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violin ranges to high E
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You've selected:
violin ranges to high E
Sheetmusic to print
8 sheet music found
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1
Corant - trio- violin/clarinet/trombone
Corant - trio- violin/clarinet/trombone
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- violin/clarinet
#
Phil Beaman
#
SheetMusicPlus
Bass Trombone,Clarinet,Violin - Level 4 - Digital Download SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructi...
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Bass Trombone,Clarinet,Violin - Level 4 - Digital Download SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977651. Published by Phil Beaman (A0.1394166). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffClarinet - bottom line E# to high B above staffTrombone - low C below staff to high E above staffrecording is of Violin/Trumpet/Trombone, clarinet would substitute for the trumpet part.
$7.99 ≈
7.48€
Corant - trio- violin/trumpet/trombone
Corant - trio- violin/trumpet/trombone
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- violin/trumpet/
#
Phil Beaman
#
SheetMusicPlus
Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructio...
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Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977658. Published by Phil Beaman (A0.1394185). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffTrumpet - bottom line E# to high B above staffTrombone - low C below staff to high E above staff.
$7.99 ≈
7.48€
Corant - trio- violin/oboe/cello
Corant - trio- violin/oboe/cello
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- violin/oboe/cel
#
Phil Beaman
#
SheetMusicPlus
Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standar...
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Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.
$7.99 ≈
7.48€
Sonata E minor
Sonata E minor
#
Georg Philipp Telemann
#
Sonata E minor
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Schott Music - Digital
#
SheetMusicPlus
Oboe (flute, violin) and basso continuo - easy - Digital Download SKU: S9.Q5181 From Essercizii Musici. Composed by Georg Philipp Telemann. This e...
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Oboe (flute, violin) and basso continuo - easy - Digital Download SKU: S9.Q5181 From Essercizii Musici. Composed by Georg Philipp Telemann. This edition: Sheet music. Essercizii Musici - oboe. Oboe Library. Downloadable. Schott Music - Digital #Q5181. Published by Schott Music - Digital (S9.Q5181). Key: E minor.Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$15.99 ≈
14.96€
Concerto E Major
Concerto E Major
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Karl Ditters von Dittersdorf
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Concerto E Major
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Schott Music - Digital
#
SheetMusicPlus
Double bass and orchestra - intermediate - Digital Download SKU: S9.Q11702 Composed by Karl Ditters von Dittersdorf. This edition: piano reduction with s...
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Double bass and orchestra - intermediate - Digital Download SKU: S9.Q11702 Composed by Karl Ditters von Dittersdorf. This edition: piano reduction with solo part. Double bass - double bass library - concerto. Double-Bass Library. Downloadable, Piano reduction with solo part. Duration 11 minutes. Schott Music - Digital #Q11702. Published by Schott Music - Digital (S9.Q11702). Key: E major.Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$22.99 ≈
21.51€
I'm Gonna Live So God Can Use Me - Congregational Set (for Lead, SATB choir, Piano, and Ensemble)
I'm Gonna Live So God Can Use Me - Congregational Set (for Lead, SATB choir, Piano, and Ensemble)
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
#
Sharon Wilson
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Soprano--C4 to A4
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I'm Gonna Live So God Can Use
#
Sharon Wilson
#
SheetMusicPlus
Large Ensemble B-Flat instrument,C Instrument,Cello,Choir,Clarinet,E-Flat Instrument,Flute,High Voice,Low Voice,Medium Voice,Oboe,Piano Accompaniment,Saxophone,...
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Large Ensemble B-Flat instrument,C Instrument,Cello,Choir,Clarinet,E-Flat Instrument,Flute,High Voice,Low Voice,Medium Voice,Oboe,Piano Accompaniment,Saxophone,Trombone,Trumpet,Violin - Level 3 - Digital Download SKU: A0.564609 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 34 pages. Sharon Wilson #1501. Published by Sharon Wilson (A0.564609). No one need be left out in this fun, easy-to-learn arrangement which includes reproducible parts for the congregation and an eclectic ensemble of instruments (flute, oboe, violin, trumpet, clarinet, trombone, cello, saxophone, and others). The lead singer carries the melody while the SATB choir (or quartet) echoes with the harmony parts. After a verse or two, the congregation can join in using the reproducible lead sheet (or since the words are in the public domain, project them on a screen). The score includes four verses (I'm gonna live, work, pray, sing...) but the song can be made as long or short as desired by using fewer verses or repeating some or even adding more words in place of the four suggested. The Lead, SATB, and 2 additional harmony parts (a descant and bass line) are transcribed for C instruments and most parts are also transcribed for B-Flat and E-flat instruments. There is also a separate piano accompaniment score with the melody line (and guitar chords) for reference. Written in the key of F major, the vocal ranges are as follows: Lead--C4 to D5; Soprano--C4 to A4; Alto--A3 to F4; Tenor--F3 to C4; Baritone--C3 to A3. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$29.99 ≈
28.06€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
9.36€
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1
violin ranges to high E
