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Funeral Bell
Not classified 26

Piano & keyboards
Piano solo 14
Easy Piano 3
Piano, Voice 3
Organ 3
Piano Trio: piano, violin, cello 1

Piano, Vocal and Guitar 1
C Instruments 1

+ 2 instrumentations

- Retract

Guitars
Bass guitar 16
Guitar 8
Guitar notes and tablatures 3

Voice
Choral SATB 9
Voice solo 4
Choral 3-part 1
Choral TTBB 1

Woodwind
Saxophone 48
Clarinet 9
Flute 8
Flute and Piano 4
English horn, Piano 2

Flute, Clarinet (duet) 2
Oboe, Piano (duet) 2
Tenor Saxophone and Piano 1
Alto Saxophone 1
Clarinet and Piano 1
Baritone Saxophone, Piano 1
2 Flutes and Harp 1
Alto Saxophone and Piano 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Saxophone ensemble 1

+ 10 instrumentations

- Retract

Woodbrass
Trumpet 16
Trombone 16
English horn, Piano 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Trombone and Piano 1

Brass quartet : 2 trumpets, trombone, tuba 1
Trumpet, Piano 1
Brass Trio 1
Brass Quartet: 4 horns 1
Tuba and Piano 1

+ 5 instrumentations

- Retract

Strings
Violin 9
Cello 8
Viola 8
Cello (band part) 5
Violin and Piano 4

Violin, Cello (duet) 2
String Quartet: 2 violins, viola, cello 1
Cello, Piano 1
4 Cellos 1

+ 4 instrumentations

- Retract

Percussion & orchestra
Handbells 36
Drums 8
Orchestra 3
Concert band 2
Brass ensemble 1

String Orchestra 1

+ 1 instrumentations

- Retract

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Funeral Bell

Violin and Piano

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4 sheet music found

Abide With Me; 'Tis Eventide (Violin Solo)

Abide With Me; 'Tis Eventide (Violin Solo) #Violin and Piano #Harrison Millard #Rebecca Belliston #Abide With Me; 'Tis Eventide #Rebecca Belliston #SheetMusicPlus

Composed by Harrison Millard. Arranged by Rebecca Belliston. Christian, Spiritual, Sacred, Latter-Day Saints, Funeral. 9 pages. Published by Rebecca Belliston (...(+)

Composed by Harrison Millard. Arranged by Rebecca Belliston. Christian, Spiritual, Sacred, Latter-Day Saints, Funeral. 9 pages. Published by Rebecca Belliston (S0.198573). - - Christian,Spiritual,Sacred,Latter-Day Saints,Funeral - Rebecca Belliston

$3.99 ≈ 3.67€

Nimrod (for Violin Solo and Piano)

Nimrod (for Violin Solo and Piano) #Violin and Piano #INTERMEDIATE #Classical #Edward Elgar #Flavio Regis Cunha #Nimrod #Flavio Regis Cunha #SheetMusicPlus

Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, W...(+)

Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, Wedding, Funeral, Recital. Score, Solo Part. 8 pages. Published by Flavio Regis Cunha
Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.

Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.

In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.

The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.

In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."

This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.

An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score

$5.99 ≈ 5.51€

Sang Yeo (A Hearse)

Sang Yeo (A Hearse) #Violin and Piano #ADVANCED #Yoonjee Kim #Sang Yeo #Yoonjee Kim #SheetMusicPlus

Small Ensemble Piano Accompaniment,Violin - Level 5 - Digital Download SKU: A0.1022806 Composed by Yoonjee Kim. Contemporary,Standards,World. Score and p...(+)

Small Ensemble Piano Accompaniment,Violin - Level 5 - Digital Download SKU: A0.1022806 Composed by Yoonjee Kim. Contemporary,Standards,World. Score and parts. 16 pages. Yoonjee Kim #3417615. Published by Yoonjee Kim (A0.1022806). Sang Yeo (A Hearse) is a programmatic work based on a Korean traditional funeral. The Korean funeral is rather a ceremony with a brilliantly decorated coffin and a group of choruses singing a traditional funeral tune throughout the entire process. The piece consists of three sections: The first section represents the scene where the coffin is brought to the burial site. The opening chord in the piano symbolizes the head of the mourning parade who rings a small bell while the casket is carried to its final resting place. The mood of the first section is heaving sounding by employing the lowest register of the piano and using triple stops in the violin while maintaining a slow tempo. The second section characterizes the process of burying the coffin. It implies an irritating, aggressive and desperate atmosphere of the people who cannot face the death and the separation of the recently deceased. The minor second interval, staccatos on the fast passage scales and the constant banging rhythm support the ambiance of this section. The last section corresponds to the return of the parade. It resembles the first section mostly with the grief, regrets and sighs. The high pitch glissando in the violin and the figure in the pianoâ€™s low register express the distance between the soul and the human.

$10.00 ≈ 9.20€

Morning Has Broken

Morning Has Broken #Violin and Piano #BEGINNER #Rock #Cat Stevens #James M #Morning Has Broken #jmsgu3 #SheetMusicPlus

Piano,Violin - Level 1 - Digital Download SKU: A0.548752 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. 11 pages. Jmsgu3 #341...(+)

Piano,Violin - Level 1 - Digital Download SKU: A0.548752 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. 11 pages. Jmsgu3 #3415231. Published by jmsgu3 (A0.548752). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia

$47.95 ≈ 44.13€