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Let's Take a Walk
Not classified 4

Piano & keyboards
Piano, Vocal and Guitar 13
Piano solo 9
Piano, Voice 2

Guitars
Melody line, (Lyrics) and Chords 1

Voice
Soprano voice, Piano 5
Choral TTBB 4
Mezzo-Soprano voice, Piano 2
Choral SATB 2
Choral 3-part 1

Woodwind
Clarinet and Piano 2
Oboe, Piano (duet) 1
Clarinet 1
Alto Saxophone 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 2

Trombone 1
Trumpet 1

Strings
Harp, Voice 1

Percussion & orchestra
Orchestra 3
Handbells 2
Jazz Ensemble 1

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Let's Take a Walk

Brass Quintet: 2 trumpets, horn, trombone, tuba

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Patricia: A Ragtime Composition

Patricia: A Ragtime Composition #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE/ADVANCED #1900 ragtime was the #Joseph Lamb #F #Patricia: A Ragtime Compositio #Sweetwater Brass Press #SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,...(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music.Â The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri. Â The Britannica website explains, â€œRagtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â Â Â Â But it wasnâ€™t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtimeâ€™s popularity began to soar. Â By 1900 ragtime was the popular music. Â It stayed that way until about 1917 when the rise of jazz began to overtake it. Â By 1920, ragtime was nearly forgotten.Â Â Â Â Thirty years later, a ragtime revival began. Â And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime. Â In fact, the â€œBig Threeâ€ composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.Â Â Â Â Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplinâ€™s early ragtime publications. Â From there, Lamb went on to develop into a master of classic ragtime.Â Â Â Â One of Lambâ€™s most popular works was a 1916 composition he titled â€œPatricia Rag.â€ (The title apparently had nothing to do with his daughter, who was born in 1924.) Â It consists of four themes in five sections, with the first theme repeated after sections 1 and 2. Â Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio. Â Â Â Â Â This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length. Â It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments. Â Possible exceptions for some players include: Â (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments. Â In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H. Â In performing this arrangement, players should pay particular attention to dynamics. Â Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.Â Â Â Â The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. Â He would like to receive your suggestions, comments, corrections and criticisms. Â Contact him at lessmith61@bellsouth.net. Â For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

$12.99 ≈ £10.19

I Sit Here on the Barren Hill

I Sit Here on the Barren Hill #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Fiona Alice Hickie #Fiona Alice Hickie #I Sit Here on the Barren Hill #Fiona Alice Hickie #SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Ali...(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage heâ€™d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once itâ€™s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.

$13.99 ≈ £10.98