Download Digital Sheet Music of Times Like These for Brass Quintet: 2 trumpets, horn, trombone, tuba

All site ▾

My account (log-in)

€

EUR €USD $GBP £CAD $CNY ¥

Français

Free Sheet Music ▾
Digital Sheet Music
Music Sheet Library ▾
Musical Equipment ▾

Times Like These
Not classified 80

Piano & keyboards
Piano solo 44
Easy Piano 20
Piano, Vocal and Guitar 16
Piano, Voice 10
Organ 6

C Instruments 3
2 Pianos, 4 hands 2
Piano Accompaniment 1
Big Note Piano 1
Piano Trio: piano, violin, cello 1

+ 5 instrumentations

- Retract

Guitars
Guitar notes and tablatures 13
Guitar 10
Ukulele 5
Lyrics and Chords 5
Melody line, (Lyrics) and Chords 2

Bass guitar 2
Electric Bass (band part) 1
Guitar Ensemble 1

+ 3 instrumentations

- Retract

Voice
Choral SATB 22
Choral 3-part 7
Choral TTBB 2
Choral 2-part 1
Tenor voice 1

Choral SSAA 1

+ 1 instrumentations

- Retract

Woodwind
Flute and Piano 12
Alto Saxophone and Piano 6
Oboe, Piano (duet) 5
Soprano Saxophone and Piano 5
Tenor Saxophone and Piano 5

Clarinet and Piano 5
English horn, Piano 5
Baritone Saxophone, Piano 5
Saxophone (band part) 4
Flute ensemble 4
Bass Clarinet, Piano 4
Clarinet Ensemble 3
Clarinet 3
Piccolo, Piano 1
Flute (band part) 1
Flute and Guitar 1
Clarinet, Harp (duet) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Flute, Violin 1
Clarinet Quartet: 4 clarinets 1
Clarinet (band part) 1
Saxophone Quartet: 4 saxophones 1

+ 17 instrumentations

- Retract

Woodbrass
Euphonium, Piano (duet) 8
English horn, Piano 5
Trombone and Piano 4
Trumpet 3
Brass Quintet: 2 trumpets, horn, trombone, tuba 3

Trumpet (band part) 3
French Horn and Piano 3
Trombone (band part) 2
Trumpet, Trombone (duet) 2
Brass Quartet: 2 trumpets, horn, trombone 2
Trumpet, Piano 2
2 Tubas (duet) 1
Trombone 1
Tuba (band part) 1
French horn (band part) 1
Brass quartet : 2 trumpets, trombone, tuba 1

+ 11 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 10
Violin and Piano 8
Violin 6
Cello, Piano 5
Viola, Piano 5

Harp 3
Violin, Viola (duet) 2
String Trio: violin, viola, cello 2
Cello (band part) 1
Cello 1
Viola 1

+ 6 instrumentations

- Retract

Percussion & orchestra
Concert band 28
Orchestra 9
Marching band 5
Drum (band part) 3
Percussion (band part) 2

String Orchestra 1
Brass Quintet: other combinaisons 1
Jazz Ensemble 1
Chamber Orchestra 1
Piano and Orchestra 1
Brass ensemble 1
Drums 1
Percussion Ensemble 1

+ 8 instrumentations

- Retract

Others

Home Best Sellers

New releases Methods Studies

Sellers

AmericansAt Musicnotes At Sheetmusicplus At Virtualsheetmusic
EuropeansAt Tomplay At Prof-Editions At Note4piano At Noviscore At Quickpartitions

International artists list

French artists list

Top artists

POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener

FREE SHEET MUSIC
185,000+ free sheet music

SHEET MUSIC LIBRARY
1,500,000+ buy and delivery

DIGITAL SHEET MUSIC
2,000,000+ buy and print

MUSICAL INSTRUMENTS
200,000+ buy and delivery

Sheet Music Membership ($37.75/year)

Digital sheet music, access after purchasing

Post mailing Digital sheet music

Sorting and filtering :

with audio

with video

with play-along

You've selected:

Times Like These

Brass Quintet: 2 trumpets, horn, trombone, tuba

Sheetmusic to print

3 sheet music found

Bach: Wachet auf for Brass Quintet

Bach: Wachet auf for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Classical #Johann Sebastian Bach #James M #Bach: Wachet auf for Brass Qui #jmsgu3 #SheetMusicPlus

Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages...(+)

Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140.Â Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ like the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio. Â History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and KÃ¶then for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â

$39.95 ≈ 37.29€

C Jam Blues for Brass Quintet

C Jam Blues for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Keith Terrett #Keith Terrett #Bb Trombone/Euphonium in TC #C Jam Blues for Brass Quintet #Keith Terrett #SheetMusicPlus

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arra...(+)

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellingtonâ€™s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as â€œone of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled â€œJam Sessionâ€ the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe â€œTricky Samâ€ Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.â€œC Jam Bluesâ€ was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Dukeâ€™s band in June 1942, and after a period of freelancing joined Louis Armstrongâ€™s All-Stars in August, 1947. â€œC Jam Bluesâ€ was one of his nightly features with Satchâ€™s ensemble along with â€œTea for Two.â€ Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (â€œBaby, letâ€™s go down to â€˜Dukeâ€™s Placeâ€™,â€ etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrongâ€™s All-Stars when they recorded â€œDukeâ€™s Place,â€ featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Dukeâ€™s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Bandâ€™s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

$12.99 ≈ 12.13€

Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)

Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo) #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE/ADVANCED #Christoph Willibald Gluck, #Keith Terrett #Aria from the Opera Orfeo ed E #Keith Terrett #SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. ...(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.

$8.99 ≈ 8.39€