Colonel

String Orchestra

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3 sheet music found

Overture for Strings No. 6 - Score Only

Overture for Strings No. 6 - Score Only #String Orchestra #INTERMEDIATE/ADVANCED #Joseph Bologne, Chevalier de S #Robert Debbaut #Overture for Strings No. 6 - S #ROBERT DEBBAUT #SheetMusicPlus

String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...(+)

String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Parisâ€™ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologneâ€™s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologneâ€™s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the childâ€™s mother returned to France and set up housekeeping as a family in Parisâ€™ Saint-Germain-des-PrÃ©s district.At age thirteen Josephâ€™s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the Kingâ€™s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his fatherâ€™s royal title of â€œGentleman of the Kingâ€™s Chamber,â€ or to marry outside his class.There is limited information about Bologneâ€™s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer FranÃ§ois-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossecâ€™s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets â€œau goÃ»t du jourâ€ [up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called â€œsinfoniaâ€) in that they have an overall â€œA-B-Aâ€ form with the â€˜Aâ€™ sections being robust allegros and all â€˜Bâ€™ sections marked â€œrondo.â€ As such, in arranging them for string orchestra it seemed quite natural to rename them â€œovertures.â€ Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes.Â If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.

$9.99 ≈ 9.22€

Overture for Strings No. 4 - Score Only

Overture for Strings No. 4 - Score Only #String Orchestra #INTERMEDIATE/ADVANCED #Joseph Bologne, Chevalier de S #Robert Debbaut #Overture for Strings No. 4 - S #ROBERT DEBBAUT #SheetMusicPlus

String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...(+)

String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Parisâ€™ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologneâ€™s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologneâ€™s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the childâ€™s mother returned to France and set up housekeeping as a family in Parisâ€™ Saint-Germain-des-PrÃ©s district.At age thirteen Josephâ€™s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the Kingâ€™s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his fatherâ€™s royal title of â€œGentleman of the Kingâ€™s Chamber,â€ or to marry outside his class.There is limited information about Bologneâ€™s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer FranÃ§ois-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossecâ€™s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets â€œau goÃ»t du jourâ€ [up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called â€œsinfoniaâ€) in that they have an overall â€œA-B-Aâ€ form with the â€˜Aâ€™ sections being robust allegros and all â€˜Bâ€™ sections marked â€œrondo.â€ As such, in arranging them for string orchestra it seemed quite natural to rename them â€œovertures.â€ Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes.Â If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.

$9.99 ≈ 9.22€

Overture for Strings No. 2 - Score Only

Overture for Strings No. 2 - Score Only #String Orchestra #INTERMEDIATE/ADVANCED #Joseph Bologne, Chevalier de S #Robert Debbaut #Overture for Strings No. 2 - S #ROBERT DEBBAUT #SheetMusicPlus

String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...(+)

String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Parisâ€™ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologneâ€™s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologneâ€™s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the childâ€™s mother returned to France and set up housekeeping as a family in Parisâ€™ Saint-Germain-des-PrÃ©s district.At age thirteen Josephâ€™s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the Kingâ€™s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his fatherâ€™s royal title of â€œGentleman of the Kingâ€™s Chamber,â€ or to marry outside his class.There is limited information about Bologneâ€™s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer FranÃ§ois-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossecâ€™s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets â€œau goÃ»t du jourâ€ [up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called â€œsinfoniaâ€) in that they have an overall â€œA-B-Aâ€ form with the â€˜Aâ€™ sections being robust allegros and all â€˜Bâ€™ sections marked â€œrondo.â€ As such, in arranging them for string orchestra it seemed quite natural to rename them â€œovertures.â€ Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes.Â If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.

$9.99 ≈ 9.22€