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T.M.I.
Not classified 13

Piano & keyboards
Piano solo 30
Piano, Voice 2
1 Piano, 4 hands 2
2 Pianos, 8 hands 1
Easy Piano 1

2 Pianos, 4 hands 1

+ 1 instrumentations

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Guitars
Guitar 12
Bass guitar 1

Voice
Choral 3-part 1
Choral TTBB 1

Woodwind
Saxophone 16
Clarinet 5
Flute 5
Flute and Piano 1
Oboe 1

Tenor Saxophone 1
Soprano Saxophone 1
Oboe, Piano (duet) 1
Alto Saxophone 1
Recorder 1
Tenor Recorder 1

+ 6 instrumentations

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Woodbrass
Trumpet 5
Trombone 5
Brass Quintet: 2 trumpets, horn, trombone, tuba 1

Strings
Violin 2
Violin and Piano 2

String Trio: 2 violins, cello 2
Violin, Cello (duet) 1
2 Violins (duet) 1

String Quartet: 2 violins, viola, cello 1

+ 1 instrumentations

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Percussion & orchestra
Chamber Orchestra 13
Drums 10
Orchestra 3
Jazz Ensemble 2
Jazz combo 1

Concert band 1

+ 1 instrumentations

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T.M.I.

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Violin and Piano

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2 sheet music found

DoReMi

DoReMi #Violin and Piano #ADVANCED #Peter Eotvos #DoReMi #Schott Music - Digital #SheetMusicPlus

Violin and orchestra - difficult - Digital Download SKU: S9.Q25029 Violin Concerto No. 2. Composed by Peter Eotvos. This edition: piano reduction ...(+)

Violin and orchestra - difficult - Digital Download SKU: S9.Q25029 Violin Concerto No. 2. Composed by Peter Eotvos. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 24 minutes. Schott Music - Digital #Q25029. Published by Schott Music - Digital (S9.Q25029). Die Struktur musikalischer Hierarchien in drei SÃ¤tzen: â€žDo fÃ¼r die westliche, â€žMi fÃ¼r die Ã¶stliche, pentatonische Musikkultur, â€žRe im Wechsel. EÃ¶tvÃ¶s baut in seinem zweiten Violinkonzert komplexe Weltbilder; gewidmet ist das Werk der Geigerin Midori.3 (2. auch Picc., 3. auch Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 3 (2. auch Es-Klar., 3. auch Bassklar.) Â· 2 (2. auch Kfg.) - 2 Â· 2 Â· 1 Â· 0 - S. (I [links]: Glsp. Â· Trgl. [t.] Â· Bong. (sehr h.) Â· 2 RÃ¶hren (Metall) Â· Sizzle-Beck. Â· Marac. Â· 3 Woodbl. Â· Chin. Dom-Beck. [t.] - II [Mitte]: Crot. Â· Xyl. Â· Trgl. [m.] Â· RÃ¶hrengl. Â· 2 Gongs Â· Caxixi Â· Guiro [m./h.] Â· Chin. Dom-Beck. [m.] - III [rechts]: Cowbells Â· 2 Beck. [t./m.] Â· Trgl. [h.] Â· Bong. [h.]Â· Sizzle-Beck. Â· Marac. Â· Tamb. Â· Chin. Dom-Beck. [h.] Â· Tamt. [t.]) (3 Spieler) - Hfe. Â· Cel. - Str. (8 Â· 6 Â· 6 Â· 6 Â· 4 [3./4. 5-Saiter]).

$33.99 ≈ 31.72€

South Bay Angle for violin and piano

South Bay Angle for violin and piano #Violin and Piano #ADVANCED #Contemporary #Robert M #South Bay Angle for violin and #Robert M. Greenberg #SheetMusicPlus

Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individu...(+)

Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringoâ€™s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didnâ€™t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.

$28.00 ≈ 26.13€