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You've selected:
Don't Change
Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
6 sheet music found
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1
Don't Stop Me Now
Don't Stop Me Now
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Rock
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Queen
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Leonardas Butkus
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Don't Stop Me Now
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Leonardas Butkus
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1098327 By Queen. By Freddie Mercury. Arranged by Leonardas Butkus. Pop,Rock. S...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1098327 By Queen. By Freddie Mercury. Arranged by Leonardas Butkus. Pop,Rock. Score and parts. 31 pages. Leonardas Butkus #702197. Published by Leonardas Butkus (A0.1098327). I arranged Don't Stop Me Now by Queen for brass septet +drum set (3 trumpets, 3 trombones and tuba) This arrangement was made by the revisited version of Don't Stop Me Now. When purchased, you will get a file containing the score and all parts. If needed, I can change the pitch of the instrument (form Bb to C, etc.).
$12.99 ≈
11.92€
Mary, Did You Know?
Mary, Did You Know?
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Brass quartet : 2 trumpets, trombone, tuba
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Christmas
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Kathy Mattea
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Thomas Graf
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Mary, Did You Know?
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.502034 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Thomas Graf. Chr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.502034 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Thomas Graf. Christmas. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #114608. Published by Thomas Graf - the-hit-factory.com (A0.502034). Very sophisticated arrangement. Drums are optional, all parts are featured, spectacular key-change. This will surely be the emotional highlight of your upcoming Christmas concerts. Instrumentation: Part I in C Part II in C Part III in C Drum Set (opt.) Part I in Bb Part II in F Part II in Eb Part II in Bb Part III in Bb Part III in Eb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part.
$16.00 ≈
14.68€
Still Still Still - Brass Quartet
Still Still Still - Brass Quartet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
#
Traditional
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Thomas Graf
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Still Still Still - Brass Quar
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.567467 Composed by Traditional. Arranged by Thomas Graf. Baroque,Christmas,Gosp...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.567467 Composed by Traditional. Arranged by Thomas Graf. Baroque,Christmas,Gospel,World. Score and parts. With 2013-12-09. 30 pages. Thomas Graf - the-hit-factory.com #431517. Published by Thomas Graf - the-hit-factory.com (A0.567467). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult. Instrumentation: Tpt 1/2 in Bb/C, Trombone/Horn in F/Euph., Tuba/Bass in Bb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/-cBAyS5-o9Y .
$9.99 ≈
9.17€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
25.69€
Nimrod for Brass Quintet
Nimrod for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
#
Classical
#
Edward Elgar
#
James Symington
#
Nimrod for Brass Quintet
#
James Edward Ernest Symington
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1038764 Composed by Edward Elgar. Arranged by James Symington. 20th Centur...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1038764 Composed by Edward Elgar. Arranged by James Symington. 20th Century,Classical,Film/TV,Patriotic,Romantic Period. Score and parts. 9 pages. James Edward Ernest Symington #643742. Published by James Edward Ernest Symington (A0.1038764). The name of the variation refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter. In 1904 Elgar told Dora Penny (Dorabella) that this variation is not really a portrait, but the story of something that happened. Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. And that is what you must do, Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of Nimrod were made to suggest that theme. Can't you hear it at the beginning? Only a hint, not a quotation. This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod†variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks. An adaptation of the piece appears at the ending of the 2017 film Dunkirk in the score by Hans Zimmer. This arrangement for Brass Quintet has been adapted to suit the instrumentalists. The key has changed and this makes it much more playable and more secure.
$12.99 ≈
11.92€
Wave After Wave
Wave After Wave
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
#
Contemporary
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Dave Bainbridge, Frank T
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Jeff Tincher
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Wave After Wave
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Jeff Tincher
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.585031 Composed by Dave Bainbridge, Frank T. Essen Van, Frank Van Essen, Joanne...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.585031 Composed by Dave Bainbridge, Frank T. Essen Van, Frank Van Essen, Joanne Heather Hogg, Phil Barker, and Troy Donockley. Arranged by Jeff Tincher. Contemporary. Score and parts. 24 pages. Jeff Tincher #6131577. Published by Jeff Tincher (A0.585031). Here is another Contemporary Christian song from the U.K. group IONA. Idea for the song comes from Nehemiah 9:6. In the original key from their Open Sky project, this song has many different tempo changes while interchanging between 6/8 and 7/4 time changes. Duration = 6:01. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.92€
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