Download Digital Sheet Music of First Call for Brass quartet : 2 trumpets, trombone, tuba

All site ▾

My account (log-in)

€

EUR €USD $GBP £CAD $CNY ¥

Français

Free Sheet Music ▾
Digital Sheet Music
Music Sheet Library ▾
Musical Equipment ▾

First Call
Not classified 55

Piano & keyboards
Piano solo 37
Piano, Voice 4
Piano Trio: piano, violin, cello 3
2 Pianos, 4 hands 3
Piano Quintet: piano, 2 violins, viola, cello 2

Piano Accompaniment 1
Piano, Vocal and Guitar 1
Organ 1

+ 3 instrumentations

- Retract

Guitars
Guitar 1

Voice
Choral SATB 8
Soprano voice, Piano 3
Low voice, Piano 1
Baritone voice, Piano 1
Tenor voice, Piano 1

Choral SSAA 1
Tenor voice 1
Choral TTBB 1

+ 3 instrumentations

- Retract

Woodwind
Saxophone Quartet: 4 saxophones 5
Flute and Piano 5
Oboe, Piano (duet) 4
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
Alto Saxophone and Piano 3

Oboe (band part) 3
Clarinet 2
Soprano Saxophone and Piano 2
Flute Quartet: 4 flutes 2
Flute 2
Clarinet Quartet: 4 clarinets 2
Flute, Oboe, Clarinet, Bassoon 2
Oboe, Clarinet, Bassoon (trio) 1
Tenor Saxophone and Piano 1
Saxophone (band part) 1
Saxophone and Organ 1
2 Flutes (duet) 1
Alto Saxophone 1
2 Saxophones (duet) 1
Flute, Violin, Piano 1
Flute, Oboe, Piano (trio) 1
Clarinet and Piano 1
Clarinet Ensemble 1

+ 18 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 9
French horn 6
Trombone and Piano 4
Trumpet 3
Brass Quartet: 4 trombones 3

Trumpet, Piano 2
2 Trombones (duet) 2
Brass quartet : 2 trumpets, trombone, tuba 2

2 Euphoniums and 2 Tubas 1
2 French horns (duet) 1
Tuba and Piano 1
Brass Quartet: 4 horns 1

+ 7 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 12
Cello, Piano 5
Viola, Piano 3
Violin, Viola (duet) 2
Violin, Cello (duet) 1

Violin and Piano 1
Double bass, Piano (duet) 1
Harp 1

+ 3 instrumentations

- Retract

Percussion & orchestra
Orchestra 16
Brass ensemble 9
Chamber Orchestra 8
Concert band 6
Percussion Ensemble 4

String Orchestra 4
Piano and Orchestra 1

+ 2 instrumentations

- Retract

Others

Home Best Sellers

New releases Methods Studies

Sellers

AmericansAt Musicnotes At Sheetmusicplus At Virtualsheetmusic
EuropeansAt Tomplay At Prof-Editions At Note4piano At Noviscore At Quickpartitions

International artists list

French artists list

Top artists

POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener

International Artists :
• First Call
• Caedmon's Call

FREE SHEET MUSIC
185,000+ free sheet music

SHEET MUSIC LIBRARY
1,500,000+ buy and delivery

DIGITAL SHEET MUSIC
2,000,000+ buy and print

MUSICAL INSTRUMENTS
200,000+ buy and delivery

Sheet Music Membership ($37.75/year)

Digital sheet music, access after purchasing

Post mailing Digital sheet music

Sorting and filtering :

with audio

with video

with play-along

You've selected:

First Call

expert

Brass quartet : 2 trumpets, trombone, tuba

Sheetmusic to print

2 sheet music found

Brass Quintet - Three Pastoral Sketches

Brass Quintet - Three Pastoral Sketches #Brass quartet : 2 trumpets, trombone, tuba #ADVANCED #Contemporary #Mike Lyons #Brass Quintet - Three Pastoral #Lyons Music Services #SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of â€˜pastoralâ€™ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, weâ€™re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans â€“ or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas â€“ particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than Â¾ so that it can be more languid. All the melodies are â€˜studiedâ€™ and â€˜formalâ€™ with long, languid notes and rhythms which donâ€™t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, thereâ€™s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they werenâ€™t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little â€“ but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.

$28.00 ≈ 25.80€

Elizabethan Serenade

Elizabethan Serenade #Brass quartet : 2 trumpets, trombone, tuba #ADVANCED #Ronald Binge #BRIAN W #Elizabethan Serenade #EMK Music #SheetMusicPlus

Brass Quartet - Level 5 - SKU: A0.1204611 By Ronald Binge. By Ronald Binge. Arranged by BRIAN W. COPPING. 20th Century,Chamber,Contest,Festival. 32 page...(+)

Brass Quartet - Level 5 - SKU: A0.1204611 By Ronald Binge. By Ronald Binge. Arranged by BRIAN W. COPPING. 20th Century,Chamber,Contest,Festival. 32 pages. EMK Music #803082. Published by EMK Music (A0.1204611). This well known piece has been arranged for Brass Quartet comprising Trumpet 1 &2 (Bb Cornet/Flugel Horn), Trombone/Euphonium and Bass. Â There are alternative parts for F Horn (Trombone/Euphonium), Eb Horn (Trombone/Euphonium), Bb Trombone/Euphonium in Treble and Bass Clef, Eb and Bb Bass in Treble and Bass Clef.Please Note: This title is published for Brass Quartet and Brass Quintet. The parts are not interchangeable and can be differentiated by looking at bottom left hand corner.In spite of its title, â€˜Elizabethan Serenadeâ€™ is a comparatively modern composition which was first performed by Mantovani in 1951. Â Originally called â€˜Andante Cantabileâ€™, Ronald Binge changed the name to reflect post-war optimism when Queen Elizabeth 11 came to the throne in 1952. Its popularity as a piece of light music and as a theme tune was further enhanced when lyrics were added in English and in several other European Languages.

$14.00 ≈ 12.90€