Download Digital Sheet Music of The Imperial March for Brass quartet : 2 trumpets, trombone, tuba

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The Imperial March
Not classified 60

Piano & keyboards
Piano solo 42
Easy Piano 12
Big Note Piano 8
1 Piano, 4 hands 3
Organ 3

Accordion 2
Piano, Voice 1

+ 2 instrumentations

- Retract

Guitars
Guitar notes and tablatures 14
Ukulele 4
Guitar 2
Lyrics and Chords 1

Voice
Choral SATB 1
Choral TTBB 1

Woodwind
Alto Saxophone and Piano 12
Clarinet (band part) 9
Soprano Saxophone and Piano 9
Saxophone (band part) 7
Saxophone Quartet: 4 saxophones 5

Alto Saxophone 4
Tenor Saxophone 4
Clarinet 3
Flute 3
Flute (band part) 2
Flute, Oboe, Clarinet, Bassoon 2
Oboe 2
Clarinet and Piano 1
Oboe (band part) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Flute Quartet: 4 flutes 1
Flute and Piano 1

+ 12 instrumentations

- Retract

Woodbrass
Trumpet (band part) 7
French horn (band part) 5
Trombone (band part) 5
Trumpet 4
French horn 3

Trombone 3
Brass quartet : 2 trumpets, trombone, tuba 2

Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Brass Quartet 1
Brass Quartet: 2 trumpets, horn, trombone 1
Brass Quartet: 4 trombones 1
Bass Clef Instruments 1
Trombone and Piano 1
Trumpet, Piano 1

+ 9 instrumentations

- Retract

Strings
Violin 4
Cello 4
Violin and Piano 2
String Quartet: 2 violins, viola, cello 2
4 Cellos 2

Viola 2
String Quartet : 4 violas 1
Cello, Piano 1
String Trio: 3 violas 1
String quartet: 4 violins 1
Viola, Piano 1

+ 6 instrumentations

- Retract

Percussion & orchestra
Concert band 19
Orchestra 5
Percussion (band part) 3
Marching band 3
Percussion 2

Percussion Ensemble 1
Handbells 1

+ 2 instrumentations

- Retract

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The Imperial March

Brass quartet : 2 trumpets, trombone, tuba

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2 sheet music found

Kyrie (Durante) (Brass Quartet - 1 Trp, 1 Hrn, 1 Trb, 1 Tuba)

Kyrie (Durante) (Brass Quartet - 1 Trp, 1 Hrn, 1 Trb, 1 Tuba) #Brass quartet : 2 trumpets, trombone, tuba #INTERMEDIATE #Francesco Durante #Regis Bookshar #Kyrie #Regis Bookshar #SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696535. Published by Regis Bookshar (A0.1092443). Kyrie - by Francesco Durante; Brass Quartet â€“ Intermediate â€“ Digital Download. â€œKyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 1 Bb Trumpet, 1 French Horn, 1 Trombone and 1 Tuba. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensembleâ€™s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Santâ€™Onofrio. He is said to have succeeded Scarlatti in 1725 at Santâ€™Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Duranteâ€™s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Duranteâ€™s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this â€œKyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. Iâ€™m certain that this beautiful arrangement of Francesco Duranteâ€™s â€œKyrieâ€ will continue to entertain both performers and audiences alike for years to come.

