Download Digital Sheet Music of This Is The Day That The Lord Has Made for Brass Quintet: 2 trumpets, horn, trombone, tuba

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This Is The Day That The Lord Has Made
Not classified 23

Piano & keyboards
Piano, Voice 8
Easy Piano 7
Piano solo 1

Guitars
Guitar notes and tablatures 4
Bass guitar 4
Guitar 4

Voice
Choral 2-part 13
Choral SATB 10
Vocal duet, Piano 9
Choral Unison 6
Choral 3-part 3

Choral TTBB 2

+ 1 instrumentations

- Retract

Woodwind
2 Saxophones (duet) 16
Saxophone (band part) 6
2 Flutes (duet) 4
2 Clarinets (duet) 4
2 Oboes (duet) 4

Baritone Saxophone, Piano 2
Clarinet and Piano 2
Oboe, Piano (duet) 2
Tenor Saxophone and Piano 2
Clarinet 2
Flute and Piano 2
Alto Saxophone 2
Oboe (band part) 2
Soprano Saxophone and Piano 2
Alto Saxophone and Piano 2
Flute 1

+ 11 instrumentations

- Retract

Woodbrass
2 Trombones (duet) 4
2 French horns (duet) 4
2 Trumpets (duet) 4
Trombone and Piano 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 2

2 Tubas (duet) 2
French horn 2
French Horn and Piano 2
Tuba and Piano 2
Trombone 2
Tuba and Organ 2
Tuba 2
Trumpet, Piano 1
Trumpet 1

+ 9 instrumentations

- Retract

Strings
2 Violins (duet) 4
2 Violas (duet) 4
2 Cellos (duet) 4
Viola, Piano 2
2 Double basses (duet) 2

Cello, Piano 2
Violin and Piano 2
Double bass, Piano (duet) 2
Violin 2
Cello (band part) 2
Double Bass 2
Viola 1

+ 7 instrumentations

- Retract

Percussion & orchestra
Marimba 3
Chamber Orchestra 1
Orchestra 1

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This Is The Day That The Lord Has Made

Brass Quintet: 2 trumpets, horn, trombone, tuba

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2 sheet music found

Memorial (for Brass Quintet & Percussion)

Memorial (for Brass Quintet & Percussion) #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Dr #Memorial #https://gildedmusicpress.com/ #SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patrio...(+)

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish â€œfeastâ€ (or â€œappointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: â€œSpeak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.â€ According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as â€œan offering made by fire.â€ Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of â€œsabbathâ€ to observe every year. It seemed extraordinarily appropriateâ€”perhaps even requisiteâ€”that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a â€œMemorialâ€ to those lost that day, and those who since perished in the Global War on Terror. â€œWhere were you when you first heard about the 9-11 attacks?â€ This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravelâ€™s â€œPavane to a Dead Princess.â€ Elements of that musical memory influenced this present work â€œMemorial.â€ Other sources of inspirationâ€”whether intended or subconsciousâ€”include Samuel Barberâ€™s heart-wrenching â€œAdagio for Strings,â€ Michael Kamenâ€™s â€œQuintetâ€ for brass, and John Williamsâ€™ â€œHymn to the Fallen.â€ The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.

$24.95 ≈ $34.33

Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet

Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Classical #Wolfgang Amadeus Mozart #Ray Thompson #Mozart: Requiem in D minor K62 #RayThompsonMusic #SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1109895 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religiou...(+)

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1109895 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 pages. RayThompsonMusic #712266. Published by RayThompsonMusic (A0.1109895). Arranged standard brass quintet. A beautiful piece of music. It suits the brass quintet. The Lacrimosa (Latin for weeping/tearful), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. Lacrimosa dies illa Qua resurget ex favilla Judicandus homo reus. Huic ergo parce, Deus: Pie Jesu Domine, Dona eis requiem. Amen. Full of tears will be that day When from the ashes shall arise The guilty man to be judged; Therefore spare him, O God, Merciful Lord Jesus, Grant them eternal rest. Amen. The piece begins piano on a rocking rhythm in 12/8, intercut with quarter rests, which will be reprised after two bars, on Lacrimosa dies illa (This tearful day). Then follows a diatonic progression, in disjointed eighth-notes on the text resurget (will be reborn), then legato and chromatic on a powerful crescendo. The music is forte by bar 8, at which point Mozart's contribution to the movement is interrupted by his death. SÃ¼ssmayr brings the music to a reference of the Introit and ends on an Amen cadence. Discovery of a fragmentary Amen fugue in Mozart's hand has led to speculation that it may have been intended for the Requiem. Indeed, many modern completions (such as Levin's) complete Mozart's fragment. Some sections of this movement are quoted in the Requiem mass of Franz von SuppÃ©, who was a great admirer of Mozart. Ray Robinson, the music scholar and president (from 1969 to 1987) of the Westminster Choir College, suggests that SÃ¼ssmayr used materials from Credo of one of Mozart's earlier masses, Mass in C major, K. 220 Sparrow in completing this movement.

$4.95 ≈ $6.81