$10.00 ≈ 9.25€

AMADEUS suite - 5. Ecco la marcia from Act 3 of LE NOZZE DI FIGARO

AMADEUS suite - 5. Ecco la marcia from Act 3 of LE NOZZE DI FIGARO #Brass quartet : 2 trumpets, trombone, tuba #EASY #Classical #Wolfgang Amadeus Mozart #Alessandro MacrÃ¬ #Coro) #AMADEUS suite - 5. Ecco la mar #Music Macri Editions #SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931212 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro MacrÃ�...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931212 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro MacrÃ¬. Classical. Score and parts. 13 pages. Music Macri Editions #3687655. Published by Music Macri Editions (A0.931212). Le nozze di Figaro, ovvero la folle giornata (K 492) Ã¨ un'opera lirica di Wolfgang Amadeus Mozart. Ãˆ la prima delle tre opere italiane scritte dal compositore salisburghese su libretto di Lorenzo Da Ponte.Musicato da Mozart all'etÃ di ventinove anni, il testo dapontiano fu tratto dalla commedia Le nozze di Figaro di Beaumarchais (autore della trilogia di Figaro : Il barbiere di Siviglia , Il matrimonio di Figaro e La madre colpevole ).Dal Terzo Atto - Finale Ecco la marcia, andiamo (Susanna, La Contessa, Il Conte, Figaro; Coro).Le Nozze di Figaro Ã¨ una delle piÃ¹ famose opere di Mozart e dell'intero teatro musicale, ed Ã¨ la prima di una serie di felici collaborazioni tra Mozart e Da Ponte, che ha portato anche alla creazione del Don Giovanni e di CosÃ¬ fan tutte .Fu Mozart stesso a portare una copia della commedia di Beaumarchais a Da Ponte, che la tradusse in lingua italiana (tuttora la lingua ufficiale dell'opera lirica) e che (d'accordo con Mozart) rimosse tutti gli elementi di satira politica dalla storia. L'opera fu scritta da Mozart in gran segreto (la commedia era stata vietata dall'imperatore Giuseppe II, poichÃ© attica l'odio tra le varie classi sociali). Questo Ã¨ un periodo in cui Ã¨ stato scritto. Eppure Ã¨ solo dopo aver convinto l'imperatore della rottura delle scene politicamente piÃ¹ discusse che hanno visto il permesso di rappresentare l'opera.Inoltre, la scena finale del terzo atto, che comprendeva un balletto e una pantomima, si dovette scontrare con un divieto imperiale di rappresentare balli in scena. Racconta Da Ponte, nelle sue memorie , che lui e Mozart, non intendono rinunciare al finale come l'avevo concepito, invitarono l'imperatore ad assistere a una prova, dove si sono giocati quel pezzo muto. L'imperatore subito ordinÃ² che la musica fosse reinserita.CosÃ¬ Le Nozze di Figaro , finita di comporre il 29 aprile, fu messa in scena al Burgtheater di Vienna, il 1Âº maggio 1786 con Nancy Storace (Susanna), Francesco Benucci (Figaro) e Michael Kelly (tenore) (Basilio e Don Curzio) , diretta dal compositore nelle prime due rappresentazioni e da Joseph Weigl nelle repliche. Ottenne un successo strepitoso, al punto che l'Imperatore, dopo la terza recita, dovette emanare un decreto per limitare le richieste di bis, in modo che le repliche non durassero troppo. Ancor piÃ¹ grande fu il successo al Teatro Nazionale di Praga (dal 17 gennaio 1787), colomba (una detta di Mozart): Â«Qui non sta che che del Figaro, non si suona, non si strombetta, non si canta, non si fischia che il Figaro, non si va a sentire altra opera che il Figaro. Eternamente Figaro! Â».L'opera Ã¨ in quattro atti e ruota attorno alle trame del Conte d'Almaviva, invaghito della cameriera della Contessa, Susanna, alla quale cerca di imporre lo ius primae noctis. La vicenda si svolge in un intreccio serrato e folle, in cui donne e uomini si contrappongono nel corso di una giornata di passione travolgente, piena sia di eventi drammatici che comici, e nella quale alla fine i servi si dimostrano piÃ¹ signori e intelligenti dei loro padroni. L'opera Ã¨ per Mozart (e prima di lui per Beaumarchais) un pretesto per prendersi gioco delle classi sociali dell'epoca che da lÃ¬ a poco saranno travolte dai fatti con la Rivoluzione francese. L'intera vicenda puÃ² anche essere letta come una metafora delle diverse fasi dell'amore: Cherubino e Barbarina rappresentano l'amore acerbo, Susanna e Figaro l'amore che sboccia, il Conte e la Contessa l'amore logorato e senza piÃ¹ alcuna passione, Marcellina e don Bartolo l'amore maturo.

$6.00 ≈ 5.55€